{"title":"Unlocking the Mysteries of the Second Miles Davis Quintet","authors":"Benjamin Bierman","doi":"10.14713/jjs.v7i2.15","DOIUrl":"https://doi.org/10.14713/jjs.v7i2.15","url":null,"abstract":"A review of The Studio Recordings of the Miles Davis Quintet, 1965–68 , by Keith Waters (Oxford University Press, 2011).","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"180 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115179480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jazz Research Bibliography (2007–2008)","authors":"J. McGowan, R. Desmeules","doi":"10.14713/jjs.v7i2.16","DOIUrl":"https://doi.org/10.14713/jjs.v7i2.16","url":null,"abstract":"This bibliography compiles articles of interest in jazz music scholarship that were published in 2007 or 2008 and appeared in journals not specifically dedicated to jazz study.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114279256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Harlem Air Shaft\": A True Programmatic Composition?","authors":"Edward Green","doi":"10.14713/JJS.V7I1.9","DOIUrl":"https://doi.org/10.14713/JJS.V7I1.9","url":null,"abstract":"In 1944, Duke Ellington told a writer from The New Yorker that his composition “Harlem Air Shaft,” recorded four years earlier, was inspired by the myriad sounds heard in the air shaft of a Harlem apartment building (“You hear fights, you smell dinner, you hear people making love…”). Many scholars have contended that Ellington invented this “storyline” after the composition was written. This article addresses the authenticity of “Harlem Air Shaft” as programmatic music. The author finds ample evidence—from unpublished manuscripts, unissued radio broadcasts, analysis of arranging devices and compositional design, and other Ellington testimony—that Ellington did indeed have the sounds and smells of a Harlem air shaft in mind as he wrote the composition.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121323732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jazz Portraits: 2000–2010","authors":"Edward Berger","doi":"10.14713/JJS.V7I1.10","DOIUrl":"https://doi.org/10.14713/JJS.V7I1.10","url":null,"abstract":"Musicians featured in this collection of Ed Berger's photographs include Eric Alexander, Geri Allen, Billy Bang, Eddie Bert, Ray Bryant, Candido, Ron Carter, Marc Cary, Dave Douglas, Kurt Elling, Ned Goold, Wycliffe Gordon, Henry Grimes, Chico Hamilton, Roy Hargrove, Barry Harris, Jon Hendricks, Fred Hersch, Ingrid Jensen, Howard Johnson, Kidd Jordan, Teo Macero, Russell Malone, Branford Marsalis, Christian McBride, Grachan Moncur III, Paul Motian, Nicki Parrott, Les Paul, Jeremy Pelt, Houston Person, Riza Printup, Dizzy Reece, Eric Reed, Sam Rivers, Scott Robinson, Fred Staton, George Wein, Frank Wess, Joe Wilder, and Jackie Williams.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125348452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monk Trio: A Sequence of Sonnets","authors":"M. Haywood","doi":"10.14713/jjs.v7i1.5","DOIUrl":"https://doi.org/10.14713/jjs.v7i1.5","url":null,"abstract":"Poet Mark Haywood presents three sonnets that explore the life and music of Thelonious Monk, the great jazz pianist and composer.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129442740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"More Than Just Guide Tones: Steve Larson's Analyzing Jazz— A Schenkerian Approach","authors":"H. Martin","doi":"10.14713/jjs.v7i1.7","DOIUrl":"https://doi.org/10.14713/jjs.v7i1.7","url":null,"abstract":"Henry Martin, a composer, music theorist, professor of music at Rutgers University–Newark, and co-editor of the Journal of Jazz Studies , contributes a review-essay about Steve Larson’s recent book, Analyzing Jazz: A Schenkerian Approach (Pendragon Press, 2009).","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126643505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Development of Diminutions in American Jazz","authors":"A. Forte","doi":"10.14713/JJS.V7I1.3","DOIUrl":"https://doi.org/10.14713/JJS.V7I1.3","url":null,"abstract":"Allen Forte, the prominent Yale music theorist, delivered this previously unpublished lecture in Germany in 1958. In “Forte’s Lecture on Jazz: An Introduction” (included elsewhere in this issue), Benjamin Givan states that this lecture is “the earliest known analytical study of jazz by a professional music theorist.” The lecture applies Schenkerian concepts of “diminution technique” to jazz improvisations from early blues to bebop, including recordings by Bessie Smith, Louis Armstrong, Lester Young, Charlie Parker, and the Modern Jazz Quartet. As Forte explains, “By diminution technique is meant the melodic means (as distinct from, say, the rhythmic or chordal means) by which a given basic tonal structure is varied so as to expand or prolong its content.” Several notated examples are provided, as well as an appendix of recordings referenced.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127728703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jazz Research Bibliography (2005–2006)","authors":"J. McGowan, R. Desmeules","doi":"10.14713/JJS.V7I1.8","DOIUrl":"https://doi.org/10.14713/JJS.V7I1.8","url":null,"abstract":"This bibliography compiles articles of interest in jazz music scholarship that were published in 2005 or 2006 and appeared in journals not specifically dedicated to jazz study.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"58 2-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123628542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Forte's Lecture on Jazz: An Introduction","authors":"B. Givan","doi":"10.14713/JJS.V7I1.2","DOIUrl":"https://doi.org/10.14713/JJS.V7I1.2","url":null,"abstract":"This article provides background on Allen Forte’s 1958 lecture, “The Development of Diminutions in American Jazz,” which is published for the first time in this issue of the Journal of Jazz Studies . Topics include the context in which the lecture was delivered; the lecture’s place in the history of jazz theory and analysis; and the career of Forte, one of the nation’s most prominent music theorists, including his little-known ties to the jazz world.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124873894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Was Bix Beiderbecke Poisoned by the Federal Government","authors":"Randall Sandke","doi":"10.14713/JJS.V9I2.68","DOIUrl":"https://doi.org/10.14713/JJS.V9I2.68","url":null,"abstract":"Explores the government's strategy to eradicate alchohol consumption in the United States by adding poisonous compounds to render it undrinkable and how these efforts affected Bix Beiderbecke, perhaps precipitating his physical decline and early death","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133299663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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