Zbornik Radova Akademije Umetnosti最新文献_第10页

Musical space organisation exemplified by variations for piano op. 27 by Anton Webern 以安东·韦伯钢琴作品27的变奏曲为例的音乐空间组织

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604110B

M. Božanić

引用次数: 0

Tradition of remaking and serialisation in world film 世界电影的翻拍和连载传统

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZbAkUm1604206K

Nikolaj Dejan Kraljačić

引用次数: 0

Art and the problem of theory: Perspectives for verbalization of arts 艺术与理论问题:艺术语言化的视角

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604039P

Una Popović

引用次数: 1

Interests: A prerequisite for the development of the art audience 兴趣:艺术受众发展的先决条件

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604193D

Dušica Dragin

{"title":"Interests: A prerequisite for the development of the art audience","authors":"Dušica Dragin","doi":"10.5937/ZBAKUM1604193D","DOIUrl":"https://doi.org/10.5937/ZBAKUM1604193D","url":null,"abstract":"The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spectacle in the modern world in which the tendency towards general banalization dominates? This question is considered as essential for cultural protagonists. Following Nemanjic's theory about cultural needs, we emphasize that the cultural need is formed as a cultural interest, which means that interests have a crucial role in the development of cultural needs, and consequently in cultural consumption. Accordingly, we think that the understanding of the importance of interests as a prerequisite for the development of the art audience is one of the most significant issues in the theory and practice of management in culture. The aim of the paper is to present the concept and its numerous factors in the process of forming and developing interests, as well as to point to the necessity and possibilities of the development of artistic interests, the latter being especially relevant to the management/managers of cultural institutions.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"193-205"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71214462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Chronophotography: engineer of life: Etienne-Jules Marey 时间摄影:生命工程师:Etienne-Jules Marey

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604233S

D. Stojmenović

引用次数: 0

The prosody of commencing 开始的韵律

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604022R

M. Richter

{"title":"The prosody of commencing","authors":"M. Richter","doi":"10.5937/ZBAKUM1604022R","DOIUrl":"https://doi.org/10.5937/ZBAKUM1604022R","url":null,"abstract":"The paper considers the issues of modernism in the context of contemporariness in the author-work relation. The leitmotif is the appearance of the painted image in the situation of the painter's current viewpoint. The issue of commencing and realization is set as a correlation between the subject-author equipped with the viewpoint and the object-work equipped with the appearance. The theme of commencing is developed through the examples of Aristotle's 'empty mind' and Descartes' methodic doubt that precedes cogito, to grow into the theme of observation exemplified by Husserl's phenomenology and Bergson's interpretation of consciousness. The return to 'commencing' is dealt with in the last chapter devoted to Žunec's explanation of the original meaning of mimesis. The latter was reached through the analysis of Berkeley's 'esse…', as well as Lacan's and Žižek's interpretations of the subject as an 'empty space'. These reflections were aimed at pointing out specific problems of the painting from the author's position and vice verse. Since an appropriate (scholarly) language for this content is nonexistent, it is the metaphorical, as well as philosophical metalanguage that is reached for. In that sense the text is also an attempt of inauguration of a discourse that is an outcome of art practice, to which it is primarily dedicated.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"60 1","pages":"22-38"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71214339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Songs-patterns of the Romanians in Vojvodina as a subcategory of children's folklore in the light of comparative studies 从比较研究的角度看伏伊伏丁那罗马尼亚人的歌曲模式作为儿童民俗的一个子类

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604153P

Kristina Planjanin-Simić

引用次数: 0

Metalanguage of painting: Semiotics and geometry as lingua franca of interpreting painting works 绘画的元语言:符号学和几何学作为阐释绘画作品的通用语

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604052B

Jagor Bučan

引用次数: 0

There is also a story in Lutosławski: Narrative archetypes in the first movement of Witold Lutosławski's second symphony 在Lutosławski中也有一个故事:维托尔德Lutosławski第二交响曲第一乐章中的叙事原型

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604094Z

M. Zatkalik

{"title":"There is also a story in Lutosławski: Narrative archetypes in the first movement of Witold Lutosławski's second symphony","authors":"M. Zatkalik","doi":"10.5937/ZBAKUM1604094Z","DOIUrl":"https://doi.org/10.5937/ZBAKUM1604094Z","url":null,"abstract":"Narrativity in music is seldom connected to the compositions based on aleatoric procedures and the use of sound masses. Yet, it can be demonstrated that the first movement of Witold Lutoslawski's Second Symphony projects a meaningful set of relations which is later called into question and reconfigured, thus meeting at least some of the conditions for narratological approach. The attention is focused on the tone pitch parameter and in that sense it can be noticed that the movement is founded on the alternation of twelve-note aggregate and symmetrical, all-combinatorial hexachord 012678. This description suggests invariance, the lack of directed movement, since both tonal arrays are characterised by a high level of entropy. In spite of this, there is a clear effort to achieve a directed movement, as a result of the procedures used to organise tonal pitches, and, especially, as a result of the treatment of hexachords. The paper will investigate how the flow of events in this movement can be related to the system of mythos - the archetypal narrative categories - as were first defined by the Canadian literary critic Northrop Frye, and adjusted for musical narrative by Byron Almen. The system is based on the intersection of the two fundamental opposites: defeat/victory and order/disorder, resulting in four categories: comedy, romance, irony/satire and tragedy. No matter how paradoxical it may seem, it is the abovementioned entropy that can be considered as the initial order, and its disorder is achieved by attempts to establish directed movement. The ambivalence of archetypal categories and their interweaving is not uncommon in the narrative process. Therefore, the possibility of various interpretations of narrative trajectory will be discussed.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"94-109"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71214366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anthropology of music: Paradigms and perspectives 音乐人类学:范式与视角

Zbornik Radova Akademije Umetnosti Pub Date : 2016-01-01 DOI: 10.5937/ZBAKUM1604133R

Miloš Rašić

{"title":"Anthropology of music: Paradigms and perspectives","authors":"Miloš Rašić","doi":"10.5937/ZBAKUM1604133R","DOIUrl":"https://doi.org/10.5937/ZBAKUM1604133R","url":null,"abstract":"Music represents a relational category, in the sense that people write meaning into it, and later by the means of the same music they write the meaning into other people. Therefore, I regard music as a cultural construct. Music does not possess universal meanings, but it forms its numerous meanings in different cultural environments, as well as in different individual perceptions. In anthropology, music is not studied in relation to its musical characteristics or aesthetical values. Anthropologists study its role in a wider social system, and strive to understand, by analysing the role of music in a society, the social and cultural system it belongs to - musical structure is less important here. The goal of the paper is to give an overview of the paradigms in ethnology and anthropology which have been used in studying music. In addition, a hypothetical-theoretical framework for studying music in institutions is set. Although the theory of hubs, which is presented here as a potential framework for studying music in institutions, is exemplified by traditional music, it can be applied to any genre of music. The basic theoretical framework offered by the authors Nadia Kiwan and Hanna Mainhof has been supplemented by certain parts which the author thought appropriate for studying music in institutions, both in ethnological and anthropological discourse.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"133-144"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71214556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1