Actes des congrès de la Société française Shakespeare最新文献_第3页

Briser les chaînes de la métaphore : romances shakespeariennes et métaphores ravivées 打破隐喻的锁链:莎士比亚的小说和复兴的隐喻

Actes des congrès de la Société française Shakespeare Pub Date : 2019-01-02 DOI: 10.4000/SHAKESPEARE.4477

Barbara Muller

{"title":"Briser les chaînes de la métaphore : romances shakespeariennes et métaphores ravivées","authors":"Barbara Muller","doi":"10.4000/SHAKESPEARE.4477","DOIUrl":"https://doi.org/10.4000/SHAKESPEARE.4477","url":null,"abstract":"S’inspirant d’Aristote, de Quintilien et de Ciceron, les rhetoriciens anglais du XVIe siecle prescrivent le bon usage des figures et ereintent les metaphores inconvenantes ou trop audacieuses. Dans les romances (Pericles, Cymbeline, The Winter’s Tale et The Tempest), Shakespeare se plait a contrevenir a ces prescriptions qui brident l’inventivite du poete : l’une des strategies les plus subtiles que developpe le dramaturge pour s’affranchir de ces figures imposees est le deploiement de metaphores ravivees, qui consistent a reveiller des metaphores mortes pour y redonner une charge imagee voire y deployer un sens neuf. En d’autres termes, ces figures ingenieuses brisent les chaines des metaphores mortes qui, a force d’usage, emprisonnent en elles des sens caches. Dans les romances, les metaphores ravivees ont egalement ce pouvoir de liberer un potentiel comique, y compris au sein de scenes tragiques. D’ailleurs, l’objectif est de souligner l’impact qu’ont ces figures sur l’hybridite generique des pieces tardives. Par l’emploi astucieux de ces figures, Shakespeare s’affranchit des regles de purete generique formulees par les neo-aristoteliciens sur le continent. Des lors, une double liberation voit le jour : en brisant les chaines de la metaphore, qui n’est plus assujettie aux prescriptions rhetoriques, le dramaturge affranchit aussi ses pieces des carcans generiques.","PeriodicalId":311828,"journal":{"name":"Actes des congrès de la Société française Shakespeare","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132739945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Overflowing the Measure: Cleopatra Unbound 溢出的措施:埃及艳后释放

Actes des congrès de la Société française Shakespeare Pub Date : 2019-01-02 DOI: 10.4000/shakespeare.4397

Sophie Chiari

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引用次数: 0

Ophelia Unbound in Asian Performances 奥菲莉亚在亚洲演出中的无拘无束

Actes des congrès de la Société française Shakespeare Pub Date : 2019-01-02 DOI: 10.4000/shakespeare.4887

Alexa Alice Joubin

{"title":"Ophelia Unbound in Asian Performances","authors":"Alexa Alice Joubin","doi":"10.4000/shakespeare.4887","DOIUrl":"https://doi.org/10.4000/shakespeare.4887","url":null,"abstract":"Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—notably through the Ophelia figure—in their effort to renew Asian performance traditions. How do Shakespeare and modern directors talk to each other across cultural and historical divides? How does Ophelia become “unbound” through supralinguistic structures of spectacle and music? With case studies of three Hamlet films: Haider (India, 2004), The King and the Clown (South Korea, 2005), and Prince of the Himalayas (Tibet, 2006), this article examines how Asian films negotiate with Asian cultural norms, ideas of Ophelia as an iconic victim, and the image of Hamlet as a brooding male intellectual. Outside their country of origin, these films attract audiences who are enthralled by the performance of the exotic, whether it’s Shakespearean or Asian motifs. Within their local market, the name brand of an editorialized Anglophone Shakespeare helps to boost their production value. Filmmakers see the co-presence of Shakespearean and Asian motifs as an asset, as “double kisses.” They use selective elements, such as conventionalized Bollywood dance and Chinese martial arts sequences, as common denominators and bonding agents between different periods and cultures.","PeriodicalId":311828,"journal":{"name":"Actes des congrès de la Société française Shakespeare","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133457009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Shakespeare anthologized: Taking a fresh look at Douai Manuscript MS787 莎士比亚选集:重新审视杜埃手稿MS787

Actes des congrès de la Société française Shakespeare Pub Date : 2019-01-02 DOI: 10.4000/SHAKESPEARE.4289

L. Cottegnies

{"title":"Shakespeare anthologized: Taking a fresh look at Douai Manuscript MS787","authors":"L. Cottegnies","doi":"10.4000/SHAKESPEARE.4289","DOIUrl":"https://doi.org/10.4000/SHAKESPEARE.4289","url":null,"abstract":"This essay looks at an exceptional manuscript collection of plays, dated 1694-1695 and held at the Bibliotheque municipale of Douai, which I am currently editing for The Internet Shakespeare Editions (http://internetshakespeare.uvic.ca/). It consists in a transcript of six plays by Shakespeare, bound together with three Restoration plays by Nathaniel Lee, John Dryden and William Davenant. The manuscript once belonged to one of the (Catholic) English colleges in Douai. As confirmed by the recently-discovered First Folio in Saint-Omer, English colleges abroad, including Jesuit colleges, had a rich theatrical culture, in which Shakespeare features in a prominent place. G. Blakemore Evans was the first scholar to highlight the importance of the Douai manuscript in 1962. He established that the scribe used the second Folio as copy-text for the Shakespeare plays and pointed out that the transcript contained multiple hitherto-unrecorded readings, which in some instances predate several of the best-known emendations by eighteenth-century scholars like Rowe, or Malone. This paper aims at reconsidering this collection as an anthology, in order to question the uses of the text and the reception of Shakespeare in a Catholic context. This necessarily means thinking about the status of this transcript by looking at the internal as well as external evidence: this essay argues that this collection, which has been interpreted as a promptbook by the critical tradition, i.e. a dramatic manuscript with a view to performance, should also be seen as an edition obeying Restoration editorial standards.","PeriodicalId":311828,"journal":{"name":"Actes des congrès de la Société française Shakespeare","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133634159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Foreword: Christy and France 前言:克里斯蒂与法国

Actes des congrès de la Société française Shakespeare Pub Date : 2019-01-02 DOI: 10.4000/SHAKESPEARE.4935

A. Williams

引用次数: 0

« O monstrous ! O strange ! » : Le monstrueux dans le théâtre de Shakespeare “怪物!”史奇!莎士比亚戏剧中的怪物

Actes des congrès de la Société française Shakespeare Pub Date : 2017-06-03 DOI: 10.4000/shakespeare.5335

Manon Turban

引用次数: 0

Back to the roots:Shakespeare and Popular Culture in the 20th and 21st centuries 追根溯源:20世纪和21世纪的莎士比亚与流行文化

Actes des congrès de la Société française Shakespeare Pub Date : 2013-06-03 DOI: 10.4000/shakespeare.1949

Livia Segurado Nunes

引用次数: 1

The Anatomy of Sight: Poetic Eyedentity in Shakespeare’s Sonnets to the Fair Youth 视觉解剖:莎士比亚致美丽青年十四行诗中的诗意眼睛身份

Actes des congrès de la Société française Shakespeare Pub Date : 2012-06-03 DOI: 10.4000/shakespeare.1989

Benoît Bondroit

引用次数: 0