A Play Of Performance Waktu Batu Yogyakarta Teater Garasi In The Dramaturgi Study

Nur Iswantara
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Abstract

The title of the paper of Play of Performance Waktu Batu (WB) Yogyakarta Garasi Teater (TGY) in this Dramaturgy Study is a summary of research results at the Yogyakarta Institute of Indonesian (ISI) Research Institute in 2014. Research in dramaturgy studies uses the dramaturgy theory of George Kernodle & Portia Kernodle (1978 ). Kernodle states that in dramaturgy there are six possible dramatic values that can help arrange the unity of theater performances. The six dramatic values include plot, character, theme (structure), and dialogue, atmosphere and spectacles (texture). One of TGY’s inspirational works, namely the WB performances sourced from Javanese mythology: Watugunung, Murwakala, Sudamala and Late Majapahit History, became an aesthetic presentation especially “Waktu Batu” The Stories that Meet in the Ruang Tunggu’ (WB1) will be analyzed with a dramaturgy approach which includes structure: plot, character, theme, and texture: dialogue, atmosphere and spectacles. The results of analyzing the structure consisting of plots, characterizations and themes; texture: dialogue, mood and spectacle performance of WB 1, showing that TGY belongs to a theater group that positions as a ‘theater creation laboratory’ having a unique aesthetic concept, which is typical for building eclectic dramaturgy. The eclectic drama in the Indonesian contemporary theater scene, an TGY effort to create a WB 1 play originating from Javanese mythology: Sudamala, Murwakala, Watugunung and the late history of Majapahit so that it becomes an aesthetic presentation that can be enjoyed by the audience. TGY group can survive more than 20 years. In fact in Indonesia there are not many contemporary theater groups that can survive long enough. Every TGY staging is always in demand by the audience as the WB 1 play shows.
《日惹舞台剧研究》中的《Waktu Batu》
本戏剧研究论文《Waktu Batu (WB) Yogyakarta Garasi Teater (TGY)的表演剧本》的标题是对2014年印度尼西亚日惹研究所(ISI)研究所研究成果的总结。戏剧研究采用了George Kernodle和Portia Kernodle(1978)的戏剧理论。Kernodle指出,在戏剧中,有六种可能的戏剧价值可以帮助安排戏剧表演的统一性。六大戏剧价值包括情节、人物、主题(结构)、对话、氛围和场面(质感)。TGY的励志作品之一,即来自爪哇神话的WB表演:Watugunung, Murwakala, Sudamala和晚期Majapahit历史,成为一种美学呈现,特别是“Waktu Batu”,在阮东古相遇的故事(WB1)将用戏剧的方法进行分析,包括结构:情节,人物,主题和结构:对话,氛围和场景。由情节、人物塑造和主题构成的结构分析结果;质感:WB 1的对话、情绪和奇观表演,表明TGY属于一个以“戏剧创作实验室”为定位的剧场集团,具有独特的审美理念,是典型的兼收并蓄的戏剧创作。这是印度尼西亚当代戏剧界的折衷主义戏剧,TGY努力创作一部源自爪哇神话的WB 1戏剧:Sudamala, Murwakala, Watugunung和Majapahit的晚期历史,使其成为观众可以享受的美学呈现。TGY组可存活20年以上。事实上,在印尼,能够存活足够长时间的当代剧团并不多。每一个TGY舞台总是在观众的需求,因为WB 1戏剧显示。
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