Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)最新文献

{"title":"Real Vision Construction and Reading Experience: Visual-Reading Conceptual Photography","authors":"Zhijun Wang","doi":"10.2991/assehr.k.200907.094","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.094","url":null,"abstract":"This article begins with the construction and meaning of conceptual photography, analyzes its aesthetic attitude, and proposes that the reading experience of conceptual photography works through expression of meaning and how to embody its spiritual connotation in the creative process, and \"watch\" the conceptual photography works become the act of interpreting a kind of figurative object, which makes the aesthetic experience of photography works fully realized.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132100945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Application of 3D Design Software in Graphic Design","authors":"Lican Chen","doi":"10.2991/assehr.k.200907.095","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.095","url":null,"abstract":"The development of graphic design is inseparable from two important factors: the first is the development of digital technology, resulting in diversified design techniques and communication methods; the second is the changes of aesthetic taste of graphic design viewers. If the development of digital technology is the material basis for the development of graphic design, then the changes in the viewers' aesthetic taste are the spiritual power of its development, and the two complement each other. The vigorous development of 3D design software and its more and more powerful functions have led many graphic designers to apply it in design. This can not only improve the designer's work efficiency, but also greatly enrich the expression of visual language, so that the viewers can get an immersive feeling. In this way, it can improve the brand recognition and serve a good brand promotion purpose.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124742611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Discussion on the Application of Chinese National Cultural Elements in the Design of Animation Original Painting","authors":"Bingxu Ni","doi":"10.2991/assehr.k.200907.093","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.093","url":null,"abstract":"Chinese national culture has the genetic role in animation creation and design. It is the cultural root of artistic creation. It is because of its existence in many excellent works that it makes the work more alive. This article takes the current situation of animation creation in China as a starting point, and analyzes the current situation of national culture and examples of successful use of national cultural elements in the original animation, to find the place and connotation of national culture to enhance the creation. From face to point, from shallow to deep, national cultural elements are organically integrated into the design of modern animation original paintings, forming a trinity of inheritance, development, and innovation, and serving for the creation of fine art products with the spirit of the times.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121282964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"British Book Illustration of the 1900–1910s: Sources of Inspiration","authors":"D. Lebedev","doi":"10.2991/assehr.k.200907.040","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.040","url":null,"abstract":"A huge number of illustrators appeared in the beginning of XX century in Great Britain, first of all in London, who worked on the design of wonderful gift-books. The most outstanding of them were Arthur Rackham (1867–1939), Edmund Dulac (1882–1953), brothers Charles Robinson (1870–1937) and William Heath Robinson (1872–1944), as well as brothers Charles Maurice Detmold (1883–1908) and Edward Julius Detmold (1883–1957). In addition to these artists, more than twenty more graphics were engaged in illustrating various novels, short stories, plays and fairy tales in England in this historical period, but their achievements are either less visible or are the result of imitating the abovementioned illustrators, which makes them secondary to the leaders of this direction. The peculiarity of book illustration of this period is the high level of technical training of graphic artists who studied on the best examples of Victorian art, numerous references in their work to the styles of past epochs, as well as focusing mainly on classical, or fairy tale literature. All of them are unique in their own way, and therefore there is a special interest in identifying common sources of influence on these masters, to determine the universal stylistic features of their work on the basis of the key subjects of fiction illustrated by them, as well as their classification within the era in all these categories.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124396907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Study on the Aesthetic Crisis of Chinese Antique Fantasy Movies Since the New Century","authors":"Zhuo Li, Zongsheng Yue","doi":"10.2991/assehr.k.200907.086","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.086","url":null,"abstract":"Since the new century, Chinese antique fantasy movies have gradually risen and occupied a prominent position in the film market, relying on myths, legends, mythical stories, etc., taking overhead history or fictional space-time as narrative strategy, to show the strange feelings, wonderful view, and strange affairs in the super-real time and space. It greatly satisfied the curiosity of the audience. However, its simple, low, empty, and disordered narrative plot under its gorgeous coat has some shortcomings in the pursuit of modeling and digital special effects. It shows obvious cultural anxiety and value imbalance. If Chinese ancient fantasy films want to maintain their long-term vitality, they should constantly excavate Chinese elements and Chinese stories to create high quality film works.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125812737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Combining Education With Entertainment” and “Truth, Goodness and Beauty” in Animated Films: Enlightenment from Pixar Animated Films","authors":"Miaomiao Wang","doi":"10.2991/assehr.k.200907.091","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.091","url":null,"abstract":"Although Pixar Animation Studio has not emphasized the creative concept of combining education with entertainment, as an excellent creator of animated films, it must be a pursuer of \"truth, goodness and beauty\". Through in-depth analysis of the classic animated films of the Pixar, it is found that the virtual and unreal expression of \"beauty\" makes it extremely entertaining, while the honesty and authenticity of \"truth and goodness\" make it extremely educational valuable. This article combines the specific story framework, theme expression, character setting, scene plot and picture performance of Pixar animated films to explore the relationship between the same origins of the animation movies' \"combining education with entertainment\" and \"truth, goodness and beauty\".","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128150354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Specifics of Functioning of Higher Education System of Culture and Art in Russian Regions","authors":"Nataliya А. Malshina","doi":"10.2991/assehr.k.200907.065","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.065","url":null,"abstract":"From our point of view, it seems advisable to introduce a new criterion – an integral potential of sociocultural sphere that consists of interconnected indicators: economic, social, cultural, technological, resource, innovative. The analysis shows that over the research period the quantitative indicators of functioning of higher education system of culture and art did not change and the expenditure of consolidated budgets of RF regions on socio-cultural events, on education (millions of rubles) increase at the regional scale. Far Eastern Federal District, Siberian Federal District, Volga Federal District belong to the regions with the highest growth percentage of expenditure. The structure of the financial and economic activity of the education system of culture and art includes the major indicators: the revenue of a higher educational institute from all sources (thousands of rubles), the revenue from nongovernment sources (thousands of rubles) (%), the fraction of the revenue of a higher educational institution from non-governmental sources %, the fracture of the revenue of a higher educational institution from federal budget %, the fracture of the revenue of a higher educational institution from the budget of a constituent entity of the Russian Federation and local budget %, the fracture of the revenue of a higher educational institution from educational activity in total revenue of a higher educational institution %, the fracture of the revenue of a higher educational institution from research and development activities in total revenue of a higher educational institution %, the fracture of extra budgetary means in the revenue from educational activity %, the fracture of extra budgetary means in the revenue from research and development activities. The most important factors in the development and assessment of the potential of higher education in culture and art include scientific research, salary, financial and economic activity, etc. It is proposed a methodological approach to the analysis of the functioning of higher education system of culture and art. Its distinctive feature is the determining and maintaining the eligibility between the level of regional education of culture and art and the value of expenditure of consolidated budgets what in turn leads to an improvement of the strategic and competitive positions of the region in conditions of system relevance of the economy.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130610647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Research and Application of Color in Hui Style Architecture","authors":"Yan He","doi":"10.2991/assehr.k.200907.062","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.062","url":null,"abstract":"Hui style architecture is one of the most important traditional architecture schools in China, which has a long history and unique regional characteristics. Among them, the color of the Hui style architecture has a profound cultural deposits and unique style. The formation of the Hui style architectural color system is affected by various reasons such as geography, culture and production technology, which is also the crystallization of the wisdom of the ancients and the integration of production technology, providing the most intuitive template for the inheritance of traditional buildings and the innovation of contemporary characteristic buildings.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126084917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Negative Images in Contemporary Art: Aesthetic Interpretations","authors":"O. Krivtsun","doi":"10.2991/assehr.k.200907.061","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.061","url":null,"abstract":"The article touches upon the forms of implementation of negative images in contemporary art. The increase in the proportion of negative images in painting is associated with artistic reaction to controversial processes in modern culture, with the reflection of existential crisis. According to the author, the new understanding of individuality and its needs, the complications of the quest for the life purpose lead to a sharp modification in painting styles, the expansion in the variety of painful topics and focal points which used to be outside the realm of art. Nonetheless, the nature of creation itself can \"propel\" the artist to perceive the situation in an unconscious-intuitive way, to gain control over it, to make the spectator feel empathy, even if the author's ratio is affected by distortive reflection.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"278 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130740452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Application of Rock Color in Modern Public Decorative Art","authors":"Zhangmin Yan","doi":"10.2991/assehr.k.200907.072","DOIUrl":"https://doi.org/10.2991/assehr.k.200907.072","url":null,"abstract":"This article first traces the widespread use of rock color represented by natural mineral color in the early religious art of human, especially in the art of grotto paintings in the early days of China. The traditional Chinese color system that it symbolizes is also promoted by the art and design world today, and illustrates the modern attributes of rock color from the perspective of social development and transformation. Rock color has been applied to several large public decorative arts in recent years as an example, which proves that it has great practical significance. Then the author continued to expand the rock color material system, the rock color expression forms and expression techniques were continuously enriched, and a large number of rock color reserves were accumulated. These aspects demonstrated the realistic conditions for the future development of public color decorative arts. It is an inevitable trend for the development of Chinese art that rock color is applied to the future public","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129531736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}