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Journal of Jazz Studies最新文献

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(Un) Cool Cats: Challenging the Traditional View of the French Response to Jazz 酷猫:挑战法国对爵士乐的传统看法
Journal of Jazz Studies Pub Date : 2015-04-02 DOI: 10.14713/JJS.V10I2.95
Merve Fejzula
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引用次数: 0
Dig-It: The Musical Life of Ted Brown 《挖掘:泰德·布朗的音乐生活》
Journal of Jazz Studies Pub Date : 2014-12-01 DOI: 10.14713/jjs.v10i2.99
Marian Jago
{"title":"Dig-It: The Musical Life of Ted Brown","authors":"Marian Jago","doi":"10.14713/jjs.v10i2.99","DOIUrl":"https://doi.org/10.14713/jjs.v10i2.99","url":null,"abstract":"Amid the mass of jazz scholarship which still concentrates on the most famous architects of the music (Parker, Davis, Coltrane etc) it is all too easy to overlook the contributions of less recorded and commercially successful artists.  Ted Brown, tenor saxophonist and former student of pianist / educator Lennie Tristano, is such a player.  Never quite as successful or well known as fellow Tristano students Lee Konitz and Warne Marsh, Brown nonetheless participated fully in the musical culture that grew up around Tristano's Manhattan studio.  A unique and melodic improviser and composer who contributed several tunes to the Tristano canon, Brown managed to reach the highest levels of jazz performance while simultaneously working a full-time day job.  An examination of his musical life lends insight into what Nat Hentoff called 'the jazz life', as well as into the practical application of Tristano's pedagogical methods.  A talented artist with a decidedly unique story, Ted Brown serves to remind us that some of the most interesting voices of jazz can be of those few people recognize.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124691508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Marabi Nights”: An Enlightening History Of Another Jazz “马拉比之夜”:另一种爵士乐的启蒙历史
Journal of Jazz Studies Pub Date : 2014-09-01 DOI: 10.14713/jjs.v10i1.85
J. King
{"title":"“Marabi Nights”: An Enlightening History Of Another Jazz","authors":"J. King","doi":"10.14713/jjs.v10i1.85","DOIUrl":"https://doi.org/10.14713/jjs.v10i1.85","url":null,"abstract":"A review of Marabi Nights: Jazz, 'race' and society in early apartheid South Africa by Christopher Ballantine.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127006504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conflicting Strategies of Management and Memory at the Indiana Roof Ballroom, 1933-34 管理和记忆的冲突策略在印第安纳屋顶舞厅，1933-34
Journal of Jazz Studies Pub Date : 2014-08-31 DOI: 10.14713/JJS.V10I1.81
C. M. Balensuela
{"title":"Conflicting Strategies of Management and Memory at the Indiana Roof Ballroom, 1933-34","authors":"C. M. Balensuela","doi":"10.14713/JJS.V10I1.81","DOIUrl":"https://doi.org/10.14713/JJS.V10I1.81","url":null,"abstract":"The Indiana Roof Ballroom in downtown Indianapolis houses a unique artifact relating to the reception of jazz and popular music in the early 1930s known as the “Jazz Door.” Two stagehands listed the bands that played at the Roof from 1933 to 1936 on the door, giving a rating of one to four stars (fair to extraordinary), for each band. This paper compares the entries on the Door for the 1933-34 season with ticket prices and publicity for the Ballroom, as seen in the local newspapers.  Such a comparision demonstrates that the creators of the Jazz Door and the management of the Indiana Roof Ballroom had differing opinions on the roles and purposes of popular music. In seeking to explain these differences, this paper views the Jazz Door not only as a record of jazz criticism, but seeks to place the Door within the larger contexts of society and commerce at the height of the Depression.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122520030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Charlie Parker: Two New Bios And A Revision - Crouch, Haddix and Giddins 查理帕克:两个新的传记和修订-克劳奇，哈迪克斯和吉丁斯
Journal of Jazz Studies Pub Date : 2014-08-31 DOI: 10.14713/jjs.v10i1.82
Jeffrey Sultanof
{"title":"Charlie Parker: Two New Bios And A Revision - Crouch, Haddix and Giddins","authors":"Jeffrey Sultanof","doi":"10.14713/jjs.v10i1.82","DOIUrl":"https://doi.org/10.14713/jjs.v10i1.82","url":null,"abstract":"A review of two recent Charlie Parker biographies: Kansas City Lightning: The Rise and Times of Charlie Parker by Stanley Crouch; Bird: The Life and Music of Charlie Parker by Chuck Haddix; a revised version of Celebrating Bird: The Triumph of Charlie Parker by Gary Giddins.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132220668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Down to Business: Herman Lubinsky and the Postwar Music Industry 《切入正道:赫尔曼·鲁宾斯基和战后音乐产业》
Journal of Jazz Studies Pub Date : 2014-08-31 DOI: 10.14713/JJS.V10I1.84
R. Cherry, Jennifer A. Griffith
{"title":"Down to Business: Herman Lubinsky and the Postwar Music Industry","authors":"R. Cherry, Jennifer A. Griffith","doi":"10.14713/JJS.V10I1.84","DOIUrl":"https://doi.org/10.14713/JJS.V10I1.84","url":null,"abstract":"This article assesses the claims of exploitation leveled against mid-twentieth-century Jewish record company owners, focusing on Herman Lubinsky and his Savoy Records. Lubinsky faced a highly competitive economic climate as the commercial popularity of jazz waned in the 1950s. By attending solely to the few record company owners who became successful, and treating favorably those with noticeable appreciation for the music or the musicians, historians have mischaracterized owners, like Lubinsky, who prioritized risk management in their business ventures.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129961780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"You've got to appreciate all kinds of music" “你必须欣赏各种各样的音乐”
Journal of Jazz Studies Pub Date : 2014-08-29 DOI: 10.14713/jjs.v10i1.80
R. Riccardi
{"title":"\"You've got to appreciate all kinds of music\"","authors":"R. Riccardi","doi":"10.14713/jjs.v10i1.80","DOIUrl":"https://doi.org/10.14713/jjs.v10i1.80","url":null,"abstract":"","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122237016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Skin Deep: Race, Bias, and Fallacy in Terry Teachout’s Ellington Biography 《肤浅:特里·蒂奇奥特的艾灵顿传记中的种族、偏见和谬误》
Journal of Jazz Studies Pub Date : 2014-08-29 DOI: 10.14713/JJS.V10I1.77
S. James
{"title":"Skin Deep: Race, Bias, and Fallacy in Terry Teachout’s Ellington Biography","authors":"S. James","doi":"10.14713/JJS.V10I1.77","DOIUrl":"https://doi.org/10.14713/JJS.V10I1.77","url":null,"abstract":"A review of the work of writer Terry Teachout, especially the biography Duke: A Life of Duke Ellington , by Ellington's nephew.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114839058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lonesome Roads and Streets of Dreams 寂寞的路和梦的街道
Journal of Jazz Studies Pub Date : 2013-10-03 DOI: 10.14713/JJS.V9I1.60
D. Daniels
{"title":"Lonesome Roads and Streets of Dreams","authors":"D. Daniels","doi":"10.14713/JJS.V9I1.60","DOIUrl":"https://doi.org/10.14713/JJS.V9I1.60","url":null,"abstract":"Review of Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s .","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116200684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Portrait of Cannonball: Cary Ginell's Walk Tall 炮弹的肖像:加里·吉内尔的《昂首阔步》
Journal of Jazz Studies Pub Date : 2013-10-02 DOI: 10.14713/JJS.V9I1.57
Dustin E. Mallory
{"title":"Portrait of Cannonball: Cary Ginell's Walk Tall","authors":"Dustin E. Mallory","doi":"10.14713/JJS.V9I1.57","DOIUrl":"https://doi.org/10.14713/JJS.V9I1.57","url":null,"abstract":"","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133503034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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