Lekesan: Interdisciplinary Journal of Asia Pacific Arts最新文献_第4页

Sustainable Innovation And Competitive Advantage In Improving The Marketing Performance Of Waste-Base Sculpture In Bali 可持续创新与竞争优势:提高巴厘岛废基雕塑的营销绩效

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2021-10-18 DOI: 10.31091/lekesan.v4i2.1758

Pande Ketut Ribek

{"title":"Sustainable Innovation And Competitive Advantage In Improving The Marketing Performance Of Waste-Base Sculpture In Bali","authors":"Pande Ketut Ribek","doi":"10.31091/lekesan.v4i2.1758","DOIUrl":"https://doi.org/10.31091/lekesan.v4i2.1758","url":null,"abstract":"To increase competitive advantage, all companies have unique strategies to improve their marketing performance. Competition is very competitive in this digital era, making management to motivate themselves and business people to always maximize service to their customers in order to remain loyal customers. Likewise, the business in the art of sculpture made from stone waste which will be traded to be able to increase its superiority in a sustainable manner. The excellence or strength of the sculpture business is able to produce creative and innovative products in the form of ideas and ideas in creating new products. To win the competition, a company must always be creative and innovative so that it is able to meet consumer needs according to changing tastes and times. There is fore a marketing strategy model is needed that is in accordance with the company’s conditions with sustainable innovation so that in the future it is hoped that the sculpture business made from waste rock can be more developed and the company’s goals can be achieved both short too long term goals. This study aims to determine the indicators used in increasing competitive advantage so as to improve marketing performance. The population in this study amounted to 100 sculpture businesses and used saturated samples. The analytical tool used in this research is Smart PLS. 3.0. The findings of this study are that sustainable innovation is able to increase competitive advantage in stone-waste sculpture businesses, Sustainable innovation is not able to increase direct marketing performance, Sustainable innovation is able to improve marketing performance mediated by competitive advantage. The limitation of this research is that this research only examines the art of sculpture made from stone waste found in Bali, so it is not able to generalize. The recommendation in this study is that future researchers are expected to investigate other business fields with a larger number of samples.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"17 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116164318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

A Play Of Performance Waktu Batu Yogyakarta Teater Garasi In The Dramaturgi Study 《日惹舞台剧研究》中的《Waktu Batu》

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2021-10-18 DOI: 10.31091/lekesan.v4i2.1757

Nur Iswantara

{"title":"A Play Of Performance Waktu Batu Yogyakarta Teater Garasi In The Dramaturgi Study","authors":"Nur Iswantara","doi":"10.31091/lekesan.v4i2.1757","DOIUrl":"https://doi.org/10.31091/lekesan.v4i2.1757","url":null,"abstract":"The title of the paper of Play of Performance Waktu Batu (WB) Yogyakarta Garasi Teater (TGY) in this Dramaturgy Study is a summary of research results at the Yogyakarta Institute of Indonesian (ISI) Research Institute in 2014. Research in dramaturgy studies uses the dramaturgy theory of George Kernodle & Portia Kernodle (1978 ). Kernodle states that in dramaturgy there are six possible dramatic values that can help arrange the unity of theater performances. The six dramatic values include plot, character, theme (structure), and dialogue, atmosphere and spectacles (texture). One of TGY’s inspirational works, namely the WB performances sourced from Javanese mythology: Watugunung, Murwakala, Sudamala and Late Majapahit History, became an aesthetic presentation especially “Waktu Batu” The Stories that Meet in the Ruang Tunggu’ (WB1) will be analyzed with a dramaturgy approach which includes structure: plot, character, theme, and texture: dialogue, atmosphere and spectacles. The results of analyzing the structure consisting of plots, characterizations and themes; texture: dialogue, mood and spectacle performance of WB 1, showing that TGY belongs to a theater group that positions as a ‘theater creation laboratory’ having a unique aesthetic concept, which is typical for building eclectic dramaturgy. The eclectic drama in the Indonesian contemporary theater scene, an TGY effort to create a WB 1 play originating from Javanese mythology: Sudamala, Murwakala, Watugunung and the late history of Majapahit so that it becomes an aesthetic presentation that can be enjoyed by the audience. TGY group can survive more than 20 years. In fact in Indonesia there are not many contemporary theater groups that can survive long enough. Every TGY staging is always in demand by the audience as the WB 1 play shows.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"9 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121001752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Nyama (kinship) Documentary as an Intolerant Comparative Discourse in Pegayaman Village, Buleleng, Bali 巴厘布莱棱佩加亚曼村的“亲属”纪录片作为一种不宽容的比较话语

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2020-11-04 DOI: 10.31091/lekesan.v3i2.1172

I. K. A. Wirawan, I. N. G. Sugiartha

{"title":"The Nyama (kinship) Documentary as an Intolerant Comparative Discourse in Pegayaman Village, Buleleng, Bali","authors":"I. K. A. Wirawan, I. N. G. Sugiartha","doi":"10.31091/lekesan.v3i2.1172","DOIUrl":"https://doi.org/10.31091/lekesan.v3i2.1172","url":null,"abstract":"The Nyama documentary is as a counter-discourse on intolerant attitudes in Indonesia. Nyama film was the result of research and creation of written and audio-visual data documentation of the acculturation of art and culture in the Muslim village of Pegayaman Buleleng, Bali. It was an observational/direct cinema-style documentary film acculturation of Hindu and Islamic arts and culture in Pegayaman Village, Buleleng, Bali. The Nyama film identified the perceptions and acculturation of art and culture in Pegayaman Village, Buleleng, Bali. It was a qualitative descriptive research method. Sources of data obtained through a purposive sampling method were done by accidental sampling technique. The location of the sampling was carried out in Pegayaman Village, Buleleng, Bali. The method used in achieving these goals was Representing reality. The documentary tells an event or reality (facts and data). Principally, documentary films are based on facts and are demanded to be loyal to those facts. Discussion of research and creation of this movie is the observational/direct cinema documentaries. This film tells the story of several people in Pegayaman Village. The subjects in this film are not in the same condition but are equally struggling to preserve the acculturation of Hindu and Islamic arts and culture in the Bali region. The information building in this film was a combination of interviews with selected subjects. The results of the research and creation were in the form of Nyama documentary films. The Nyama documentary is an acculturation campaign for arts and culture and a counter-discourse on the intolerant attitude of Indonesian society that is multicultural and has the character of Indonesian nationality.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131900611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Sexual Orientation of Panji : Cultural Construction in Intermediation 盘集的性取向:中介中的文化建构

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2020-11-04 DOI: 10.31091/lekesan.v3i2.1167

Seno Gumira Ajidarma

引用次数: 0

Semiotics Study Of The 2019 Jawa Pos Political Cartoon 2019年《爪哇邮报》政治漫画符号学研究

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2020-11-04 DOI: 10.31091/lekesan.v3i2.1168

I. W. Nuriarta, Ni Wayan Masyuni Sujayanthi

{"title":"Semiotics Study Of The 2019 Jawa Pos Political Cartoon","authors":"I. W. Nuriarta, Ni Wayan Masyuni Sujayanthi","doi":"10.31091/lekesan.v3i2.1168","DOIUrl":"https://doi.org/10.31091/lekesan.v3i2.1168","url":null,"abstract":"The general purpose of this study is to increase knowledge in the form of academic studies of the 2019 Jawa Pos newspaper political cartoon, and its specific purpose is to describe the denotation, connotation, myth and visual ideology of the Sunday edition of the Jawa Pos newspaper political cartoon in the sketch rubric. This study used a qualitative design. Everything related to the 2019 Jawa Pos newspaper political cartoon will be described qualitatively. The qualitative step taken was to collect, filter and analyze data to produce descriptive data in the form of words and notes related to its meaning. The research sample is the political cartoon of the January 13 and March 10 2019 edition of the Jawa Pos Newspaper. The results showed that visually, politicians occupy the top position in the drawing room. The size of the depiction was made much larger than that of the other public figures. Meanwhile, voter community figures were depicted as occupying a space position at the bottom. The depiction only showed half of the body, namely from the head to the waist. The meaning that is born from each image is determined in part by the meanings of other texts which appear to be the same. This is what is called intertextuality. Cartoonists and readers have carefully gathered various texts on politicians and voters to see the power of ideology with the intertextuality of various other texts / images. ","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123110224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Designing â€œBreast Self Examinationâ€ Application For Detecting Breast Cancer As Effort For Women Ages 15-20 Years 设计用于检测15-20岁女性乳腺癌的<s:2> œBreast自我检查<e:2>应用程序

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2020-11-04 DOI: 10.31091/lekesan.v3i2.1144

Diana Aqidatun Nisa

{"title":"Designing â€œBreast Self Examinationâ€ Application For Detecting Breast Cancer As Effort For Women Ages 15-20 Years","authors":"Diana Aqidatun Nisa","doi":"10.31091/lekesan.v3i2.1144","DOIUrl":"https://doi.org/10.31091/lekesan.v3i2.1144","url":null,"abstract":"Breast cancer is the second dangerous disease for women after cervical cancer in the world. In 2012, it became the most disease suffered by women in Indonesia. Ministry of health records in 2013 that the patient of breast cancer is increasing for women from the age group between 15-20 years old. Health institutions have been doing education campaigns about preventive action against this disease to young women. However, the feeling of embarrassment, fear, and overconfidence of being healthy would have prevented them from reviewing their breast condition checked by medical doctors or specialists. Their lack of awareness about the diseaseâ€™s danger has made them checked regularly, neither review their breast to the doctor nor do a self-examination. The education about breast cancer is vital to gain awareness of young women. It should be delivered by the media that close to them, for instance, using smartphone technology. Breast cancer information via smartphone can summarize much information; besides, it is easy to access privately anywhere, anytime. It can be delivered in an instructive, brief, yet still interactive and easy to learn without being boring. The smartphone application called â€œSAATNYA SADARIâ€ design is based on qualitative research. The method is carried out by studying the literature, questionnairing among young women between 15-20 years old, interviewing the specialist, and surveying the Hospital and Indonesian Cancer Foundation. BSE is focused on the early detection of breast cancer and self-examination education so that the women can do it as a routine. ","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121368245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Photography As A Bridge To Intercultural Interaction In Bali During The Netherland Indies Colonial Period Of The 1920-1930S 摄影是20世纪20- 30年代荷属印度殖民时期巴厘岛跨文化互动的桥梁

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2019-11-19 DOI: 10.31091/lekesan.v2i2.888

I. M. B. Pramana

{"title":"Photography As A Bridge To Intercultural Interaction In Bali During The Netherland Indies Colonial Period Of The 1920-1930S","authors":"I. M. B. Pramana","doi":"10.31091/lekesan.v2i2.888","DOIUrl":"https://doi.org/10.31091/lekesan.v2i2.888","url":null,"abstract":"This article presents the process of commencing inter-cultural interactions and artistic collaboration between Balinese and western photographers through photography. In the beginning, the photography project only showed visual record of the Kings, the royal family along with the royal government apparatus in Bali. Beginning with Gregor Krause, a colonial doctor who practiced photography, the others photographers then began exploring nature, culture, art and Balinese society into recording their photographic works. The activity then continued to be an artistic collaboration between westerners as photographers and Balinese as photo models. Not only that, the collaboration also extends to the incorporation of many western cultural elements into photography properties. In addition, the models that appear in photographic works are not only from the royal community, but begin to spread to ordinary residents, artists and their environment. Through the bridge of photography, many western artists combine their ideas with Balinese artists to design and create works of art in the needs of photographic documentation. The collaborative work then attracted tourists to Bali to enjoy the exotica of Bali which was first collaborated by western photographers and writers.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131527489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rare Kelangon The Innovation Of Gender Wayang Colosal For Children 罕见的克兰岗性别创新大阳儿童巨像

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2019-11-19 DOI: 10.31091/lekesan.v2i2.891

Ni Ketut Suryatini, Nyoman Lia Susanthi

{"title":"Rare Kelangon The Innovation Of Gender Wayang Colosal For Children","authors":"Ni Ketut Suryatini, Nyoman Lia Susanthi","doi":"10.31091/lekesan.v2i2.891","DOIUrl":"https://doi.org/10.31091/lekesan.v2i2.891","url":null,"abstract":"Indonesia is a country with a high level of cultural heterogeneity. In accordance with the State of the Republic of Indonesia’s President Joko Widodo, the country needs disruptive innovations. Disruptive innovation reverses the impossibility into opportunities and results intransformative value for the Indonesian people and nation. Disruptive innovation can also be applied in the arts. Moreover, amid the setbacks in the ethical and moral values of the Indonesian nation, art offers a way to shape character. One of the Balinese arts which has succeeded in changing the character is the art of Balinese traditional music. The tradition of storytelling, traditional children’s games and songs (gending) Bali is needed in upholding moral values and character education early on. For this reason, the creation of the “Rare Kelangon” which has been tested by the international public at the Cultural Performance at the IMF in Nusa Dua Bali on October 11, 2018 and the 24th National Education Day on August 25, 2019. The method used in creating this music innovative of Gender wayang was the research and development of Brog and Gall combined with Bandem and Suteja’s Balinese art creation method. There are 8 stages of creations, namely ngerencana,nuasen, makalin, refinement of the initial product, ngebah I, revision of the final refinement and ngebah II. The results of the study found that the innovations which made in the creation of Rare Kelangon works were extension types, which the invention of the development of existing products, added so that it becomes something new and valuable. The gender wayanggamelan has existed before, but to revive the genderwayang songs, a component of work which also needs to be preserved is gending rare (traditional children’s songs), traditional games, and satua (fairy tales) of the Balinese people who are also full of values of character education.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131573031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Television Advertising As An Artwork In Representing National Identity 电视广告作为一种表现民族认同的艺术

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2019-11-19 DOI: 10.31091/lekesan.v2i2.887

Alit Kumala Dewi, Artayasa I Nyoman

{"title":"Television Advertising As An Artwork In Representing National Identity","authors":"Alit Kumala Dewi, Artayasa I Nyoman","doi":"10.31091/lekesan.v2i2.887","DOIUrl":"https://doi.org/10.31091/lekesan.v2i2.887","url":null,"abstract":"Advertising has a dual role, one side of the advertising is a medium of information to convey messages, both commercial and non-commercial to the audience, and the other side as artwork (applied art) with all its appeal. The priority for advertising is marketing and selling products or services. In its representation, advertising always uses any aesthetic elements, which in principle can potentially be a great attraction for the products or services offered. Concepts that are often represented in ad impressions include, social status, ideal image, lifestyle, identity, etc., which are displayed implicitly or explicitly. This study focuses on the representation of Indonesia’s national identity in the SGM formula milk television commercials. The purpose of the study is to provide a description and description so as to open up insights and knowledge in understanding how Indonesia’s national identity is represented in advertisements for SGM children’s formula milk. The method used is interpretive qualitative The results of the research, that the advertising of SGM formula milk as a work of applied art represents Indonesian national identity, which can be classified into three parts 1) Culture, Religion, Ethnicity of Indonesia; 2) Nusantara Territory (Enchantment of Indonesian and Urban Nature); 3) Characteristics of Indonesian Communities (Habits / Lifestyle) The characteristics of Indonesian society can be interpreted as a socialist and minimalist society. Based on the three classifications of the representation of Indonesia’s national identity, the most dominant part displayed in the SGM formula milk television commercials is the element of religion","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"461 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133433376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Drawing Pattern On Novels In Contemporary Art 当代艺术中小说的绘画模式

Lekesan: Interdisciplinary Journal of Asia Pacific Arts Pub Date : 2019-07-30 DOI: 10.31091/lekesan.v2i1.751

Í. Janá, I. Sujana, I. Muka

{"title":"Drawing Pattern On Novels In Contemporary Art","authors":"Í. Janá, I. Sujana, I. Muka","doi":"10.31091/lekesan.v2i1.751","DOIUrl":"https://doi.org/10.31091/lekesan.v2i1.751","url":null,"abstract":"This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed and selected to be made as contemporary statues. The production method for the contemporary statues, using Drawing Pattern on Novel, was participatory, involving traditional art carving experts. User Participation Method, an approach with user involvement in the art, judgment and creation methods by SP Gustami, was employed to conduct this study. The data was gathered with interviews, observation, documentation, and then exploration, planning and embodiment. This study aimed to create innovation of the fine arts, based on research, using Drawing Pattern on Novels, and can be recognized as part of Indonesian fine arts development. Indonesian contemporary fine arts focuses on local genius as the spirit of its creation. This research generated innovative statutes from stone with Indonesian national culture’s aesthetic motifs.","PeriodicalId":320633,"journal":{"name":"Lekesan: Interdisciplinary Journal of Asia Pacific Arts","volume":"7 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132564151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0