电影 "与巴帕克的星期六 "中对家庭沟通模式的表现

Sigit Surahman, Tiara Dewi Asmarani, A. Annisarizki, Eko Hari Saksono
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引用次数: 0

摘要

电影《Sabtu Bersama Bapak》中人物之间的沟通模式是相互影响的,所呈现的沟通模式可以是语言沟通,也可以是非语言沟通,这部电影说明了每个家庭都有不同的沟通模式,取决于不同的情况和条件。本研究旨在描述沟通模式的概念,将家庭沟通分为四种类型,即共识沟通模式、多元沟通模式、保护沟通模式和自由放任沟通模式。采用罗兰-巴特(Roland Barthes)的符号学分析方法,通过定性分析来理解指代、内涵和神话的含义。数据收集技术采用了观察、文献和访谈技术。研究结果表明,电影《Sabtu Bersama Bapak》表现了两个家庭的交流模式。在古纳万(Gunawan)家庭中,有一种共识沟通模式和一种多元沟通模式,而在萨提亚(Satya)家庭中,有一种共识沟通模式和一种保护沟通模式,在本研究中没有发现自由沟通模式(自由放任)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representasi Pola Komunikasi Keluarga dalam Film “Sabtu Bersama Bapak”
The film Sabtu Bersama Bapak communication patterns between characters interacting with each other, the communication patterns presented can be verbal or non-verbal communication, this film illustrates that each family has different communication patterns depending on the situation and conditions. This research aims to describe the concept of communication patterns which divide four types of family communication, namely consensual, pluralistic, protective and laissez-faire communication patterns. Through a qualitative approach using Roland Barthes' semiotic analysis method to understand the meaning of denotation, connotation and myth. Data collection techniques use observation, documentation and interview techniques. The research results show that the film Sabtu Bersama Bapak represents the communication patterns of two families. In the Gunawan family there is a consensual communication pattern and a pluralistic communication pattern, while in the Satya family there is a consensual communication pattern and a protective communication pattern, and in this research no free communication pattern was found (laissez- faire).
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