从比较研究的角度看伏伊伏丁那罗马尼亚人的歌曲模式作为儿童民俗的一个子类

Kristina Planjanin-Simić
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引用次数: 0

摘要

歌曲模式是儿童创作的,是献给儿童喜爱和感兴趣的鸟类或其他动物的,反映了儿童对自然的反应。在过去,它们是在特定的时间、日期或地点进行的。尽管受到大众传媒和现代生活节奏的强烈影响,它们在儿童民间传说的剧目中幸存至今,尽管失去了最初的功能,它们已经成为“儿童游戏和娱乐的原因”。尽管一些仪式和习俗正在消失,但这些录音样本在许多巴尔干民族的传统声乐实践中仍然占有重要地位。歌曲模式中使用的词汇手段和程序在各个时代的儿童民间传说中都有发现:从罗马时期到中世纪的神秘故事,直到今天。这些孩子们创作的作品的幸存表明,人们通过音乐逐渐实现民族生物学上的和解,这可以被视为未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Songs-patterns of the Romanians in Vojvodina as a subcategory of children's folklore in the light of comparative studies
Songs-patterns are children's creations dedicated to birds or other animals dear and interesting to the child which reflect children's reaction to nature. In the past they were performed at certain hour, day or place. They have survived in the repertoire of children's folklore to present day despite a strong influence of mass media and modern life tempo, although losing their initial function, and they have become simply a 'cause for children's games and entertainment'. The recorded samples still hold a significant place in traditional vocal musical practice of a number of the Balkan peoples, regardless the fact that some rituals and customs are disappearing. The lexical means and procedures used in songs-patterns have been found in children's folklore in everyday vernacular speech throughout various epochs: since the Roman period, through medieval mysteries, till today. The survival of these creations by children speaks in favour of gradual ethnobiological rapprochement between peoples through music, which can be seen as the future.
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