{"title":"新世纪以来中国古玩奇幻电影的审美危机研究","authors":"Zhuo Li, Zongsheng Yue","doi":"10.2991/assehr.k.200907.086","DOIUrl":null,"url":null,"abstract":"Since the new century, Chinese antique fantasy movies have gradually risen and occupied a prominent position in the film market, relying on myths, legends, mythical stories, etc., taking overhead history or fictional space-time as narrative strategy, to show the strange feelings, wonderful view, and strange affairs in the super-real time and space. It greatly satisfied the curiosity of the audience. However, its simple, low, empty, and disordered narrative plot under its gorgeous coat has some shortcomings in the pursuit of modeling and digital special effects. It shows obvious cultural anxiety and value imbalance. If Chinese ancient fantasy films want to maintain their long-term vitality, they should constantly excavate Chinese elements and Chinese stories to create high quality film works.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Study on the Aesthetic Crisis of Chinese Antique Fantasy Movies Since the New Century\",\"authors\":\"Zhuo Li, Zongsheng Yue\",\"doi\":\"10.2991/assehr.k.200907.086\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since the new century, Chinese antique fantasy movies have gradually risen and occupied a prominent position in the film market, relying on myths, legends, mythical stories, etc., taking overhead history or fictional space-time as narrative strategy, to show the strange feelings, wonderful view, and strange affairs in the super-real time and space. It greatly satisfied the curiosity of the audience. However, its simple, low, empty, and disordered narrative plot under its gorgeous coat has some shortcomings in the pursuit of modeling and digital special effects. It shows obvious cultural anxiety and value imbalance. If Chinese ancient fantasy films want to maintain their long-term vitality, they should constantly excavate Chinese elements and Chinese stories to create high quality film works.\",\"PeriodicalId\":311554,\"journal\":{\"name\":\"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/assehr.k.200907.086\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/assehr.k.200907.086","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Study on the Aesthetic Crisis of Chinese Antique Fantasy Movies Since the New Century
Since the new century, Chinese antique fantasy movies have gradually risen and occupied a prominent position in the film market, relying on myths, legends, mythical stories, etc., taking overhead history or fictional space-time as narrative strategy, to show the strange feelings, wonderful view, and strange affairs in the super-real time and space. It greatly satisfied the curiosity of the audience. However, its simple, low, empty, and disordered narrative plot under its gorgeous coat has some shortcomings in the pursuit of modeling and digital special effects. It shows obvious cultural anxiety and value imbalance. If Chinese ancient fantasy films want to maintain their long-term vitality, they should constantly excavate Chinese elements and Chinese stories to create high quality film works.