PerifericaPub Date : 2021-01-01DOI: 10.25267/periferica.2021.i22.38
Cecilia Nuñez, Yaneisy Batista Pedreira
{"title":"Las universidades patrimoniales en el contexto internacional y nacional","authors":"Cecilia Nuñez, Yaneisy Batista Pedreira","doi":"10.25267/periferica.2021.i22.38","DOIUrl":"https://doi.org/10.25267/periferica.2021.i22.38","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83103341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2021-01-01DOI: 10.25267/periferica.2021.i22.36
Mikel Etxebarria Etxeita
{"title":"La Red Vasca de Teatros SAREA","authors":"Mikel Etxebarria Etxeita","doi":"10.25267/periferica.2021.i22.36","DOIUrl":"https://doi.org/10.25267/periferica.2021.i22.36","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80315135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2021-01-01DOI: 10.25267/periferica.2021.i22.22
M. Poprawski, Natalia Brylowska
{"title":"Institutions of cultural intelligence and urban cultural policy. The case of the Cultural Observatory in the city of Gdansk","authors":"M. Poprawski, Natalia Brylowska","doi":"10.25267/periferica.2021.i22.22","DOIUrl":"https://doi.org/10.25267/periferica.2021.i22.22","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73891244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2020-12-21DOI: 10.25267/periferica.2020.i21.21
P. Vázquez, M. Arroyo
{"title":"Plan de Acción para la adaptación de los festivales de música a la Agenda 2030","authors":"P. Vázquez, M. Arroyo","doi":"10.25267/periferica.2020.i21.21","DOIUrl":"https://doi.org/10.25267/periferica.2020.i21.21","url":null,"abstract":"espanolDentro del marco del Acuerdo de Paris y de la Agenda 2030 para el Desarrollo Sostenible, la integracion de la sostenibilidad en la industria creativa y la implementacion de estrategias de adaptacion al cambio climatico se han convertido en un reclamo necesario. La cultura, como foco estrategico de comunicacion y concienciacion social, debe estar alineada con las estrategias de desarrollo sostenible. En este contexto, los festivales de musica son lugares de encuentro, ocio y trabajo que tienen un impacto social, ambiental y economico en la region donde se generan. Estos impactos pueden ser positivos y/o negativos y es importante indentificarlos, realizar un seguimiento y establecer planes para mejorar su gestion de cara a contribuir a la creacion de una industria mas sostenible. Con este fin, la Asociacion de Festivales de Musica (FMA) en colaboracion con Gabeiras y Asociados, ha desarrollado un Plan de Accion para la adaptacion de los Festivales de Musica a la Agenda 2030. El objetivo final del informe es dar una aproximacion holistica a sus espectaculos, alineandose con los Objetivos de Desarrollo Sostenible (ODS) EnglishWithin the framework of the Paris Agreement and the 2030 Agenda for Sustainable Development, the integration of sustainability in the creative industry and the implementation of adaptation strategies to climate change have become a necessary claim. Culture, as a strategic focus of communication and social awareness, must be aligned with sustainable development strategies. In this context, music festivals are meeting, leisure and work places that have a social, environmental and economic impact on the region where they are generated. These impacts can be positive and / or negative and it is important to identify them, monitor them and establish plans to improve their management in order to contribute to the creation of a more sustainable industry. To this end, the Music Festivals Association (FMA) in collaboration with Gabeiras y Asociados, has developed an Action Plan for the adaptation of Music Festivals to the 2030 Agenda. The fi nal objective of the report is to give a holistic approach to their shows, aligning with the Sustainable Development Goals (SDG)","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85954069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2020-12-21DOI: 10.25267/periferica.2020.i21.27
L. L. González
{"title":"Políticas de memoria para una nueva hegemonía cultural basada en el respeto por los derechos humanos","authors":"L. L. González","doi":"10.25267/periferica.2020.i21.27","DOIUrl":"https://doi.org/10.25267/periferica.2020.i21.27","url":null,"abstract":"espanolLuego de 30 anos de finalizada la dictadura militar-civil chilena, desde el 18 de octubre de 2019 Chile enfrenta una de las crisis de derechos humanos mas grave de los ultimos anos. Las masivas movilizaciones sociales iniciadas ese mes han sido respondidas por el Estado con sistematicas violaciones a los derechos humanos contra manifestantes. En este con texto me pregunto por el rol de las politicas de memoria sobre el pasado dictatorial, en la construccion de una hegemonia cultural capaz de promover y consolidar un compromiso con los derechos humanos, teniendo como primera tarea la de evitar la reproduccion y proyeccion publica de memorias que atentan contra esas garantias fundamentales EnglishAfter 30 years of the end of the Chilean military dictatorship, since October 18, 2019, Chile has faced one of the most serious Human Rights crises in recent years. The massive social mobilizations that began that month have been responded to the Government with systematic Human Rights violations against protesters. In this context, I introduce the role of memory policies on the dictatorial past, in the construction of a cultural hegemony capable of promoting and consolidating a commitment to Human Rights, having as its fi rst task to avoid the reproduction and public projection of memories that vulnerate these fundamental rights","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"299 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77198535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2020-06-30DOI: 10.25267/periferica.2011.i12.17
Javier Arias Madero
{"title":"Fuera de contexto","authors":"Javier Arias Madero","doi":"10.25267/periferica.2011.i12.17","DOIUrl":"https://doi.org/10.25267/periferica.2011.i12.17","url":null,"abstract":"Este artículo pretende explorar la experimentación dentro de OMA con los edificios-objeto como elementos autónomos con respecto al contexto en el que se sitúan, y de cómo esta praxis de des contextualización de la intervención tiene una clara raíz surrealista, movimiento de vanguardia que Koolhaas reivindica desde su época de estudiante en Architectural Association de Londres. \u0000Los conceptos de extrañamiento, detournement y objet trouvé, propios del surrealismo y de otras vanguardias herederas del grupo de Breton como el arte conceptual y las performances, serán mecanismos habituales en OMA durante los más de 40 años desde su formación. Edificios anónimos, misteriosos, casi siempre de escala descomunal, que pertenecen al ámbito de lo amoral y, como ya profetizó Koolhaas en Delirious New York, una nueva especie de mutantes, de monstruos colosales, que concibe y dispersa por las principales metrópolis del mundo.","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75720955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.37
Ángel Cazorla Martín
{"title":"Las prácticas culturales de los andaluces en el periodo 2006-2015","authors":"Ángel Cazorla Martín","doi":"10.25267/PERIFERICA.2019.I20.37","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.37","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78018508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.35
J. Valbuena, Jose A. Cordon
{"title":"El impacto de los contenidos digitales en los espacios físicos: el proyecto Nubeteca y la recuperación de la biblioteca como lugar de encuentro","authors":"J. Valbuena, Jose A. Cordon","doi":"10.25267/PERIFERICA.2019.I20.35","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.35","url":null,"abstract":"espanolLas bibliotecas han desempenado durante siglos un papel fundamental en la difusion del conocimiento, asumiendo funciones de conservacion, difusion y dinamizacion del mismo entre la sociedad. La aparicion de las tecnologias de edicion digital, provoco un cambio de modelo en los patrones de consumo lector y planteo el debate de la utilidad de las bibliotecas. Ante esta perspectiva surge el proyecto Nubeteca, auspiciado por la Fundacion German Sanchez Ruiperez y la Diputacion de Badajoz, como modelo de sistema de integracion de lo fisico y lo digital, para convertir a las bibliotecas en el punto de encuentro de dos ecosistemas convergentes. El objetivo de este articulo es la descripcion de este proyecto de investigacion, articulando una propuesta de desarrollo futuro EnglishLibraries have played a fundamental role in the dissemination of knowledge for centuries, assuming conservation, dissemination and revitalization functions mong society. The emergence of digital publishing technologies, caused a change of model in the patterns of reader consumption and raised the debate of the usefulness of libraries.Given this perspective, the Nubeteca project arises, sponsored by the German Sanchez Ruiperez Foundation and the Badajoz Provincial Council, as a model of the physical and digital integration system, to turn libraries into the meeting point of two converging ecosystems.The objective of this article is the description of this research project, articulating a proposal for future development","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84598539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PerifericaPub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.32
María Aránzazu Fernández Giles
{"title":"Teatro nigeriano y temas cruciales","authors":"María Aránzazu Fernández Giles","doi":"10.25267/PERIFERICA.2019.I20.32","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.32","url":null,"abstract":"espanolLa compania Jos Repertory Theatre fue fundada en noviembre de 1997 por el Dr. Patrick-Jude Oteh, pero la implementacion completa del programa comenzo en 2000 como una organizacion de teatro independiente sin animo de lucro que busca utilizar el teatro como un medio para enfrentarse a problemas cruciales que afectan a nuestra existencia cotidiana. Se dedican a actividades que van desde lecturas de obras de teatro/poesia, produccion de representaciones formales (con guion) y la creacion de representaciones informales (Teatro para el desarrollo) que invitan al debate y a la participacion civica EnglishJos Repertory Theatre was founded in November 1997 by Dr. Patrick-Jude Oteh, but began full program implementation in 2000 as a not-for-profit, independent theatre organization which seeks to use the theatre as a means of confronting and challenging crucial issues that affect our daily existence. They are engaged in activities ranging from play/poetry readings, production of formal (scripted) plays and the creation of informal (Theatre-For-Development) plays that invites for debate and civic participation","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83711643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}