Jurnal Poetika最新文献

{"title":"LANSKAP SIBER SASTRA: POSTMODERNISME, SASTRA POPULER, DAN INTERAKTIVITAS","authors":"Sri Nurhidayah, Rahmat Setiawan","doi":"10.22146/POETIKA.V7I2.50779","DOIUrl":"https://doi.org/10.22146/POETIKA.V7I2.50779","url":null,"abstract":"Kajian ini bertujuan mengungkapkan kaitan antara posmodernisme, sastra populer, dan siber sastra. Dengan pemahaman posmodernisme sebagai pergerakan budaya, sastra populer sebagai sastra pelarian, dan siber sastra sebagai konsekuensi atas pergeseran produksi sastra yang memanfaatkan internet, kajian ini merelevansikan asumsi bahwa ketiganya memiliki kaitan yang cukup erat. Pendekatan kajian ini adalah fenomenologis dengan teknik analisis deskriptif. Posmodernisme menghasilkan pergeseran pola pikir terpusat menjadi tersebar sehingga batas antara yang adiluhung dengan yang populer menjadi kabur ditambah lagi dengan fenomena media sosial yang menghadirkan interaktivitas penulis-pembaca sebagai pola baru kesusastraan, seperti pemanfaatan media sosial (facebook, twitter, wattpad, dan lain sebagainya) yang mampu menawarkan intimasi antara penulis dengan pembaca serta bagaimana wacana kebebasan menulis menjadi hal yang realistis lagi tanpa perlu kompetisi ketat yang penuh dengan kekuasaan dan legitimasi. Tentu saja, interaktivitas penulis-pembaca tersebut merupakan hal yang sulit terwujud dalam produksi sastra yang konvensional (versi cetak). Kata kunci: Posmodernisme, sastra popular, siber sastra, interaktivitas This study aims to reveal the relation among postmodernism, pop literature, and cyber literature. By the understanding of postmodernism as a cultural movement, popular literature as escape literature, and cyber literature as a consequence of the shift in literary production that utilizes the internet technology, this study revives an assumption that the three have a fairly close relationship. The approach of this study is phenomenological with descriptive analysis techniques. Postmodernism results in a shift in decentralization process, so that the margin between the noble and the popular get blurred along with the phenomenon of social media that faces writer-reader interactivity as a new mode of literature, such as the use of social media (facebook, twitter, wattpad, etc.). Those offer intimacy between writers and readers, as well as how the discourse of freedom of writing becomes realistic without requirement toward intense competition that is full of power and legitimacy. Of course, the writer-reader interactivity is difficult to be realized in conventional literary production (print version). Keywords: Postmodernism, pop literature, cyber literature, interactivity","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"7 1","pages":"136-147"},"PeriodicalIF":0.0,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41900597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MENELUSUR TRADISI: RENAISSANCE DALAM NATIVE AMERIKA DAN PERSPEKTIFNYA TERHADAP KEMATIAN DALAM KARYA LESLIE MARMON SILKO","authors":"Karina Hanum Luthfia","doi":"10.22146/POETIKA.V7I2.51505","DOIUrl":"https://doi.org/10.22146/POETIKA.V7I2.51505","url":null,"abstract":"Pemaknaan terhadap kematian dalam kehidupan manusia biasanya ditangkap hanya dalam tataran kematian fisik sebagai sebuah fenomena alam. Sementara itu, tradisi dan budaya hadir dengan potensi signifikan untuk memengaruhi dan membentuk adat serta protokol upacara kematian. Dalam konteks ini, Native Amerika memandang konsep kematian sebagai bagian dari tradisi dan warisan adat. Namun demikian, proses kolonisasi dan asimilasi dalam tatanan sosial Native Amerika telah mencapai sengketa yang rumit. Terkait dengan pergerakan renaissance dalam kehidupan Native Amerika, bias yang terjadi terhadap perspektif dalam memandang kematian diurai melalui penelusuran ujung konsep dari kematian itu sendiri yang sangat erat berkaitan dengan tradisi Native Amerika. Mekanisme dekolonisasi terhadap konsep kematian sebagai sebuah self-determination terhadap identitas kelompok sosial Native Amerika  diambil dari refleksi karya sastra karangan Leslie Marmon Silko. Kajian ini menggunakan konsep analisis wacana dalam paradigma poskolonialisme. Manifestasi atas hasil penelitian merupakan: 1) Perspektif terhadap kematian menurut lensa Native Amerika dipandang sebagai tame death. 2) Kematian dipandang sebagai sebuah mekanisme penyeimbang kehidupan sosial jika ditarik dari nilai-nilai kehidupan kelompok Native Amerika. 3) Protokol upacara kematian dilaksanakan dalam sistem tribal ditemukan sebagai sebuah resistensi Native Amerika dalam menolak asimilasi dan dominasi kulit Putih. Hal tersebut didukung adanya sebuah gerakan determinasi dan artikulasi identitas kelompok Native Amerika. Kata kunci: Kematian, Tradisi, Renaissance dalam Native Amerika The subtle meaning of death on people’s life tends to generally depict the idea of natural phenomenon. Meanwhile, tradition and culture exist within their significant potency to influence the nurture of death customs and protocols. In this context, Native American deal with the concept of death as a particular tradition of their tribal legacy. However, colonization and assimilation process on their social order had transformed the Native American perspective on death into an advancement dispute.Concomitant to Native American renaissance movement, bias on the perspective of death is elucidated by tracing the root of death’s concept which is emanated from Native American tradition. The mechanism of decolonizing death’s perspective against White’s concept is represented in Native American literary works by Leslie Marmon Silko. As a consequence, the research employs critical discourse analysis on post-colonialism paradigm.The results of the work manifest: (1) Perspective on death through Native American lens considered as a tame death. (2) Death additionally scrutinized as social balance mechanism according to Native American value. At last, (3) Funeral protocols performed in tribal system essentially expounds the resistance of Native American people against the assimilation and White domination. Keywords: Death, Tradition, Renaissance, Nat","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"7 1","pages":"188-201"},"PeriodicalIF":0.0,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49141473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MODEL PEMBACAAN DERRIDEAN TERHADAP KNIGHT OF THE SEVEN KINGDOMS KARYA GEORGE R. R. MARTIN","authors":"Innezdhe Ayang Marhaeni","doi":"10.22146/POETIKA.V7I2.51548","DOIUrl":"https://doi.org/10.22146/POETIKA.V7I2.51548","url":null,"abstract":"Penelitian ini menganalisis novel fantasi populer berjudul A Knight of The Seven Kingdoms karya George R. R. Martin dalam perspektif Derrida, terutama pendapatnya tentang sastra sebagai institusi liberal. Dalam perspektif Derrida, penelitian ini berusaha menyelidiki afinitas dalam liberality, undecidability, iterability, khōra, dan teks itu sendiri. Dalam A Knight of The Seven Kingdoms, konsep-konsep tersebut saling memengaruhi sehingga menunjukkan aspek liberal karya sastra. Hal ini ditunjukkan melalui struktur dalam narasi A Knight of The Seven Kingdoms yang menjaga agar cerita berlangsung dinamis dan narasi tersebut, dengan kekuatan liberalnya, secara konstan menguji konteksnya sendiri untuk menghilangkan kecenderungan idealitas tertentu. Dengan demikian, identitas dan idealitas yang dianggap final kembali dipertanyakan dan dibuat tidak stabil oleh teks guna menguak lebih banyak makna serta kemungkinan yang dihasilkan. Kata kunci: Derridean, novel fantasi, undecidability This study analyzes the popular fantasy novel entitled A Knight of the Seven Kingdoms by George R. R. Martin in Derrida's perspective, especially his opinion about literature as a liberal institution. In Derrida's perspective, this study seeks to investigate the affinity in liberality, undecidability, iterability, khōra, and the text itself. In A Knight of the Seven Kingdoms, these concepts influence each other so that it shows the liberal aspects of literary works. This is shown through the structure in the narrative of A Knight of the Seven Kingdoms which keeps the story dynamic and the narrative, with its liberal power, constantly tests its context to eliminate certain idealistic tendencies. Thus, the identity and ideality that are considered final are again questioned and made unstable by the text to reveal more meaning and possibility produced. Keywords: Derridean, fantasy novel, undecidability","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"7 1","pages":"202-215"},"PeriodicalIF":0.0,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48221170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REPRESENTASI NILAI RELIGI DAN KEPENGARANGAN PUISI-PUISI KARYA TAUFIK ISMAIL","authors":"Emil Septia, Silvia Marni, Armet Armet","doi":"10.22146/POETIKA.43493","DOIUrl":"https://doi.org/10.22146/POETIKA.43493","url":null,"abstract":"Penelitian ini memaparkan representasi nilai religi dalam setiap bait-bait puisi karya Taufik Ismail. Puisi yang bernilai religius dapat digunakan untuk menyadarkan masyarakat (pembaca) untuk selalu bersyukur pada Tuhan Sang Penguasa. Kumpulan puisi Debu di Atas Debu: Kumpulan Puisi Dwi-Bahasa karya Taufik Ismail merupakan catatan-catatan emosional zaman dengan gejolak politik dan sikap bangsa Indonesia. Jenis penelitian ini berupa kualitatif dengan metode analisis isi (content analysis) serta pendekatan sosiologi sastra. Hal ini bertujuan untuk mendeskripsikan kepengarangan Taufik yang terdapat pada representasi nilai religi di setiap bait-bait puisi. Melalui seni pedalangan ketika Taufik bermukim di Yogyakarta dan seni bakaba ketika Taufik pindah ke Bukittinggi yang merupakan bentuk gaya kepengaranan seorang penyair yang dipengaruhi kebudayaan lokal, Taufik ingin menyentuh perasaan pembaca akan representasi nilai religius untuk membentuk karakter bangsa.Kata Kunci: representasi; nilai; religi; kepengarangan; puisi This study describes the representation of religious values in each poetic verse by Taufik Ismail. Religious poetry can be used to make people (readers) aware to always be grateful to God the Lord. A collection of Debu di Atas Debu: Kumpulan Puisi Dwi-Bahasa by Taufik Ismail is an emotional record of the times with political turmoil and the attitude of the Indonesian people. This type of research is qualitative with the method of content analysis and the sociological approach of literature. This is aimed at describing Taufik's authorship in the representation of religious values in each verse of poetry. Through the art of puppetry when Taufik settled in Yogyakarta and bakaba art when Taufik moved to Bukittinggi which was a form of the poet's sound style influenced by local culture, Taufik wanted to touch the readers' feelings about the representation of religious values to shape the nation's character.Keywords: representation; values; religion; authorship; poetry ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90018212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NASIONALISME DALAM BINGKAI KRITIK SOSIAL: KAJIAN SOSIO-PRAGMATIK TERHADAP PUISI INDONESIA MODERN","authors":"N. Indrastuti","doi":"10.22146/POETIKA.45421","DOIUrl":"https://doi.org/10.22146/POETIKA.45421","url":null,"abstract":"Kajian ini bertujuan menemukan bentuk-bentuk kritik sosial yang mengekspresikan nasionalisme dan mengungkapkan relasi antara bentuk-bentuk kritik sosial dan nasionalisme. Puisi sebagai salah satu jenis sastra juga merefleksikan masalah sosial yang terjadi dalam masyarakat. Puisi tidak dapat dipisahkan dari realitas sosial. Respons penyair terhadap realitas sosial yang mengandung ketimpangan, ketidakadilan, dan permasalahan sosial dalam masyarakat disampaikan dalam bentuk kritik sosial yang terefleksi melalui karya-karyanya. Puisi menyatakan kritik sosial yang mengandung nasio-nalisme secara tidak langsung. Dengan demikian, puisi dapat dimanfaatkan sebagai media edukasi, khususnya sebagai sarana untuk menanamkan nilai-nilai nasionalisme. Metode yang dipergunakan dalam kajian ini adalah deskriptif kualitatif dengan pendekatan sosio-pragmatik. Hasil penelitian ini mengungkapkan adanya bentuk-bentuk kritik sosial yang mengekspresikan nasionalisme, antara lain nasionalisme dalam kritik terhadap masalah ekonomi, politik, pendidikan, moral, dan lingkungan. Relasi antara bentuk-bentuk kritik sosial dan nasionalisme menunjukkan bahwa kritik sosial, baik dalam bidang ekonomi, politik, pendidikan, moral, maupun lingkungan, dipergunakan sebagai media untuk menyampaikan nasionalisme.Kata Kunci: nasionalisme; kritik sosial; sosio-pragmatik; puisi This study discusses finding forms of social criticism that invite nationalism and reveal the relationship between forms of social criticism and nationalism. Poetry as a genre of literature also reflects the social problems. Poetry cannot be removed from social reality. The poet's response to the social reality that contains inequality, injustice, and social conflict is conveyed in the form of social criticism reflected through poetry. Poetry about social criticism contained a sense of nationalism. It gave rise to nationalism in the quotations implicitly. Thus, poetry can be used as an educational medium, specifically as a means to instill nationalism values. The method used in this study is descriptive qualitative using socio-pragmatics approach. The result of this study showed there are poetry contained a form of social criticism that reflect nationalism, including nationalism in criticizing problems of economic problems, politic, education, moral, and environmental. The relation between forms of social criticism and nationalism shows that social criticism, both in the fields of economics, politics, education, morals, and the environment, is used as a medium to convey nationalism.  Keywords: nationalism; social critics; socio-pragmatics; poetry ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75648963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REVITALISASI IDE BANGSA DALAM CERPEN KǑNG YǏJǏ (孔乙己) (1919) KARYA LU XUN","authors":"Padel Muhamad Rallie Rivaldy","doi":"10.22146/POETIKA.V7I1.44389","DOIUrl":"https://doi.org/10.22146/POETIKA.V7I1.44389","url":null,"abstract":"Karya sastra Cina pada masa Gerakan Kebudayaan Baru tidak dapat dipisahkan dari realitas masyarakatnya. Oleh karena itu, diperlukan pengetahuan sejarah dan sosio-politik untuk memahami sastra Cina secara mendalam. Salah satu penulis yang merekam masa transisi dari pemerintahan Dinasti Qing ke Republik dan dianggap sebagai penggagas sastra Cina modern adalah Lu Xun. Dengan pendekatan sosiologi sastra, tulisan ini bertujuan untuk menunjukkan revitalisasi gagasan berbangsa yang terdapat dalam cerpen “Kǒng Yǐjǐ” (孔乙己) (1919) karya Lu Xun. Tulisan ini akan melibatkan unsur ekstrinsik, yaitu konteks sosial ketika karya tersebut diproduksi. Namun, tulisan ini juga tetap akan menjelaskan analisis pembacaan dekat (close reading) cerpen tersebut untuk memperdalam analisis. Hasil temuan menunjukkan adanya komitmen pengarang untuk menghidupkan kembali ide bangsa yang lepas dari nilai-nilai lama melaui cerpennya. Pudarnya nilai-nilai lama tersebut direpresentasikan secara simbolis melalui tokoh Kong yang hidup di tengah masyarakat Cina.Kata kunci: Lu Xun; bangsa; revitalisasi Chinese literary works in the time of New Cultural Movement are interrelated with the reality of Chinese society at that time. Therefore, the knowledge upon historical aspect and socio-political circumstances are needed to gain deep understanding of a single literary work. One of distinguished author which represent the transition of Qing Dynasty to Republic Era of China and is regarded as the pioneer of modern Chinese literature is Lu Xun. By elaborating sociological approach, this article aims to observe the revitalization of nation’s idea in “Kǒng Yǐjǐ” (孔乙己) (1919) short story by Lu Xun. This article elaborates extrinsic elements that cover social context on which the work is produced. However, close reading analysis is also applied in order to preserve in-depth analysis. This article finds out that the author, through his work, builds a commitment to revitalize the idea of nation which step over traditional values. The degradation of those traditional values symbolically represented through Kong’s life among Chinese society.Keywords: Lu Xun; nation; revitalization ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88906563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ETNOSENTRISME DALAM TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DALAM PERSPEKTIF STRUKTURASI GIDDENS","authors":"Uci Elly Kholidah, Siti Hardiyanti Amri","doi":"10.22146/POETIKA.45407","DOIUrl":"https://doi.org/10.22146/POETIKA.45407","url":null,"abstract":"Sebagai makhluk sosial, manusia saling berinteraksi dengan gugus pengetahuan dan pengalaman berbeda satu sama lain. Penelitian ini bertujuan untuk menganalisis etnosentrisme dalam novel Tenggelamnya Kapal Van der Wijck karya Hamka dengan perspektif Strukturasi Giddens. Strukturasi menolak pandangan dualisme dengan menekankan dualitas agen dan struktur. Setiap agen bertindak berdasarkan skemata atau struktur dalam ruang dan waktu tertentu. Selanjutnya, aktivitas sosial para agen tersebut memengaruhi struktur itu kembali. Dalam konteks sastra, agen merujuk pada penulis dan tokoh-tokoh yang ada di dalam karya sastra. Hasil penelitian ini menunjukkan bahwa gejala etnosentrisme melalui tindakan para tokoh dalam novel merupakan manifestasi struktur penulis. Novel Tenggelamnya Kapal Van der Wijck merupakan sarana komunikasi Hamka selaku agen yang dimotivasi oleh keinginan akan perbaikan dan perubahan terhadap struktur budaya Minangkabau. Karya ini juga mampu mengubah sistem sosial yang membentuk struktur etnosentrisme Hamka.Kata Kunci: Strukturasi; Agen; Struktur; Anthony Giddens; Tenggelamnya Kapal Van der Wijck As social beings, humans interact using a distinct set of knowledge and experiences. This research aims to analyze ethnocentrism in the novel Tenggelamnya Kapal Van der Wijck by Hamka through the perspective of Giddens’ structuration. The theory of structuration rejects the notion of dualism by highlighting the duality of agent and structure. Every agent acts on a schemata or structure in a certain space and time. Furthermore, the agents' social activities conversely affect the structure. In literary context, agents refer to both writer and characters in literary work. The result of this study indicates that the phenomenon of ethnocentrism showed through the actions of the characters in the novel isthe manifestation of the author's structure. The novel Tenggelamnya Kapal Van der Wijck is a media of communication for Hamka as an agent motivated by his desire for improvements and changes in the structure of Minangkabau culture. This work is also able to change social system that actually constructs Hamka ethnocentrism structure.Keywords: Structuration; Agent; Structure; Anthony Giddens; Tenggelamnya Kapal Van der Wijck. ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"1224 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89348108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PERSPEKTIF SANTRI DALAM KARYA SASTRA: SEBUAH REPRESENTASI WACANA RELIGIUS-HUMANIS","authors":"Irana Astutiningsih, Hat Pujiati","doi":"10.22146/POETIKA.40902","DOIUrl":"https://doi.org/10.22146/POETIKA.40902","url":null,"abstract":"Pesantren  kerap dicurigai sebagai lahan subur penyemai bibit radikalisme yang mengancam keutuhan bangsa dan negara, sejatinya sangat akrab dengan nilai-nilai yang humanis, yang salah satunya direpresentasikan dalam karya sastra pesantren.  Kajian ini membincang representasi wacana religius-humanis dalam sastra pesantren sebagai objek material, berupa tiga cerita pendek berjudul “Di Antara Dua Pilihan”, “Cinta Sejati Itu Tidak Mudah”, dan “Seruas Bingung. Ketiganya” terbit di buletin Tanwirul Afkar, sebuah buletin salah pondok pesantren Salafiyah Syafi’iyah di Sukorejo, Jawa Timur. Oleh sebab itu, teori representasi Stuart Hall dipakai sebagai alat analisis. Terkait dengan pendekatan konstruksionis model diskursif Foucauldian yang bertitik tekan pada produksi pengetahuan melalui wacana yang melibatkan sistem bahasa, ketiga cerpen dianalisis dengan memetakan wacana religius-Humanis dan dikaitkan dengan latar kontekstual tempat wacana tersebut diproduksi. Hasil analisis menunjukkan bahwa dalam sastra pesantren konstruksi wacana religius-humanis dihadirkan melalui nilai- nilai kemanusiaan yang universal, alih-alih terjebak pada dikotomi yang rigid antara benar dan salah, sebagaimana pemahaman yang kerap memicu radikalisme. Nilai religius justru hadir seiring dengan nilai kemanusiaan universal sebagai satu representasi keberpihakan santri penulis terhadap wacana religius-humanis melalui sastra pesantren.Kata Kunci: wacana; pesantren; sastra pesantren; religius-humanis; representasi Pesantren (Islamic Boarding School) is suspected as a fertile place for the radicalism which treat the united nations and states of Indonesia as a republic. As a religious school, pesantren is supposed to be representative for humanism since religion is taken as a living guide for human being. This article discusses representation of religious-humanist discourse in Pesantren Literature as the material object; they are short stories entitled: “Diantara Dua Pilihan”, “Cinta Sejati Itu Tidak Mudah” dan “Seruas Bingung”. The short stories were published in Tanwirul Afkar,a monthly bulletin in Salafiyah Syafi’iyah Islamic Boarding School at Sukorejo, Situbondo, East Java Indonesia. We apply Stuart Hall’s representation theory as a tool to analyze the stories. Focusing on Foucauldian’s discursive method in constructionist model that emphasizes on the knowledge production in discourses through language, we map the contextual background to find out the genealogy of religious-humanist discourse production. The result shows that religious-humanist discourses in Pesantren literary works are presented through universal human values, instead of being trapped in a rigid dichotomy between right and wrong that lead to a radicalism. Religiosity comes along with the universal human values as a representation of santri writers’s partialit on religious-humanist discourse through Pesantren literature.Keywords: discourse; pesantren; pesantren literature; religious-humanist; representation","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84289477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KRISIS IDENTITAS DALAM CERPEN A PAIR OF JEANS KARYA QAISRA SHAHRAZ","authors":"Ayu Fitri Kusumaningrum","doi":"10.22146/POETIKA.V7I1.43500","DOIUrl":"https://doi.org/10.22146/POETIKA.V7I1.43500","url":null,"abstract":"Multikulturalisme menjadi wacana yang diagung-agungkan di abad 21 karena men-cerminkan kemodernan yang mana pertemuan dan percampuran dua atau lebih kebudayaan dianggap sebagai cerminan masyarakat modern yang terbuka dengan akulturasi. Dewasa ini, multikulturalisme menjadi fenomena yang biasa terjadi di berbagai belahan dunia karena proses migrasi yang terus berlangsung di berbagai negara, salah satunya Inggris (Britania Raya). Berdasarkan sensus pada tahun 2011, tercatat Inggris menjadi rumah bagi delapan belas kelompok etnis berbeda yang tersebar di seluruh penjuru Inggris dan Pakistan adalah salah satu kelompok etnis tersebut, menduduki peringkat ketiga dengan persentase sebanyak 2% dari total populasi di Inggris. Kedelapan belas kelompok etnis ini pun hidup bersama sehingga kebudayaan mereka bertemu dan bercampur dalam ruang multikulturalisme. Multikulturalisme inilah yang kemudian memicu munculnya krisis identitas. Menggunakan karya sastra kontemporer yang diterbitkan pada abad 21, kajian ini bertujuan untuk mengungkapkan bagaimana krisis identitas tokoh Miriam, seorang perempuan muslim Pakistan yang tinggal di Inggris, digambarkan dalam cerpen “A Pair of Jeans” karya Qaisra Shahraz. Dengan mengaplikasikan metode analisis pascakolonialisme Homi K. Bhabha, kajian ini menemukan bahwa proses hibriditas dan mimikri dalam multikulturalisme dapat menimbulkan ambivalensi yang berupa krisis identitas.Kata Kunci: multikulturalisme; hibriditas; mimikri; ambivalensi; krisis identitas Multiculturalism becomes a glorified discourse in the twenty-first century because it reflects the modernity in which the meeting and mixing of two or more cultures are considered as a reflection of a modern society that is open to acculturation. Today, multiculturalism is a common phenomenon in various parts of the world because of the ongoing process of migration in various countries, one of which is Britain (United Kingdom). According to the 2011 census, it was recorded that Britain was home to eighteen different ethnic groups scattered throughout Britain and Pakistan is one of the ethnic groups, ranking third with 2% of the total population in the UK. These eighteen ethnic groups live together so their cultures meet and are mixed in the space of multiculturalism. This multiculturalism then triggers an identity crisis. Using contemporary literature published in the twenty-first century, this study aims to reveal how Miriam's identity crisis, a Pakistani Muslim woman living in Britain, is described in Qaisra Shahraz’s “A Pair of Jeans”. By applying the method of post-colonialism analysis of Homi K. Bhabha, this study finds that the process of hybridity and mimicry in multiculturalism can lead to ambivalence in the form of identity crisis.Keywords: multiculturalism; hybridity; mimicry; ambivalence; identity crisis  ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79796780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"POSTMEMORY DALAM NOVEL TAPOL KARYA NGARTO FEBRUANA","authors":"Anna Elfira Prabandari Assa","doi":"10.22146/POETIKA.43130","DOIUrl":"https://doi.org/10.22146/POETIKA.43130","url":null,"abstract":"Narasi balas dendam yang masih terus direproduksi oleh pihak-pihak yang bertikai semakin membuat rekonsiliasi tragedi ’65 berujung pada kemacetan. Kerelaan untuk sa-ling mengakui kesalahan adalah langkah besar dalam usaha rekonsiliasi. Sayangnya, korban PKI hanya mengingat saat mereka menjadi bulan-bulanan PKI, sebelum Peristiwa G30S. Sementara itu, PKI hanya mengingat pasca-G30S, saat mereka menjadi korban genosida politik. Sebuah novel berjudul Tapol karya Ngarto Februana memotret fenomena tersebut. Pengarang yang tidak pernah mengalami langsung peristiwa ’65 membuat teori postmemory dari Marianne Hirsch cocok diaplikasikan dalam penelitian ini. Februana mendapatkan transmisi afiliatif dari saksi hidup dan buku-buku lain sebagai memori kolektif. Identifikasinya kemudian mewujud dalam tokoh dan narasi dalam novel Tapol. Februana membedakan antara komunisme sebagai ideologi yang membela yang tertindas dan PKI sebagai partai yang berpolitik praktis. Melalui tokoh Mirah, pengarang juga mengkritisi Orde Baru sebagai rezim otoriter yang bukan hanya musuh, tetapi juga semua pihak yang berani menentangnya.Kata Kunci: postmemory; transmisi; memori; identifikasi; PKI; Orde Baru; komunisme The narrative of revenge that is still being reproduced by the conflicting parties increases the stagnation of reconciliation of the '65 tragedy. The willingness to acknowledge each other's mistakes is a big step in reconciliation. Unfortunately, PKI victims only remember when they were the PKI’s targets, before the G30S. Meanwhile, the PKI only remembered the post-G30S, when they were victims of political genocide. A novel titled Tapol by Ngarto Februana captures this phenomenon. Authors who have never experienced directly on '65 tragedy make Marianne Hirsch’s postmemory suitable to be applied. Februana gets affiliative transmission from living witnesses and other books as a collective memory. His identification towards the past then manifests in characters and narratives in Tapol. Februana distinguishes between communism as an ideology that defends the oppressed and the PKI as a party that has practical politics. Through the character Mirah, the author also criticized the New Order as an authoritarian regime that was not only an enemy but also all those who dared to oppose it.Keywords: postmemory; transmition; memory; identification; PKI; Orde Baru; communism","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90755393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}