Revue Francaise de Civilisation Britannique最新文献_第8页

Le Régime social britannique à l’heure du Brexit, entre complexité constitutionnelle et incertitude politique 英国脱欧时期的社会制度，在宪法复杂性和政治不确定性之间

Revue Francaise de Civilisation Britannique Pub Date : 2021-01-05 DOI: 10.4000/RFCB.7808

Clémence Fourton

{"title":"Le Régime social britannique à l’heure du Brexit, entre complexité constitutionnelle et incertitude politique","authors":"Clémence Fourton","doi":"10.4000/RFCB.7808","DOIUrl":"https://doi.org/10.4000/RFCB.7808","url":null,"abstract":"Cet article examine les consequences de la sortie du Royaume-Uni de l’Union europeenne (UE) sur le regime social britannique, entendu comme l’ensemble complexe forme par les institutions sociales, leurs effets et leurs determinants. En particulier, le rapatriement des competences europeennes, l’integration et la reforme de l’acquis communautaire, et la rupture avec les institutions europeennes posent des questions de gouvernance et d’equilibres politiques, car ces developpements surviennent dans un paysage constitutionnel marque par l’absence codification et par la devolution d’une partie du pouvoir executif et legislatif aux nations. Hors de l’UE, la differenciation des regimes sociaux anglais, ecossais, gallois et nord-irlandais est donc vouee a s’accentuer. Hors de l’UE, le Royaume-Uni devra mettre au point de nouveaux mecanismes de lutte contre les inegalites regionales, sous peine de voir celles-ci s’accentuer. Hors de l’UE, le Royaume-Uni renonce egalement a la protection des droits sociaux par la Cour de justice de l’Union europeenne, et ceux-ci relevent a nouveau de la souverainete parlementaire. Hors de l’UE, le regime social britannique est donc plus que jamais le produit de rapports de force conjoncturels, marques notamment par la tentation de la concentration des pouvoirs a Londres, l’heritage conservateur en matiere de politiques sociales, et les logiques de differenciation territoriale. Enfin, le processus de sortie de l’UE provoque, en parallele de cette politisation des questions sociales, un deficit de lisibilite quant a leur definition a moyen et long terme.","PeriodicalId":31365,"journal":{"name":"Revue Francaise de Civilisation Britannique","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70598162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La BBC et l’information sur le conflit en Irlande du Nord (1960-1995) 英国广播公司和北爱尔兰冲突信息（1960-1995年）

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7491

É. Gallet

引用次数: 1

Review of Darrell Newton, Paving the Empire Road, BBC Television and Black Britons 回顾达雷尔·牛顿，铺就帝国之路，BBC电视和英国黑人

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7622

Olivier Esteves

引用次数: 0

BBC Drama and the Politics of Production 1955-66 BBC戏剧与政治制作1955-66

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7642

J. Leman

引用次数: 0

The Rises and Falls of Adult Education on the BBC 英国广播公司成人教育的兴衰

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7377

Allan Jones

引用次数: 0

Challenging the “Neutrality” of Public Service in the 1960s: The Wednesday Plays of Tony Garnett and Ken Loach 挑战20世纪60年代公共服务的“中立性”:托尼·加内特和肯·洛奇的周三戏剧

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7542

S. O’Carroll

引用次数: 0

“A Claim to Be Heard”: Voices of Ordinary People in BBC Radio Features “要求被听到”:英国广播公司广播特辑中普通人的声音

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7681

P. Lewis

{"title":"“A Claim to Be Heard”: Voices of Ordinary People in BBC Radio Features","authors":"P. Lewis","doi":"10.4000/rfcb.7681","DOIUrl":"https://doi.org/10.4000/rfcb.7681","url":null,"abstract":"The BBC radio feature, originally influenced by the documentary film movement, combined music and sound with speech that at first was scripted, later recorded on location, along with ‘actuality’. This paper will ask ‘whose speech?’ A memorandum from BBC Director General, John Reith, in 1924, had insisted that “only those who have a claim to be heard above their fellows on any particular subject… should be put on the programme”. Nevertheless, from the 1930s onwards, there was a continuing effort on the part of more politically-minded producers to extend the range of voices heard on the air. The BBC’s North Region, where it was easier to escape Reith’s centralising control, led the way. Pioneering initiatives used the cumbersome recording apparatus of the time to reach into people’s homes and work-places to capture working class voices. After WW2 this example was followed in other regions, until, belatedly in the late 1950s, the BBC began to accept the use of portable recording. By this time a Europe-wide culture of radio feature-making had developed, influenced by the French exploration of musique concrete and the flourishing German Horspiel, and fostered by the Prix Italia and the International Features Workshop. British features producers contributed to this movement and won some success with highly-crafted, aesthetically innovative features. The paper concludes by examining examples of the voices heard in BBC radio features in the last decade of the 20th century.","PeriodicalId":31365,"journal":{"name":"Revue Francaise de Civilisation Britannique","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70597884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

John Reith and the BBC 1922-1939: Building an Empire of the Air? 约翰·里斯和BBC 1922-1939:建立一个空中帝国?

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7498

T. Harris

{"title":"John Reith and the BBC 1922-1939: Building an Empire of the Air?","authors":"T. Harris","doi":"10.4000/rfcb.7498","DOIUrl":"https://doi.org/10.4000/rfcb.7498","url":null,"abstract":"The habit of government control engendered by the Great War ensured the emergence of a public broadcasting corporation over a set of private initiatives: but, even so, this required the exceptional drive and sense of mission of John Reith. The latter’s character is still credited, by many, with leading the BBC’s quest for the Holy Grail of broadcasting – media impartiality: yet the Earl of Crawford felt, in 1925, that Reith had a “swelled head”. The imprint of the latter on the BBC’s character and aims – balance and neutrality – seems rather to embody another fundamental principle: that of “unified control,” a paternalistic, central authority which determined what the BBC was, and what it was for… This article discusses the nature and impact of such an approach on the organisation, staffing and programming at the BBC from its beginnings to the eve of the Second World War. Ethical, even priggish, definitions of “entertainment” could collide with modernist flights of imagination, and yet the two complemented each other in a superior vision of what could be offered to audiences: both at home and throughout the empire. In respect of the latter in particular, however, was the BBC not already in denial of the gathering pace of international change, and working with an already outmoded view of Britain’s capacity to control it?","PeriodicalId":31365,"journal":{"name":"Revue Francaise de Civilisation Britannique","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70598263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

La Représentation des jeux de pouvoir par la BBC : l’exemple de la série Yes, (Prime) Minister BBC对权力游戏的描述:以“是的，(总理)部长”为例

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7121

Pierre-François Peirano

引用次数: 0

BBC Arabic (1938-1995): Soft Power or Reithian Practice Abroad? BBC阿拉伯语（1938-1995）：软实力还是Reithian在国外的实践？

Revue Francaise de Civilisation Britannique Pub Date : 2020-12-06 DOI: 10.4000/rfcb.7056

Houcine Msaddek

引用次数: 1