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Dave Brubeck's Definitive "Jazzanians" 戴夫·布鲁贝克的权威专辑《爵士乐》
Journal of Jazz Studies Pub Date : 2013-09-27 DOI: 10.14713/JJS.V9I1.53
Vasil Cvetkov
{"title":"Dave Brubeck's Definitive \"Jazzanians\"","authors":"Vasil Cvetkov","doi":"10.14713/JJS.V9I1.53","DOIUrl":"https://doi.org/10.14713/JJS.V9I1.53","url":null,"abstract":"","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123914186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Response to Randall Sandke 对兰德尔·桑德克的回应
Journal of Jazz Studies Pub Date : 2013-03-17 DOI: 10.14713/JJS.V8I2.45
Andrew Sanchirico
{"title":"Response to Randall Sandke","authors":"Andrew Sanchirico","doi":"10.14713/JJS.V8I2.45","DOIUrl":"https://doi.org/10.14713/JJS.V8I2.45","url":null,"abstract":"Andrew Sanchirico's response to Randall Sandke's \"Jazz Studies: Mainstream or Listing in a Sea of Ideology?\"","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131984732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Duke At Fargo: Liner notes from Storyville CD 法戈公爵:来自Storyville CD的内线笔记
Journal of Jazz Studies Pub Date : 2013-03-17 DOI: 10.14713/JJS.V8I2.43
A. Kuebler
{"title":"The Duke At Fargo: Liner notes from Storyville CD","authors":"A. Kuebler","doi":"10.14713/JJS.V8I2.43","DOIUrl":"https://doi.org/10.14713/JJS.V8I2.43","url":null,"abstract":"As a tribute to Annie Kuebler's enduring legacy to jazz studies, the Journal of Jazz Studies presents her insightful liner notes to the CD set \"The Duke at Fargo 1940: Special 60th Anniversary Edition.\" These notes from Storyville STCD 8317/17 were reprinted by permission of Storyville Records.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130529463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Jazz–Flamenco Connection: Chick Corea and Paco de Lucía Between 1976 and 1982 爵士与弗拉门戈的联系:1976年至1982年间，Chick Corea和Paco de Lucía
Journal of Jazz Studies Pub Date : 2012-07-17 DOI: 10.14713/JJS.V8I1.23
Juan Zagalaz
{"title":"The Jazz–Flamenco Connection: Chick Corea and Paco de Lucía Between 1976 and 1982","authors":"Juan Zagalaz","doi":"10.14713/JJS.V8I1.23","DOIUrl":"https://doi.org/10.14713/JJS.V8I1.23","url":null,"abstract":"The close collaboration between Chick Corea and Paco de Lucia shows a clear example of the connection between jazz and flamenco. The release of Corea’s My Spanish Heart (1976), an explicit approach to the Latin and Spanish musical spheres, and the recordings of Paco de Lucia with jazz saxophonist Pedro Iturralde in the late 60’s led Paco and Chick to discover one another. This article offers an analytical perspective of the early years of this collaboration by reviewing Corea’s records My Spanish Heart and Touchstone (1982) , and De Lucia’s Paco de Lucia Interpreta a Manuel de Falla (1978) and Solo Quiero Caminar (1981), not only through the solos of the guitarist and pianist, but also through those played by the musicians who recorded and toured with both of them in the following years: Jorge Pardo and Carles Benavent.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134082996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The Expansion of Jazz through the Life of a South African Singer 从一位南非歌手的一生看爵士乐的发展
Journal of Jazz Studies Pub Date : 2012-07-17 DOI: 10.14713/JJS.V8I1.33
G. Akkerman
{"title":"The Expansion of Jazz through the Life of a South African Singer","authors":"G. Akkerman","doi":"10.14713/JJS.V8I1.33","DOIUrl":"https://doi.org/10.14713/JJS.V8I1.33","url":null,"abstract":"Johnny Hartman biographer, Gregg Akkerman, reviews South African singer Sathima Bea Benjamin's life story as related in Musical Echoes:South African Women Thinking in Jazz , by Carol Ann Muller and Benjamin.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115416601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazz Research Bibliography (2009-2010) 爵士研究参考书目(2009-2010)
Journal of Jazz Studies Pub Date : 2012-07-17 DOI: 10.14713/JJS.V8I1.34
R. Desmeules
{"title":"Jazz Research Bibliography (2009-2010)","authors":"R. Desmeules","doi":"10.14713/JJS.V8I1.34","DOIUrl":"https://doi.org/10.14713/JJS.V8I1.34","url":null,"abstract":"This bibliography compiles articles of interest in jazz music scholarship that were published in 2009 or 2010 and appeared in journals not specifically dedicated to jazz study.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121350084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Approach to Phrase Rhythm in Jazz 爵士乐句节奏的探讨
Journal of Jazz Studies Pub Date : 2012-07-17 DOI: 10.14713/JJS.V8I1.35
S. Love
{"title":"An Approach to Phrase Rhythm in Jazz","authors":"S. Love","doi":"10.14713/JJS.V8I1.35","DOIUrl":"https://doi.org/10.14713/JJS.V8I1.35","url":null,"abstract":"In jazz improvisation, the meter of the original theme is strictly preserved, and the middleground harmonies are maintained, while the original melody is varied freely, especially with respect to its grouping structure—where phrases begin and end. This poses problems for theories of phrase rhythm that rely on a tonal definition of the phrase. In this paper, I propose a new approach to jazz phrase rhythm. First, I divide a melody into segments on the basis of four criteria. Then I classify each segment on the basis of its relationship to the meter and to surrounding segments. The result is a hierarchy of metrically defined phrases. Phrase rhythm consonance and dissonance are the alignment or misalignment of phrases with the meter. Skilled soloists manipulate phrase rhythm as they would any other element of a solo. I conclude with an ambiguous example, to demonstrate how phrase-rhythm analysis can present competing interpretations of the same passage.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132056626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
Is Conventional Jazz History Distorted by Myths 传统爵士乐的历史被神话扭曲了吗
Journal of Jazz Studies Pub Date : 2012-07-17 DOI: 10.14713/JJS.V8I1.30
Andrew Sanchirico
{"title":"Is Conventional Jazz History Distorted by Myths","authors":"Andrew Sanchirico","doi":"10.14713/JJS.V8I1.30","DOIUrl":"https://doi.org/10.14713/JJS.V8I1.30","url":null,"abstract":"A recent book by jazz musician Randall Sandke strongly criticizes jazz writers and scholars for presenting a biased and misleading picture of jazz history. His basic thesis is that, because of ideology, the standard jazz texts exaggerate the importance of African American culture in the development of jazz, thereby creating a mythology of jazz. This article examines one aspect of Sandke’s thesis: his assertion that the myths created by earlier jazz writers are being perpetuated by present day writers. A content analysis of jazz history books published since 1990 indicates that Sandke’s assertion is largely false. Only one of seven myths that he identified appears with any regularity in the current jazz history books.  The six other myths are rarely if ever found in the literature. After describing these findings, the article draws some conclusions.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129284320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication 迈尔斯·戴维斯·诺内手稿失而复得:从手稿到出版
Journal of Jazz Studies Pub Date : 2011-11-16 DOI: 10.14713/JJS.V7I2.14
Jeffrey Sultanof
{"title":"The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication","authors":"Jeffrey Sultanof","doi":"10.14713/JJS.V7I2.14","DOIUrl":"https://doi.org/10.14713/JJS.V7I2.14","url":null,"abstract":"In 2002 the author published Birth of the Cool , a folio of the Miles Davis nonet repertoire of 1948 to 1950, based on the original manuscripts. This article gives a brief history of the nonet and its music; describes how the manuscripts turned up and how the folio came to be published; presents listings of the most salient editorial changes made to the parts in preparing the folio, as well as corrections that should be made to the folio; and shares new information about this repertoire that has come to light since the folio's publication. Finally, the article presents the author's philosophical and practical approach to preparing accurate versions of jazz and popular ensemble music.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117002822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Psychoacoustic Foundations Of Contextual Harmonic Stability In Jazz Piano Voicings 爵士钢琴发声中背景和声稳定性的心理声学基础
Journal of Jazz Studies Pub Date : 2011-11-16 DOI: 10.14713/JJS.V7I2.13
J. McGowan
{"title":"Psychoacoustic Foundations Of Contextual Harmonic Stability In Jazz Piano Voicings","authors":"J. McGowan","doi":"10.14713/JJS.V7I2.13","DOIUrl":"https://doi.org/10.14713/JJS.V7I2.13","url":null,"abstract":"While many written sources on tonal jazz harmony are implicitly aware of the fundamental differences between \"stable\" and \"unstable\" chords, little significant work has examined an improvising jazz pianist's harmonic options in terms of stability, or \"consonance.\" For this article the author focuses on the vertical dimensions of this issue, providing a \"harmonic dialects\" model that accounts for variants in chordal membership of stable sonorities, and an outline of psychoacoustic phenomena that affect how various piano voicings are interpreted as stable or unstable in different contexts.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121536201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
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