Drummond e a vanguarda do Prata: o re-invencionismo

Joaquín Correa
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引用次数: 0

Abstract

Accompanying the Argentinian Arte Concreto Invencion group and its Manifesto Invencionista, Carlos Drummond de Andrade (re)published, in the 9th number of the Joaquim magazine, in 1947, the text “Invencionismo”, previously published in Correio da Manha , in December 1946. A highly informed Drummond described the movement there and made a number of criticisms. This text is read here in what we call the “Arturo constellation”, the numerous and various derivations of the group that, in 1944, launched the Arturo magazine in Buenos Aires, and defined the non-figurative, abstract, concrete, or inventionism in the La Plata River. The Drummondian variant of the project would be placed in Joaquim magazine and in another contemporary magazine, Anhembi magazine: reinvention or writing of the return, where repetition and memory are intersected to reveal the dust of history was leaving almost imperceptible in its vestiges.
德拉蒙德与西尔弗的先锋派:再发明主义
卡洛斯·德拉蒙德·安德拉德(Carlos Drummond de Andrade)于1947年在《Joaquim》杂志第9期上重新出版了阿根廷混凝土艺术协会(Arte Concreto Invencion group)及其《因凡西翁宣言》(Manifesto Invencionista),该文本曾于1946年12月在《Correio da Manha》上发表。一位见多识广的德拉蒙德描述了那里的运动,并提出了一些批评。本文在我们所称的“阿图罗星座”中阅读,这是1944年在布宜诺斯艾利斯推出《阿图罗》杂志的团体的众多衍生作品,并定义了拉普拉塔河中的非具象、抽象、具体或发明主义。该项目的德拉蒙德变体将被刊登在《Joaquim》杂志和另一本当代杂志《Anhembi》杂志上:对回归的重塑或书写,重复和记忆交织在一起,揭示历史的尘埃在其遗迹中几乎难以察觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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