{"title":"A escrita a partir da pedra","authors":"R. J. Silva","doi":"10.5007/1984-784X.2017V17N28P35","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N28P35","url":null,"abstract":"The article highlights the importance of the image of the stone for the poetry of Carlos Drummond de Andrade and aims to analyze some questions that this element of the poem “In the middle of the path” evokes throughout his work. Among them, the relation of the poet to the society, the crisis of the representation, the fissures of the poetic language. The text briefly reviews the critical reception received by the mentioned poem, one of the most commented in our literature. It also shows how the preoccupation with the question of representation and the discussion around the language have brought density to its reflective poetry, at the same time that allowed him to tune his poetry within his historical and social context.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"35-41"},"PeriodicalIF":0.0,"publicationDate":"2018-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N28P35","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45513881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drummond e a vanguarda do Prata: o re-invencionismo","authors":"Joaquín Correa","doi":"10.5007/1984-784X.2017V17N28P56","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N28P56","url":null,"abstract":"Accompanying the Argentinian Arte Concreto Invencion group and its Manifesto Invencionista, Carlos Drummond de Andrade (re)published, in the 9th number of the Joaquim magazine, in 1947, the text “Invencionismo”, previously published in Correio da Manha , in December 1946. A highly informed Drummond described the movement there and made a number of criticisms. This text is read here in what we call the “Arturo constellation”, the numerous and various derivations of the group that, in 1944, launched the Arturo magazine in Buenos Aires, and defined the non-figurative, abstract, concrete, or inventionism in the La Plata River. The Drummondian variant of the project would be placed in Joaquim magazine and in another contemporary magazine, Anhembi magazine: reinvention or writing of the return, where repetition and memory are intersected to reveal the dust of history was leaving almost imperceptible in its vestiges.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"56-76"},"PeriodicalIF":0.0,"publicationDate":"2018-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N28P56","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41345678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drummond e a \"Iniciação literária\"","authors":"G. França","doi":"10.5007/1984-784X.2017V17N28P15","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N28P15","url":null,"abstract":"Drummond, no poema \"Iniciacao literaria\" de seu \"Boitempo II\", encampa a imagem da navegacao e rememora a leitura como desejo da partida, movimento que transparece em varias evocacoes da biblioteca de infância. As politicas de ensino de literatura, em especial no Ensino Medio, sao pensadas ainda e sempre a partir de diretrizes historiograficas que preconizam a historia da literatura nacional a experiencia do texto literario. Quem e o Drummond-escola? Que Drummond os livros didaticos, herdeiros das antologias, arquivam para o repertorio de um estudante de Ensino Medio? Que leitura e feita dessa antologia de Drummond, dado que, alem de selecionar, os livros hoje escolhem modos de ler, leituras validas e validadas? Este texto aborda a selecao de leituras do poeta realizada por obras selecionadas pelo PNLD 2017 para uso nos proximos tres anos nas escolas publicas brasileiras, problematizando a cristalizacao da imagem do \"poeta nacional\".","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"15-34"},"PeriodicalIF":0.0,"publicationDate":"2018-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41321074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pierre Menard: Leitor-Criador","authors":"J. Rivera","doi":"10.5007/1984-784X.2017V17N27P121","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P121","url":null,"abstract":"The writer Jorge Luis Borges reproduces in his artifice \"Pierre Menard, author of Don Quixote\" (1939, originally) the concept of palimpsest and establishes through this a poetics of reading (Monegal), executed by its own author. Menard becomes an archetypical character who ironically emulates the writing of the precursors recovering the interstices of the past, that is to say, the return to the tradition, work executed by Borges and the well-known poet Haroldo de Campos and his synchronic poetic. There is a disintegration of time and space in the writing of this artifice, and Menard becomes an illustrative example that outlines the literature as a set of interrelated fragments. The notion of author is abolished, according to each epoch the text will be read in a different way: the conditions of receipt of a text do not depend on the author but on the experience of the reader. Borges announces through this text the infinite character of literature.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"121-133"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P121","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45382793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Leitura cultural na reportagem literária de Nicolau (1987-1996)","authors":"Scheyla Joanne Horst, M. Fernandes","doi":"10.5007/1984-784X.2017v17n27p89","DOIUrl":"https://doi.org/10.5007/1984-784X.2017v17n27p89","url":null,"abstract":"The cultural newspaper Nicolau circulated in Brazil between 1987 and 1996 as a project of the government of the state of Parana. We are concerned here with the genre news report in the initial phase of this medium. In this study, we analyzed texts signed by the journalist Adelia Maria Lopes. Among other things, the text sought to show the capital the culture that was produced in suburbs and also in other cities in the state. Our goal is to prove that these productions have the essence of literary journalism, that is, the harmonious union between communicative strength and aesthetic quality in nonfiction stories, which promotes a more efficient cultural reading. For the analysis, we used authors like Edvaldo Pereira Lima, Sergio Vilas Boas, Rogerio Borges, Marcelo Bulhoes and Cremilda Medina.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"89-107"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017v17n27p89","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47365352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A escuta selvagem","authors":"Raúl Antelo","doi":"10.5007/1984-784X.2017V17N27P3","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P3","url":null,"abstract":"We are so hung-up on what is written that we miss out on its saying. Laytour ( Latetour ) is that one might be saying and remains forgotten behind what is said in what is heard. Readers are always the etourdis , the blunderers with regard to the universal and the existence of a saying.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"3-25"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45446936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Para Domingos: as cartas, os amigos, a literatura","authors":"Laíse Ribas Bastos","doi":"10.5007/1984-784X.2017V17N27P31","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P31","url":null,"abstract":"The object for studying and analysis in this work is a set of letters received by Domingos Carvalho da Silva, which points to the constitution of a scene consisted of friendship and dissidences around a common literary and intellectual perspective. The objective of this work is to map the heterogeneity of the group as well as the problematic project involving the literary production in that moment, in order to find, thus, the means and ways of permanence of literature as it was configured between the 1940s and the 1960s.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"31-40"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P31","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45291060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Belazarte e Malazarte: caras de um intelectual ficcional","authors":"A. Zacchi","doi":"10.5007/1984-784X.2017V17N27P41","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P41","url":null,"abstract":"Between 1923 and 1924 Mario de Andrade publishes the Chronicles of Malazarte in Revista America Brasileira. There, he builds three characters with different tastes, opinions and affections: Malazarte, Belazarte and Mario. The fictional voices in the space of the magazine are faces, speaking about the most imminent Brazilian contingency. These faces are Mario's strategies to stand in political positions, without occupying the place conventionally attributed to the intellectual (the one who knows the truth and enunciates it). Caras (Faces) is also the name of an essay about Chaplin in the magazine Espirito Novo, where Mario de Andrade separates and reunites director, creator, actor and character, Charles Chaplin and Charlie. Charlie's face, ostensibly fictional, is a force capable of immobilizing what is only movement, the cinema. Mario de Andrade thinks within the fiction, distributes himself in the faces of the characters to whom he gives voice, he evades of the power managing to interrupt its tradition.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"41-55"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P41","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46748501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drummond e o falso Fernando Pessoa","authors":"R. D. C. Barbosa","doi":"10.5007/1984-784X.2017V17N27P26","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P26","url":null,"abstract":"In September 4th, 1949, Carlos Drummond de Andrade publishes, unsigned, the poem \"Sonetilho\", in the \"Suplemento Literario Letras e Artes\" from the newspaper A Manha from Rio de Janeiro. The poem was preceded by an introductory note – also unsigned – where the author proposes a contest for discovering the poem's author. This essay seeks to measure the implications and the reach of the connection among the author of the note, the author of the poem and the lack of signature in both cases regarding the journalistic and poetic production of Carlos Drummond de Andrade. Thus, we seek to evaluate the importance of such action by the chronicler and poet through his path.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"26-30"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P26","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42814530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Formas de uma guerra diluída","authors":"Joaquín Correa","doi":"10.5007/1984-784X.2017V17N27P108","DOIUrl":"https://doi.org/10.5007/1984-784X.2017V17N27P108","url":null,"abstract":"The Arturo magazine brings to the scene, in 1944, the nonrepresentative concretism in the vanguards of Rio de la Plata, facing the first Peronist government, a representative force par excellence. Henceforth, the debate of political representation with non-artistic representation has had some significant emergencies. This paper explores two possible emergencies of this constellation: the magazine El Cielo (briefly examining the subsequent course of its editors, Cesar Aira and Arturo Carrera) and the editorial and sometimes clandestine work of Rodolfo Walsh in the Semanario de la CGT de los argentinos , in Cadena Informativa and in the newspaper Noticias , from Montoneros. The popular insurgencies of 1969, the Cordobazo above all, transform these two routes and the debate inaugurated in 1944 by Arturo in such a way that it acquires other drifts.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"17 1","pages":"108-120"},"PeriodicalIF":0.0,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/1984-784X.2017V17N27P108","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47210319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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