Человек и культура最新文献

{"title":"Expressive properties of embellishment in vocal music the first halfof the 18th-century","authors":"Elena Kruglova","doi":"10.25136/2409-8744.2023.6.69245","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.6.69245","url":null,"abstract":"In the modern performance of ancient music, one of the central tasks of singers is the desire to decorate the melody independently. Taking into account the lack of knowledge and skills of Baroque improvisation among domestic performers, the decorations used often represent, in fact, only a technical element that needs to be dealt with. In this case, the ornaments have no artistic value, they sound faded, not corresponding to the main purpose – to emphasize the affect and enhance its expressiveness. The proposed article is aimed at solving topical problems in the field of Baroque performance related to vocal ornamentation and the transmission of the affect of the composition. The author of the article provides historical data on the characteristics of melisms and their focus on the expression of certain affects, which determines the scientific novelty of the study. The research methodology is based on a historical approach. Methods of analysis and synthesis are also of particular importance, thanks to which, when studying disparate data, it was possible to recreate the history of ornamental art in connection with the opera traditions of the first half of the XVIII century. The author's position is that any kind of ornamentation in ancient arias should be used in the melodic line in order to emphasize and enhance the affect of the composition being performed. When performing compositions of the time in question, it is important for a singer to understand the importance of decorating a melody as one of the main means of expression and, accordingly, be guided by the choice of jewelry. The author draws conclusions about the relationship and mutual influence of ornamentation and affect in the Baroque music. The material of the article and the conclusions will be useful to singers performing ancient music for its stylistically correct interpretation.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139371098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Transformation of winter costume in Yakutia in the era of modernization of the late XIX – mid XX centuries.","authors":"Aitalina Rodionovna Fedorova, Anatolii Ignat'evich Gogolev","doi":"10.25136/2409-8744.2023.6.69142","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.6.69142","url":null,"abstract":"This article examines the process of changing everyday clothes in Yakutia in the late XIX – mid XX centuries on the example of a winter suit. This historical period was marked by active modernization processes in the region, which also affected the material culture of the population. The issue of adaptation of residents of the Far North to new economic conditions is relevant in this regard: how the transition from the traditional way of life to Soviet culture took place. The hypothesis of the present study is that the culture and technologies of traditional tailoring of fur and leather have been preserved in the studied period precisely because of the need for the population to self-sustain themselves with winter clothing in conditions of shortage of goods and raw materials. The chronological framework of the study covers the period of the end of the existence of the traditional Yakut costume and ends in the middle of the twentieth century. To study the winter costume, photographic materials were used, which depicted samples of everyday clothes. Photos from the photo funds of the Yakut State United Museum of History and Culture of the Peoples of the North named after Em. Yaroslavsky, which includes images from both public and private collections, are considered. In addition, consultations with informants were held to supplement the data. This topic has not yet become the subject of special study, since the costume of this period is no longer ethnic. Nevertheless, in our opinion, it is interesting in the context of studying the adaptation of folk traditions to modernization processes. Using visual and field sources, the transformation of casual clothing in Yakutia of the studied period is considered. The authors of the article came to the conclusion that in the era of modernization there was a sharp change in the way of life, which affected the material culture of the inhabitants of Yakutia. Unification in the wardrobe of citizens of the Soviet state in the first half of the twentieth century could not always cover the needs of residents of specific climatic zones, including residents of the northern republics. This contributed to the preservation of traditional technologies of manual production of winter clothing.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139371237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Syncretism of Paganism and Orthodoxy in the Mari and Udmurt Cultures: Confessional markers in the natural landscape","authors":"K. Odegova, Ekaterina Vasilievna Bykova","doi":"10.25136/2409-8744.2023.6.69176","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.6.69176","url":null,"abstract":"For Russia as a multinational country, with a rich history and traditions, as well as a specific way of life, the topic of double faith is still relevant to this day. The subject of the study is the confessional markers of dual faith in the Mari and Udmurt cultures in modern settlements of the southern districts of the Kirov region. The aim of the work is to analyze the representation and visualization of the syncretism of paganism and Orthodoxy in the Mari and Udmurt cultures through confessional markers in the natural landscape of the southern districts of the Kirov region. The empirical basis of the research is the materials of the 2017-2023 expeditions to the Kizmez and Malmyzhsky districts of the Kirov region, where Mari and Udmurts live, who are third and fourth most numerous population of the Kirov region. Based on the methods of analyzing the features of religious and ethno-cultural interactions of these peoples and analyzing sacred objects inscribed in the natural landscape, the authors used methods of historical and cultural comparison and analysis of textual materials. New objects of the sacred natural landscape have been identified among the Mari and Udmurts, in which there is a deification of nature. It manifests itself in such confessional markers as sacred groves and fields where pagan deities, spirits of the forest were worshipped. In addition, the sacred meaning was carried by the sanctuaries of heroes and places associated with the souls of the dead, inscribed in the natural landscape of the area. The novelty of the research consists in clarifying the specifics of some rituals, supplementing information about the beliefs of the Udmurts and Mari, introducing new objects of the sacred cultural landscape into scientific circulation, which is designated as the intangible cultural heritage of the peoples of the Vyatka Region. The authors come to the conclusion that some fragments of pagan beliefs and rituals among the Mari and Udmurts still exist and are closely connected with the natural landscape and memories of places of worship, the historical memory of the people. At the same time, Orthodoxy has taken deep roots and strong roots in the hearts of these peoples. But the historical and comparative study of religious beliefs and rituals shows that the original syncretism of Orthodoxy and paganism of the Mari and Udmurts of the southern districts of the Kirov region serve as a means of ethnic identification in the formation of the sacred cultural and natural landscape.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139371922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art Nouveau in the architecture of South-coast villas and palaces as a contribution of outstanding personalities of their owners and architects to the cultural landscape of Crimea","authors":"Elena Romanovna Kotliar, Vladimir Aleksandrovich Khlevnoi","doi":"10.25136/2409-8744.2023.6.69201","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.6.69201","url":null,"abstract":"The Art Nouveau style in architecture of the late XIX-the first third of the twentieth century was distinguished by the synthesis of all previous styles and the free variability of the composition of both the main architectural volumes and their decor. Depending on the predominance of a particular style in a particular building, it is classified as a sub-style, for example, Neo-Gothic, Neo-Baroque, Neo-Renaissance, Neo-Russe, etc. A characteristic feature of modernity is also the use of various ethnic elements by architects. The subject of the article is the cultural characteristics of villas and palaces on the Southern coast of Crimea and the individual character reflected in them by architects in accordance with the requirements of customers, their national and professional affiliation, interests and hobbies. A special contribution of the authors is the analysis of the examples of architecture and its decoration, not abstractly, but in close connection with the personality of their owners and customers. The article uses the methods of historicism and the comparative method in the analysis of the belonging of an architectural object to a particular style; methods of analysis and synthesis in the characteristics of styles of both individual parts of architectural monuments and the entire building as a whole. The scientific novelty of the study lies in the fact that for the first time the authors described the villas and palaces of the Southern coast of Crimea not only from a historical, architectural and historical-art historical point of view, but from the point of view of matching the styles of buildings to the individual characteristics of the personalities of their owners. Conclusions. 1. The Art Nouveau style spread in Western and Eastern Europe, including Crimea, from the end of the XIX century, and existed on the peninsula until the 1930s. The elegant character of country villas and palaces, mostly white, was especially relevant in Crimea, contrasting with the blue sky and sea and bright vegetation, creating a typical southern the color of the resort area. 2. The cultural landscape of Crimea is made up of a diverse variety of ethnic cultures, the heritage of state entities, as well as outstanding personalities who have contributed to it. In this sense, the unique buildings and their connection with the personalities of their owners represent one of the characteristic features of the historical and cultural landscape of Crimea.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"161 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139371502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Features of the formation of the cultural and landscape environment near the objects of Moscow's natural heritage on the example of the Ramenka River Valley","authors":"Olga Shulgina, Dar'ya Pavlovna Shul'gina","doi":"10.25136/2409-8744.2023.5.43526","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.43526","url":null,"abstract":"The article is devoted to the study of the formation of the cultural and landscape environment of Moscow. The cultural landscape is considered as a result of the co-creation of nature and man, which is especially pronounced in urbanized space. This can be traced in historical and cultural contexts on the example of the territory located in the valley of the Ramenka River. The relevance of the study is due to the insufficient study of this territory, which became part of Moscow only in the middle of the twentieth century and the importance of scientific understanding of modern architectural and landscape transformations. The work is based on literary, archival, cartographic sources, data from their own local history observations. The work uses historical and cartographic research methods, as well as methods of local history observations, system-structural analysis. The scientific novelty of the research consists in the systematization and generalization of multiple diverse information characterizing the history of the formation of the cultural landscape of one of the districts of Moscow; in identifying the factors that determined the peculiarities of the formation and change in time of these landscapes, in assessing the impact of modern architectural and urban planning approaches on the environmental situation. The main conclusions of the study: despite the centuries-old efforts of people to dominate the \"nature-society-man\" system, with the development of ecological culture, the priority of natural values in the formation of urban landscapes increases; the natural heritage of Moscow is an integral element of its cultural heritage; the construction of modern residential complexes near natural heritage sites, paradoxically, contributes to the improvement of environmental situation, creative improvement of the visual environment.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"194 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135563748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On the representation of the cultural category of sinfulness in the works of A.N. Radishchev","authors":"Elena Aleksandrovna Semukhina, Elena Viktorovna Ovchinnikova","doi":"10.25136/2409-8744.2023.5.68780","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.68780","url":null,"abstract":"The subject of the research in this article is the category of sinfulness and the peculiarities of its actualization in the Russian culture of the late XVIII – early XIX century. The author examines the category under study through the prism of fiction, since this historical period is characterized by a special literary centrism, when the social, spiritual, and cultural life of society was reliably reflected in the works of art. The author focuses on the cultural analysis of A.N. Radishchev's treatise \"On man, his mortality and Immortality\", in which the category of sinfulness is represented through the writer's appeal to such concepts as vice, virtue, the sin of lust, greed, laziness and pride, as well as to the idea of punishment for sins, images of heaven and hell. The scientific novelty of the study lies in the fact that for the first time the category of sinfulness was considered, an objectification of the sin was found in the work of A.N. Radishchev \"About man, his mortality and immortality\". In his essay, the writer examines in detail the sin of lust, its causes and consequences, devoting only a few lines to other sins, such as laziness, greed and pride, which allows us to judge their subjective significance. Based on the conducted cultural analysis, the author concludes that the category under study is implicit and is the basic one for the Russian society of the XIX century. In the work of A.N. Radishchev, the main, regulatory function of the category of sinfulness is actualized.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"213 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135563602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Artistic activity of Russian-Soviet artists in Harbin and Shanghai China during the period of the Republic of China (1912–1949)","authors":"Jie Bai","doi":"10.25136/2409-8744.2023.5.43954","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.43954","url":null,"abstract":"This article mainly studies and analyzes the artistic activity of Soviet artists in Harbin and Shanghai during the period of the Republic of China. Due to their special geographical location, Harbin and Shanghai have always been centers of dissemination and artistic exchange of Soviet art and culture in China. The subject of the study is various types of art education and artistic activities that Soviet artists carried out in China during the period of the Republic of China. The object of the study is the influence that the spread of Soviet realistic painting in China had on the development of modern Chinese art in the XX century. The author pays special attention to the analysis of the profound impact that the appearance of various art studios created in China, acquaintance with the artistic work of Soviet artists, as well as training with the owl, have had on the development of modern Chinese art. Soviet art has been the basis for the development of modern Chinese art from the very beginning. The novelty of this study lies in the fact that the author addresses a little – explored topic – how the arrival of Soviet artists in China, which coincided with the \"Movement of Foreign Painting\" in the Republic of China, influenced the formation of Chinese art. Soviet artists strongly supported the innovative artistic creativity of Chinese artists and at the same time contributed to the dominance of Soviet realistic art in the artistic landscape during the formation of China. The main conclusions of the study are that the mass spread of Soviet art in China created new ground for traditional Chinese art, gave a continuation and a new life to traditional painting. To a certain extent, this influenced the artistic and aesthetic preferences of that time and even the general public, and also directly affected the development of Chinese art education in the XX century.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135563745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Understanding the \"other\" in the dialogue of cultures","authors":"Svetlana Viktorovna Mikhelson","doi":"10.25136/2409-8744.2023.5.40953","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.40953","url":null,"abstract":"The article presents an analysis of the principles of the \"dialogue of cultures\" principle, as a means of intercultural interaction between people belonging to different cultures. The clash of different cultures creates the need for dialogue and actualizes the question of the possibility of understanding. The problem of understanding the \"other\" in the dialogue of cultures includes not only the problem of understanding representatives of different cultural communities, but also the clash of \"other\" social communities, \"other\" peoples, \"other\" personalities. It is important to note that the existence of culture is possible only in the dialogue of those who created and those who perceive the phenomenon of culture. The dialogue of cultures is a form of interaction, understanding and evaluation of cultural objectivity and is at the center of the cultural process. The interaction of cultures in the modern world is manifested at all levels of human life: in everyday, economic, political, business levels. The increased interest in the issues of the culture of negotiation, intercultural interaction, the role of culture in society and various spheres of public life is closely related to the problems of a cultural nature. It becomes relevant to study the processes of adaptation to a foreign cultural environment, where the subject of research is not only new value standards, but also the mechanisms of interaction of existing cultural norms and, which is very important, the study of universal concepts used in various forms of cultural dialogue.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135563744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Main expressive devices of the literary screenplay in Russian cinema of the 1990s","authors":"Elizaveta Vladimirovna Prokhorova","doi":"10.25136/2409-8744.2023.5.44041","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.44041","url":null,"abstract":"The article explores the means of literary expressiveness used in the literary screenplays of film screenwriters of the 1990s. The literary screenplay, characterized by the extensive use of literary devices, became an educational and production standard of Soviet cinema from the 1930s. All elements of this form are subservient to the goal of subsequent screen embodiment and are directly related to the issues of the future film. In the 1990s, the transition from the state-controlled Soviet film production system to the producer model led to a shift towards the American screenplay, whose dry and concise language was radically opposed to the stylistic uniqueness of the literary screenplay. Some of the last debutants among the graduates of VGIK, who received their education in accordance with the Soviet model of teaching film dramaturgy (P. Lutsyk and A. Samoryadov, R. Litvinova, A. Balabanov), develop in their screenplays a complex set of techniques aimed at reflecting their contemporary issues through the formation of the film's chronotope, speech characteristics of the hero and their image using literary means – syntax, through which the spatial-temporal unity of the screenplay is organized, replicas, the score of the role, and the logic of editing and camera work (scale, angle, point of shooting) are created. These structural elements are inseparable from screenplay as a type of text. The author comes to the conclusion that the development of methods for their presentation in the screenplay text by the authors of the 1990s significantly influences the subsequent development of Russian screenwriting.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135517875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The problem of intercultural communication in education: culture shock and adaptation to it.","authors":"Yanli Khe","doi":"10.25136/2409-8744.2023.5.43838","DOIUrl":"https://doi.org/10.25136/2409-8744.2023.5.43838","url":null,"abstract":"The subject of this article refers to the phenomenon of culture shock based on data obtained from a survey of Chinese students studying at the Faculty of Foreign Languages and Area Studies of Lomonosov Moscow State University. The signs of culture shock as a social phenomenon and mental state are listed. The reasons leading to culture shock and its consequences are considered. In addition, the history of studying this issue by Russian and foreign scientists is widely presented. The scientific novelty of the work lies in the use of qualitative and quantitative methods for collecting and analyzing the information obtained, as well as the development of approaches to prevent such a situation. The study shows that signs of culture shock are inherent in all Chinese students in Russia to varying degrees. However, through analysis of detailed data, it is discovered that individual differences in intercultural adaptation are more significant. Culture shock is not directly related to gender, but has a certain connection with specialties and courses. Meanwhile, this phenomenon has a greater degree of connection with character and the ability to intercultural communication (the ability to solve problems when faced with them). In addition, measures are proposed aimed at preventing this condition, as well as overcoming the communication barrier, improving intercultural communication and developing international education.","PeriodicalId":333566,"journal":{"name":"Человек и культура","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135516935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}