分析将漫画《木叶之恋》改编成大银幕动画电影《木叶之恋》:从摄影机角度看《武神别传

Muhammad Fatahilah Syam
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引用次数: 0

摘要

将漫画改编为动画长片的分析:从《木叶之风》漫画到《木叶之风:木槿列车》动画电影,审视摄影机角度的角度 .漫画和长篇动画电影在视觉传达故事方面存在明显差异。本研究旨在探讨将《君越八叶》漫画改编为动画电影《君越八叶:武神列传》的过程中存在的差异。本研究采用了定性描述研究方法,重点关注摄影机角度方面。研究对象包括漫画和动画电影。研究结果表明,漫画到动画的改编导致了镜头角度的变化,包括缩小、增加和各种修改。然而,尽管拍摄角度有所改变,但从漫画到故事片的叙事流程中,场景的重点并没有明显改变。这些差异可归因于漫画和长篇动画媒介的不同性质。这项研究有助于加深理解摄影机角度在改编中的重要性及其在保留故事核心本质方面的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera
Analysis of Manga Adaptation into Feature-length Anime Film: Kimetsu no Yaiba Manga to Kimetsu no Yaiba: Mugen Train Anime Film, Examining the Aspect of Camera Angles . Manga and feature-length anime films have distinct differences in conveying stories visually. This study aims to examine the disparities in the adaptation of the “Kimetsu no Yaiba” manga into the “Kimetsu no Yaiba: Mugen Ressha-Hen” anime film. A qualitative descriptive research method was employed, focusing on the aspect of camera angles. The research objects encompassed the manga and the anime film. The findings revealed that the manga-to-anime adaptation led to changes in camera angles, including scaling down, adding, and varying modifications. However, despite the alterations in camera angles, the emphasis on scenes did not significantly alter the narrative flow from the manga to the feature film. These disparities can be attributed to the divergent nature of the manga and feature-length anime mediums. This research contributes to a deeper understanding of the importance of camera angles in adaptation and their role in preserving the core essence of the story.
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