Dig-It: The Musical Life of Ted Brown

Marian Jago
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Abstract

Amid the mass of jazz scholarship which still concentrates on the most famous architects of the music (Parker, Davis, Coltrane etc) it is all too easy to overlook the contributions of less recorded and commercially successful artists.  Ted Brown, tenor saxophonist and former student of pianist / educator Lennie Tristano, is such a player.  Never quite as successful or well known as fellow Tristano students Lee Konitz and Warne Marsh, Brown nonetheless participated fully in the musical culture that grew up around Tristano's Manhattan studio.  A unique and melodic improviser and composer who contributed several tunes to the Tristano canon, Brown managed to reach the highest levels of jazz performance while simultaneously working a full-time day job.  An examination of his musical life lends insight into what Nat Hentoff called 'the jazz life', as well as into the practical application of Tristano's pedagogical methods.  A talented artist with a decidedly unique story, Ted Brown serves to remind us that some of the most interesting voices of jazz can be of those few people recognize.
《挖掘:泰德·布朗的音乐生活》
大量的爵士学术研究仍然集中在最著名的音乐建筑师(帕克、戴维斯、科尔特兰等)身上,这很容易忽视那些唱片较少、商业上成功的艺术家的贡献。泰德·布朗,男中音萨克斯管演奏家,曾是钢琴家兼教育家伦尼·特里斯塔诺的学生,就是这样一位演奏家。布朗从未像特里斯坦诺的同学李·科尼茨(Lee Konitz)和沃恩·马什(Warne Marsh)那样成功或出名,但他充分参与了在特里斯坦诺曼哈顿工作室周围成长起来的音乐文化。布朗是一位独特的、旋律优美的即兴演奏者和作曲家,他为特里斯坦诺佳能贡献了几首曲子。布朗在全职工作的同时,还设法达到了爵士乐表演的最高水平。对他的音乐生活的考察有助于深入了解纳特·亨托夫所说的“爵士生活”,以及特里斯坦诺教学方法的实际应用。泰德·布朗是一位才华横溢的艺术家,有着独特的故事,他提醒我们,爵士乐中一些最有趣的声音可能是那些很少有人认识的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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