南海岸别墅和宫殿建筑中的新艺术风格--其业主和建筑师的杰出人物对克里米亚文化景观的贡献

Elena Romanovna Kotliar, Vladimir Aleksandrovich Khlevnoi
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引用次数: 0

摘要

十九世纪末至二十世纪前三十年的新艺术风格建筑的特点是综合了以前的所有风格,主要建筑体量及其装饰的构成自由多变。根据某一特定风格在某一特定建筑中的主导地位,它被归类为一种子风格,如新哥特式、新巴洛克式、新文艺复兴式、新罗斯式等。建筑师使用各种民族元素也是现代性的一个特征。文章的主题是克里米亚南岸别墅和宫殿的文化特征,以及建筑师根据客户的要求、民族和职业归属、兴趣和爱好在这些别墅和宫殿中体现出的个性特征。作者的特殊贡献在于对建筑及其装饰实例的分析,不是抽象的分析,而是与业主和客户的个性紧密联系在一起的分析。文章采用历史主义方法和比较方法分析建筑对象是否属于某一特定风格;采用分析和综合方法分析建筑遗迹单个部分和整个建筑的风格特征。该研究的科学新颖性在于作者首次不仅从历史、建筑和历史艺术史的角度,而且从建筑风格与业主个性特征相匹配的角度描述了克里米亚南岸的别墅和宫殿。结论1.新艺术风格从十九世纪末开始在包括克里米亚在内的西欧和东欧传播,在半岛上一直 延续到二十世纪三十年代。乡村别墅和宫殿多为白色,其优雅的特点在克里米亚尤为突出,与蓝天碧海和鲜艳的植被形成鲜明对比,形成度假区典型的南方色彩。2.克里米亚的文化景观由多种多样的民族文化、国家实体的遗产以及为其做出贡献的杰出人物组成。从这个意义上说,独特的建筑及其与主人个性的联系是克里米亚历史文化景观的特色之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art Nouveau in the architecture of South-coast villas and palaces as a contribution of outstanding personalities of their owners and architects to the cultural landscape of Crimea
The Art Nouveau style in architecture of the late XIX-the first third of the twentieth century was distinguished by the synthesis of all previous styles and the free variability of the composition of both the main architectural volumes and their decor. Depending on the predominance of a particular style in a particular building, it is classified as a sub-style, for example, Neo-Gothic, Neo-Baroque, Neo-Renaissance, Neo-Russe, etc. A characteristic feature of modernity is also the use of various ethnic elements by architects. The subject of the article is the cultural characteristics of villas and palaces on the Southern coast of Crimea and the individual character reflected in them by architects in accordance with the requirements of customers, their national and professional affiliation, interests and hobbies. A special contribution of the authors is the analysis of the examples of architecture and its decoration, not abstractly, but in close connection with the personality of their owners and customers. The article uses the methods of historicism and the comparative method in the analysis of the belonging of an architectural object to a particular style; methods of analysis and synthesis in the characteristics of styles of both individual parts of architectural monuments and the entire building as a whole. The scientific novelty of the study lies in the fact that for the first time the authors described the villas and palaces of the Southern coast of Crimea not only from a historical, architectural and historical-art historical point of view, but from the point of view of matching the styles of buildings to the individual characteristics of the personalities of their owners. Conclusions. 1. The Art Nouveau style spread in Western and Eastern Europe, including Crimea, from the end of the XIX century, and existed on the peninsula until the 1930s. The elegant character of country villas and palaces, mostly white, was especially relevant in Crimea, contrasting with the blue sky and sea and bright vegetation, creating a typical southern the color of the resort area. 2. The cultural landscape of Crimea is made up of a diverse variety of ethnic cultures, the heritage of state entities, as well as outstanding personalities who have contributed to it. In this sense, the unique buildings and their connection with the personalities of their owners represent one of the characteristic features of the historical and cultural landscape of Crimea.
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