Textual Criticism of Persian Literature最新文献

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Monsha’at of Khaghani lyrical content Analysis 《哈加尼的蒙沙》抒情内容分析
Textual Criticism of Persian Literature Pub Date : 2021-09-14 DOI: 10.22108/RPLL.2021.129465.1929
Ali Shahlazadeh, M. J. Akrami
{"title":"Monsha’at of Khaghani lyrical content Analysis","authors":"Ali Shahlazadeh, M. J. Akrami","doi":"10.22108/RPLL.2021.129465.1929","DOIUrl":"https://doi.org/10.22108/RPLL.2021.129465.1929","url":null,"abstract":"Monsha’at of khaghani is a glorious example of the qualities of Persian prose that, despite its great importance, has received less attention from scholars. On the other hand, prose lyric literature has been neglected in comparison with its poetic type, and some have not considered this type of language to be effective for lyric literature. This research intends to make more familiar the both cases by relying on content analysis method and examining the lyrical aspects of the Monsha’at text. With this aim, first, according to the known types of lyrical literature, such as autobiography, praise, epigram, complaint and etc. the book was studied carefully and parts containing lyrical content were extracted and then introduced based on frequency. According to the results, as prose is closer to the nature of language, Monsha’at more clearly reflects Khaghani's emotional images, autobiography, loneliness and bewilderment, praises, his high character, epigrams, incompatibility with his surroundings, and his delicate and quick-witted grievances. The obtained samples indicate that, contrary to popular belief, Persian prose has no shortcomings in the expression of lyrical content, and in some cases, due to the author's lack of adherence to the poetry meter limit, lyrical prose has more literary impact and prominence.","PeriodicalId":31046,"journal":{"name":"Textual Criticism of Persian Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47361612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hich kare nist 这是最重要的
Textual Criticism of Persian Literature Pub Date : 2021-07-13 DOI: 10.22108/RPLL.2021.127584.1842
اکرم Haratian, Ali ahmadidarani
{"title":"Hich kare nist","authors":"اکرم Haratian, Ali ahmadidarani","doi":"10.22108/RPLL.2021.127584.1842","DOIUrl":"https://doi.org/10.22108/RPLL.2021.127584.1842","url":null,"abstract":"Owing to the association that Hafez's poetry has established with the minds and Persian speakers since the 18 th century onwards, some of the historical constructions of his poetics have been adapted, justified and interpreted along with the communal Persian language today. The phrase of “ Hich kare nist” that Hafiz has applied in this verse (Do not scare us from thewisdom’s forbiddance of serving us wine / Since that sheriff is not no-account in our province) has preoccupied the minds of the commentators of his poetry. Whilst they endeavored to solve the seemingly-embedded contradiction in the meaning of thisdistich,regrettably the commentatorshave not mentione dverifications derivedfrom the texts of ancient poetry and prose, and conversely tried to adapt it to some specimens from modern Persian. The commentators’ justifications on Hafez’s verse fall into twocategories: first, \"It is Jack of all trades (omnipotent)\" and second, “it is master of none (not omnipotent)\" which according to the broad meaning of the verse, only one form is acceptable. Thus, this article attempts to problematize the difficulty of this phrase, the function of \"nothingness\" in the history of Persian language in the axis of connotation and its different grammatical functions, which most grammarians and lexicographers have not dealt with thoroughly. From this vantage, Hafez’s linguistic construction can be justified and explained in light ofits application in verse and prosetexts.","PeriodicalId":31046,"journal":{"name":"Textual Criticism of Persian Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49200717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A dialogism of CheharMaghaleh with the memoirs of the ninth century AH. 切哈尔·马加莱与公元九世纪回忆录的对话。
Textual Criticism of Persian Literature Pub Date : 2021-06-28 DOI: 10.22108/RPLL.2021.127577.1840
Mohammad Ranaie, Zahra Ekhteyari
{"title":"A dialogism of CheharMaghaleh with the memoirs of the ninth century AH.","authors":"Mohammad Ranaie, Zahra Ekhteyari","doi":"10.22108/RPLL.2021.127577.1840","DOIUrl":"https://doi.org/10.22108/RPLL.2021.127577.1840","url":null,"abstract":"The CheharMaghaleh or the Majmaol Navader contain anecdotes, some of which are not found in any source before him; But after CheharMaghaleh , many books have mentioned these anecdotes. Each text is somehow related to the texts before and after it; Whether this communication is direct or indirect, it is conscious or unconscious and ultimately limited or unlimited. Understanding these connections helps us to better understand the text through its sources. Dialogue and intertextuality is a theory that examines the relationship between texts and works before and after it. Dialogue deals with the relationship between all systems of language, writing, image, etc., according to the social nature of human beings.Man's interest in history and the use of the experience of the past for a better life is based on this intertextual characteristic. This article intends to examine the memoirs of the ninth century AH to determine the relationship between these texts and CheharMaghaleh . For this purpose, first the six ninth-century notes were examined, then the commonalities between them and CheharMaghaleh in the fields of vocabulary, phrase or sentence, events, time and place were explained. Among the ninth-century memoirs, four are related to CheharMaghaleh in the areas under discussion, especially events. These memoirs are respectively related to CheharMaghaleh: Majmal Fassihi, Tazkereh al-Shoara, Baharestan and Roza al-Safa.","PeriodicalId":31046,"journal":{"name":"Textual Criticism of Persian Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49500683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
نقابهای سودمند و زیانبار در داستان سیاوش 利画与亏在黑暗中的故事。
Textual Criticism of Persian Literature Pub Date : 2018-09-23 DOI: 10.22108/rpll.2017.103120.1083
خدابخش اسداللهی, جعفر عشقی
{"title":"نقابهای سودمند و زیانبار در داستان سیاوش","authors":"خدابخش اسداللهی, جعفر عشقی","doi":"10.22108/rpll.2017.103120.1083","DOIUrl":"https://doi.org/10.22108/rpll.2017.103120.1083","url":null,"abstract":"کهن‌الگوی نقاب یا پرسونا در نظریة یونگ، صورتکی است که هر فرد در ارتباط با انتظارها و معیارهای اجتماعی، فرهنگی، سنتی و نیز برای پاسخ‌گویی به احتیاج‌های کهن‌الگویی درون خود، از آن بهره می‌گیرد. درواقع پرسونا نقشی است که اجتماع، انجام آن را از فرد انتظار دارد و به‌طورکلی هدف آن، تأثیرگذاری بر دیگران و پوشاندن طبیعت و ماهیت واقعی درونی شخص است. پرسونا در برابر شخصیت خصوصی فرد قرار دارد و درواقع شخصیت یا شخصیت‌های اجتماعی اوست که فرد به‌طور ناخودآگاه به جهان عرضه می‌کند. این پژوهش به روش توصیفی ـ تحلیلی انجام شده ‌است و در آن کهن‌الگوی پرسونا در گفت‌وگوها و رفتارهای شخصیت‌های داستان سیاوش در شاهنامة فردوسی بررسی می‌شود. در این مقاله نشان داده شده ‌است که سیاوش و کاووس به سبب برخورداری از فره ایزدی، در گفت‌وگوها یا رفتارهای خود، نقاب زیان‌بار بر چهره نمی‌زنند. بیشترین گفت‌وگو و برخوردی که با استفاده از کهن‌الگوی پرسونا در داستان سیاوش آمده، برای دو چهرة بدنهاد این داستان، یعنی سوداوه و کرسیوز است و همة پرسوناهای آنان از نوع زیان‌بار است.","PeriodicalId":31046,"journal":{"name":"Textual Criticism of Persian Literature","volume":"10 1","pages":"35-53"},"PeriodicalIF":0.0,"publicationDate":"2018-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45627552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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