Periferica最新文献

{"title":"Perfil del gestor cultural municipal","authors":"Verónica Serrano","doi":"10.25267/PERIFERICA.2019.I20.36","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.36","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89538957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Potencialidad del patrimonio bajomedieval en la provincia de Cádiz (España) como recurso turístico","authors":"C. Puerta, Diego Manuel","doi":"10.25267/PERIFERICA.2019.I20.34","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.34","url":null,"abstract":"During the thirteenth and fifteenth centuries we witness a historical process in which the peninsular Christian kingdoms expand through Western Andalusia against Muslim rule. This historical period has many consequences from the point of view of social, cultural and economic transformations, but also, for the rich real estate that stands out for its quality and quantity. Historical heritage has been a fundamental resource for tourism since the beginning of this activity. However, it is during the 1960s when its tourist use is intensified either by individualized promotion or by its integration into tourist-cultural itineraries or routes. In this way, its legal protection is also extended as a way to favor its enhancement and protection. This work has two distinct objectives. On the one hand a study of the late medieval heritage is carried out, and on the other hand its tourist potential and its capacities within the sector are analyzed.","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90432986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El cortometraje como vehículo de comunicación para la inclusión social","authors":"Víctor Grande-López","doi":"10.25267/PERIFERICA.2019.I20.31","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.31","url":null,"abstract":"espanolEl cortometraje es un material didactico enriquecedor para adquirir por medio de sus imagenes multiples tipos de percepciones visuales y aprendizajes significativos. El objetivo de este estudio es promover una mirada de inclusion en el alumnado universitario ante la discapacidad utilizando el cortometraje The butterfly circus (El circo de la mariposa, 2009) como hilo conductor educomunicativo, debido a que el desconocimiento sigue produciendo indiferencias y rechazo hacia las personas con discapacidad.Se analizan algunas secuencias mostrando el potencial que tienen sus imagenes a nivel cognitivo-afectivo para lograr cambios positivos en conductas y fomentar una reflexion critica. Se utiliza como tecnica de investigacion cualitativa el Focus group (FG) para analizar y evaluar las respuestas de los participantes. Una de las metodologias edu-inclusivas mas potentes de aprendizaje es promover despues de un visionado en el aula un debate a traves del dialogo y la escucha. Cuando se educa en inclusion social, se ensena a construir un mundo mas justo EnglishThe short film is an enriching teaching material to acquire through its images multiple types of visual perceptions and meaningful learning. The aim of this study is to promote a view of inclusion in university students in the face of disability by using the short film The butterfly circus (2009) as a guiding thread, because ignorance continues to produce indifference and rejection towards people with disabilities.Some sequences are analyzed by showing the potential of their images at the cognitive-affective level to achieve positive changes in behaviours and encourage critical reflection. The Focus group (FG) is used as a qualitative research technique to analyze and evaluate the responses of the participants. One of the most powerful edu-inclusive methodologies of learning is to promote, after a viewing in the classroom, a debate through dialogue and listening. When people are educated in social inclusion, a fairer world is created","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80313614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Patrimonio doliente y museo:memoria, educación, morbo y consumo. Apuntes para una posible musealización del Valle de los Caídos","authors":"J. Castro","doi":"10.25267/PERIFERICA.2019.I20.33","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.33","url":null,"abstract":"espanolEl anuncio del gobierno de Espana de su decision de exhumar los restos del dictador Francisco Franco de la Basilica de la Santa Cruz del Valle de los Caidos para poner fin a una situacion anomala en un sistema democratico ha supuesto la reactivacion del debate en torno a la conservacion de este conjunto monumental. Abandono, demolicion y resignificacion son algunas de las acciones que se han propuesto. Sin embargo, este texto aboga por una concisa musealizacion del monumento funerario. Para ello, se argumenta el papel que los museos juegan en la superacion del dolor a nivel individual y social y su papel en la conformacion y resguardo del sistema democratico y se analizan algunos casos de fama mundial tanto desde la optica del museo como del espacio urbano EnglishThe announcement of the government of Spain of its decision to exhume the mortal remains of the dictator Francisco Franco from the Basilica of the Holy Cross of the Valle de los Caidos in order to put an end to an anomalous situation in a democratic system has meant the reactivation of the debate around the conservation of this monumental complex. Abandonment, demolition and resignification are some of the actions that have been proposed. However, this text advocates for a concise musealization of the funerary monument. With this aim, the role that museums play in overcoming pain at the individual and social levels and their role in shaping and safeguarding the democratic system is argued, and some world-renowned cases are analyzed both from the perspective of the museum and the urban space","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86471348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Explorando los derechos de participación cultural y nuevas maneras de acceso a la cultura","authors":"S. Cebrián","doi":"10.25267/PERIFERICA.2019.I20.29","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.29","url":null,"abstract":"espanolLas politicas culturales impactan de diferentes maneras en las personas y en la forma en que estas se relacionan con los objetos y espacios culturales, materializando diferentes tipos de derechos culturales que van del goce y la contemplacion hasta el derecho a la participacion activa en la vida cultural. Gradientes que basculan entre el mirar y el hacer cultura. Veremos como las politicas destinadas a promocionar el derecho a la participacion actualmente siguen infra desarrolladas, en detrimento de las politicas que fomentan los derechos de prestacion o de libertad. En este articulo analizamos que tipos de derecho cultural se ponen en juego en cada accion situando en el centro del debate la necesidad de comprender la materializacion de los mismos para que tengan un desarrollo pleno en las politicas culturales EnglishCultural policies impact in different ways on people and the way they relate to cultural objects and spaces, materializing different types of cultural rights ranging from the right to enjoyment and cultural contemplation to the right to active participation in cultural life. Gradients that oscillate between looking and doing culture. We will see how policies aimed at promoting the right to participate in cultural life are currently under developed, to the detriment of policies that promote rights of provision or freedom. In this article we analyze what types of cultural rights are at stake in each cultural action, placing at the center of the debate the need to understand the materialization of cultural rights so that they have a full development in cultural policies","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91222226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Lunares prohibidos por extranjeros","authors":"C. Martínez","doi":"10.25267/PERIFERICA.2019.I20.30","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.30","url":null,"abstract":"espanolEl articulo tiene como objetivo principal descubrir donde estuvieron los lunares espanoles antes de convertirse en lunares para el flamenco y hallar sus rastros en el comercio de Espana. Para ello, la investigacion se centrara en la formacion de la nacion espanola entre 1750 y 1847. El metodo principal de investigacion ha sido la lectura de imagenes y material grafico relacionado con gitanos, ballet y flamenco. Nos hemos sumergido en la historia, en la etimologia y en la semiotica de la palabra lunar para buscar el origen de los mismos en el estampado del tipico traje de flamenca en Espana. En los inicios del flamenco, no era nada comun poder ver a una gitana vestida con lunares. Estas vestian con faldas lisas o con otros estampados como los cuadros vichy. Para buscar el motivo de este suceso nos hemos centrado en la evolucion de la industria textil que nos ha llevado a la evolucion de las normas de aranceles en las aduanas y asi es como pudimos ver que los lunares tuvieron vetada la entrada al comercio en Espana por considerarse extranjeros desde 1792, y de forma intermitente hasta 1841. Durante ese tiempo el sustantivo lunar adquirio connotaciones negativas en Espana, asimilandose a pecado o defecto. Al poco tiempo de que el flamenco fuera conformandose, los lunares comenzaron a verse entre la moda de las mujeres espanolas EnglishThe article has as main objective to discover where were Spanish dots before becoming for flamenco and find their traces in the commerce of Spain. To do this the research we will focus on the formation of the Spanish nation between 1750 and 1847. The main method of research has been the reading of images and graphic material related to gypsies, ballet and flamenco. We were immersed in the history, the etymology and semiotics of the word to find the source of the polka dots in the print of the typical flamenco dress in Spain. In the beginnings of flamenco, it was not uncommon to see a flamenco dressed with dots. The gypsy wore skirts plain or with other prints such as paintings vichy. To find the reason of this event we have focused on the evolution of the textile industry which has led us to the evolution of the rules of tariffs in the customs and this is how we were able to see that they had vetoed the entrance to the trade in Spain, considered as foreigners since 1792 intermittently until 1841. During that time, the noun acquired negative connotations in Spain, assimilating to sin or defect. The little time that flamenco out conforming, dots began to be seen between the fashion of the Spanish women","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"1995 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90416752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mujeres en las industrias culturales y creativas","authors":"Cristina Guirao Mirón","doi":"10.25267/PERIFERICA.2019.I20.08","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.08","url":null,"abstract":"espanolEn el presente articulo se analizara la representacion de las mujeres en las industrias culturales y creativas, su participacion en la produccion de bienes culturales y la legitimidad y visibilidad de los bienes producidos por mujeres. La hipotesis es que, a pesar de que en las ultimas decadas se ha producido una feminizacion de las practicas, los habitos y sobre todo del consumo cultural, sin embargo, hay una brecha de desigualdad en la participacion de la mujer en organos de gestion y legitimidad del campo cultural (Bourdieu, 1995) propio de las industrias culturales y creativas EnglishThis article will analyze the representation of women in cultural and creative industries, their participation in the production of cultural assets and the legitimacy and visibility of those produced by women. The hypothesis is that, although in the last decades there has been a feminization of practices, habits and especially of cultural consumption, there is a gap of inequality in the participation of women in management and legitimacy of the cultural field (BOURDIEU, 1995) typical of the cultural and creative industries","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82419250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultivando comunidades de práctica en extensión universitaria: artes escénicas y performativas del campus de Gipuzkoa","authors":"A. D. Rocha, E. Iriarte","doi":"10.25267/PERIFERICA.2019.I20.12","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.12","url":null,"abstract":"espanolEl articulo presenta la extension universitaria desde un enfoque relacional, como un ecosistema de interacciones entre agentes academicos y sociales, dentro y fuera del campus. Basandose en una investigacion-accion reciente en la Universidad del Pais Vasco, el articulo recomienda medidas concretas, como hacer tiempo para celebrar las culturas universitarias; abrir espacios para la creatividad y el cambio; y dar autonomia a los agentes culturales ya presentes en el campus. Esta sugerencia se ilustra mediante la creacion de una asociacion de artes escenicas y performativas en el campus de Gipuzkoa EnglishIn this paper, university extension is understood from a relational point of view, as an ecosystem of interactions between academic and social agents, inside and outside campus. Based on a recent action-research at the University of the Basque Country, the paper suggests specific measures such as making time to celebrate university cultures; opening up spaces for creativity and change; and granting autonomy to those culture makers already present in campus. This recommendation is illustrated by describing the creation of a scenic and performative arts society in the Gipuzkoa campus","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90115778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La Ley Foral de Derechos Culturales de Navarra: Una norma pionera en Europa","authors":"M. Barcenilla, J. Gamboa, R. Urabayen","doi":"10.25267/PERIFERICA.2019.I20.13","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.13","url":null,"abstract":"The Foral Community of Navarre recently passed the Foral Law 1/2019, of 15 January, on Cultural Rights of Navarre, a pioneering and innovative law in Europe. With the implementation of a joint reflection framework between cultural policies and cultural rights, cultural rights are granted full recognition as fundamental rights and indispensable for the integral development of the human being, by promoting a cultural citizenship that exercises its right to culture, to participation in it as well as in cultural and creative processes.","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81692905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"20/40: Monográfico sobre políticas culturales locales Introducción","authors":"Periférica Internacional","doi":"10.25267/PERIFERICA.2019.I20.15","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.15","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73224478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}