Sense: Journal of Film and Television Studies最新文献

Dominasi Kuasa Kapitalis terhadap Buruh dalam Plot Film Sorry to Bother You Ditinjau melalui Semiotika John Fiske 通过约翰-费斯克的符号学评述《很抱歉打扰你》情节中资本主义权力对劳动的支配

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.11221

Muhammad Arief Habibi Sukur

{"title":"Dominasi Kuasa Kapitalis terhadap Buruh dalam Plot Film Sorry to Bother You Ditinjau melalui Semiotika John Fiske","authors":"Muhammad Arief Habibi Sukur","doi":"10.24821/sense.v6i2.11221","DOIUrl":"https://doi.org/10.24821/sense.v6i2.11221","url":null,"abstract":"Domination of Capitalism Power Over Labor In The Movie Plot, Sorry To Bother You Reviewed Through John Fiske’s Semiotics The research entitled “The Domination of Capitalist Power over Labor in the Plot of Sorry to Bother You Reviewed Through John Fiske’s Semiotics” aims to seek the domination of capitalist power over workers through the plot in the film using three codes of television as part of semiotics by John Fiske. This research is a qualitative research with a qualitative descriptive method, namely by searching for the domination of power by the capitalists over the workers in the plot in the film Sorry to Bother You. The unit of analysis to be used is the scene. The research data were then processed by qualitative analysis, then coded by John Fiske’s three level of social codes theory, so that several conclusions could be drawn. Based on the research results, it can be concluded that the plot in the film Sorry to Bother You shows the domination of power by the RegalView and WorryFree companies as capitalists. John Fiske’s three codes of television theory reveals it through the stages of reality, representation, and ideology.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139200025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Representasi Pola Komunikasi Keluarga dalam Film “Sabtu Bersama Bapak” 电影 "与巴帕克的星期六 "中对家庭沟通模式的表现

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.10946

Sigit Surahman, Tiara Dewi Asmarani, A. Annisarizki, Eko Hari Saksono

{"title":"Representasi Pola Komunikasi Keluarga dalam Film “Sabtu Bersama Bapak”","authors":"Sigit Surahman, Tiara Dewi Asmarani, A. Annisarizki, Eko Hari Saksono","doi":"10.24821/sense.v6i2.10946","DOIUrl":"https://doi.org/10.24821/sense.v6i2.10946","url":null,"abstract":"The film Sabtu Bersama Bapak communication patterns between characters interacting with each other, the communication patterns presented can be verbal or non-verbal communication, this film illustrates that each family has different communication patterns depending on the situation and conditions. This research aims to describe the concept of communication patterns which divide four types of family communication, namely consensual, pluralistic, protective and laissez-faire communication patterns. Through a qualitative approach using Roland Barthes' semiotic analysis method to understand the meaning of denotation, connotation and myth. Data collection techniques use observation, documentation and interview techniques. The research results show that the film Sabtu Bersama Bapak represents the communication patterns of two families. In the Gunawan family there is a consensual communication pattern and a pluralistic communication pattern, while in the Satya family there is a consensual communication pattern and a protective communication pattern, and in this research no free communication pattern was found (laissez- faire).","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"118 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139207457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pengaruh Konflik Multiple terhadap Character Arc “Beth” pada Serial The Queen's Gambit 女王的赌局》系列中多重冲突对 "贝丝 "性格发展的影响

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.11217

Laurensia Karin Chrisfenianti, Retno Mustikawati, A. Haryono

引用次数: 0

Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera 分析将漫画《木叶之恋》改编成大银幕动画电影《木叶之恋》：从摄影机角度看《武神别传

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.10958

Muhammad Fatahilah Syam

{"title":"Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera","authors":"Muhammad Fatahilah Syam","doi":"10.24821/sense.v6i2.10958","DOIUrl":"https://doi.org/10.24821/sense.v6i2.10958","url":null,"abstract":"Analysis of Manga Adaptation into Feature-length Anime Film: Kimetsu no Yaiba Manga to Kimetsu no Yaiba: Mugen Train Anime Film, Examining the Aspect of Camera Angles . Manga and feature-length anime films have distinct differences in conveying stories visually. This study aims to examine the disparities in the adaptation of the “Kimetsu no Yaiba” manga into the “Kimetsu no Yaiba: Mugen Ressha-Hen” anime film. A qualitative descriptive research method was employed, focusing on the aspect of camera angles. The research objects encompassed the manga and the anime film. The findings revealed that the manga-to-anime adaptation led to changes in camera angles, including scaling down, adding, and varying modifications. However, despite the alterations in camera angles, the emphasis on scenes did not significantly alter the narrative flow from the manga to the feature film. These disparities can be attributed to the divergent nature of the manga and feature-length anime mediums. This research contributes to a deeper understanding of the importance of camera angles in adaptation and their role in preserving the core essence of the story.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139201145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Perubahan Karakter Tokoh Humbert dan Lolita menurut Struktur Cerita oleh Nick Lacey pada Film ‘Lolita’ (1997) 尼克-莱西根据电影《洛丽塔》（1997）中的故事结构对亨伯特和洛丽塔的性格变化进行的分析

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.11220

Brigita Sekar, Lilik Kustanto, Siti Maemunah

{"title":"Perubahan Karakter Tokoh Humbert dan Lolita menurut Struktur Cerita oleh Nick Lacey pada Film ‘Lolita’ (1997)","authors":"Brigita Sekar, Lilik Kustanto, Siti Maemunah","doi":"10.24821/sense.v6i2.11220","DOIUrl":"https://doi.org/10.24821/sense.v6i2.11220","url":null,"abstract":"Film mempunyai dua inti unsur, yaitu sinematik dan naratif. Narasi sendiri selalu mempunyai struktur yang membentuk rangkaian cerita yang terjadi sepanjang film. Penelitian ini menganalisis perubahan karakter tokoh Humbert dan Lolita dalam film Lolita (1997) berdasarkan struktur cerita yang dijelaskan oleh Nick Lacey. Metode penelitian deskriptif kualitatif digunakan dengan teori Struktur Cerita Nick Lacey sebagai teori utama. Data yang dikaji adalah seluruh scene film Lolita (1997) dengan analisis perubahan karakter melalui unsur dialog dan data pendukung berupa shot untuk visual dan stage direction. Analisis dilakukan dengan mengidentifikasi struktur cerita menggunakan kategorisasi adegan (scene) pada film, menganalisis karakterisasi melalui teori Tiga Dimensi Karakter, dan menyimpulkan proses perubahan karakter yang terjadi. Hasil penelitian menunjukkan bahwa tokoh Humbert dan Lolita mengalami perubahan karakter yang signifikan sepanjang narasi film yang memicu rantai aksi-reaksi dari masing-masing tokoh. Penggunaan struktur cerita Nick Lacey membentuk proses runtut terhadap perubahan karakter dari situasi awal, fase transisi, dan situasi terakhir.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139199696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Efektivitas Teknik Pembacaan Narasi Visual dalam Pemutaran Film untuk Disabilitas Netra 视觉叙事阅读技术在视障人士电影放映中的应用效果

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.11194

Atalia Praratya, Kenmada Widjajanto, Soerachman Dwiwaloejo

引用次数: 0

Analisis Perubahan Sifat Karakter Berdasarkan Tahap Cerita Dalam Film “Jumanji: Welcome To The Jungle” 电影《熊出没》中基于故事阶段的人物特质变化分析欢迎来到丛林

Sense: Journal of Film and Television Studies Pub Date : 2023-11-30 DOI: 10.24821/sense.v6i2.11289

W. Sanjaya

引用次数: 0

CONTINUITY SHOT SEBAGAI UPAYA PENYAJIAN VISUAL REALISTIS PADA DRAMA TELEVISI ALUN 连续拍摄是对电视节目的现实视觉展示

Sense: Journal of Film and Television Studies Pub Date : 2023-05-31 DOI: 10.24821/sense.v6i1.9359

S. Wibisono, Rifki Esa Syahnarki

引用次数: 0

DIVA (1981) DALAM TINJAUAN HERMENEUTIKA RADIKAL JACQUES DERRIDA

Sense: Journal of Film and Television Studies Pub Date : 2023-05-31 DOI: 10.24821/sense.v6i1.9471

B. Wibawa

引用次数: 0

ANALISIS FILM DOKUMENTER BADUT “DI BALIK TAWA” 纪录片分析小丑“笑声背后”

Sense: Journal of Film and Television Studies Pub Date : 2023-05-31 DOI: 10.24821/sense.v6i1.9386

Martinus Eko Prasetyo

引用次数: 0