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Gli affituali dei palchi del San Giovanni Grisostomo (1678) San Giovanni Grisostomo盒子的承租人（1678）
Drammaturgia Pub Date : 2022-12-15 DOI: 10.36253/dramma-14134
Ilaria Contesotto
{"title":"Gli affituali dei palchi del San Giovanni Grisostomo (1678)","authors":"Ilaria Contesotto","doi":"10.36253/dramma-14134","DOIUrl":"https://doi.org/10.36253/dramma-14134","url":null,"abstract":"This intervention aims to analyze the spatial arrangement of the tenants in the different orders of the San Giovanni Grisostomo’s theater during the opening season, through the study of the documents from the notary of the Grimani’s brothers (named Fratina), now preserved in the Archivio di Stato di Venezia. The opening years of San Giovanni Grisostomo are significant from a political point of view; tensions within the aristocracy had worsened after the entry of a substantial number of families, obtained thanks to the outlay of a large sum of money. The phenomenon will be so destabilizing that it will take years to reach a new balance in the Maggior Consiglio. The evidence found allow us to affirm that not only the theater layout reflected the divisions within the patriciate, but also that the tenancy of the boxes from some rapidly growing families may have underpinned an intention of social ascent, thanks to the physical closeness between the new acquisitions and the historical affiliates of the patriciate. Finally, it is found that the positioning of some families, ambassadors or important political personalities could become a pretext for the establishment of new alliances.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42963989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Non ho scritto una tragedia, ma un drama per le scene di Venezia»: i libretti di Adriano Morselli per il San Giovanni Grisostomo (1688-1692) “我没有写悲剧，而是为威尼斯的场景写戏剧”：阿德里亚诺·莫塞利为圣乔瓦尼·格里索托莫创作的剧本（1688-1692）
Drammaturgia Pub Date : 2022-12-15 DOI: 10.36253/dramma-14132
N. Badolato
{"title":"«Non ho scritto una tragedia, ma un drama per le scene di Venezia»: i libretti di Adriano Morselli per il San Giovanni Grisostomo (1688-1692)","authors":"N. Badolato","doi":"10.36253/dramma-14132","DOIUrl":"https://doi.org/10.36253/dramma-14132","url":null,"abstract":"This paper examines a series of drammi per musica written by Adriano Morselli during the last years of his own career as librettist for the Teatro di S. Giovanni Grisostomo in Venice: Amulio e Numitore (1689), Pirro e Demetrio (1690) and L’incoronazione di Serse (1691), with music by Giuseppe Felice Tosi; La pace fra Tolomeo e Seleuco (1691) and L’Ibraim sultano (1692), with music by Carlo Francesco Pollarolo. Investigating a series of topoi and dramaturgical devices that place this works in the wake of the writing conventions of late seventeenth-century Venetian opera, the paper takes into consideration the dramatic models employed by the poet, with their direct influences from the classical French theatre. This allows us to consider Morselli’s libretti as an example of a poetic trend, only partially studied by theatrologists and musicologists, which flourished in Venetian opera during the last quarter of the 17th century.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48852886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The Jew of Venice’ (1701): il primo Shylock dopo Shakespeare 《威尼斯犹太人》(1701):莎士比亚之后的第一部夏洛克电影
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13555
Maria Chiara Barbieri
{"title":"‘The Jew of Venice’ (1701): il primo Shylock dopo Shakespeare","authors":"Maria Chiara Barbieri","doi":"10.36253/dramma-13555","DOIUrl":"https://doi.org/10.36253/dramma-13555","url":null,"abstract":"The scenic fortune of The Merchant of Venice marks a turning point in 1741 thanks to the interpretation of the character of Shylock by the actor Charles Macklin, consecrated by Alexander as ‘the Jew that Shakespeare drew’. A recognition of the actor’s value, but also a sign of distance from The Jew of Venice, the adaptation by George Granville with which in 1701 the comedy that had been missing from the stage for almost a century was revived, albeit in a modified form. The essay analyses the genesis and compositional structure of the adaptation in which Granville seeks a mediation between the aim for ‘regularization’ in the classicist sense of the Shakespearean text and the desire to preserve its essence, ‘the silver at the bottom of the melting pot’. Consistent with these purposes is the assignment of the part of Shylock to the comic actor Thomas Doggett, whose artistic and character profile is outlined through many testimonies of long-time companions. On the other hand, the iconographic testimonies are few, though for the first time they are examined together with an engraving contained in the first modern edition of Shakespearean Works published in 1709. The comparison leads to hypothesize that the first existing image of the character of Shylock is also the first to portray an actor, Thomas Doggett.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44457679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il patrimonio fotografico dell’Istituto centrale per il catalogo e la documentazione 中央目录和文件研究所的照片遗产
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13562
Elena Berardi
{"title":"Il patrimonio fotografico dell’Istituto centrale per il catalogo e la documentazione","authors":"Elena Berardi","doi":"10.36253/dramma-13562","DOIUrl":"https://doi.org/10.36253/dramma-13562","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45935567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le raccolte fotografiche del Civico museo biblioteca dell’attore 当地演员图书馆的照片收藏
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13559
Gian Domenico Ricaldone
{"title":"Le raccolte fotografiche del Civico museo biblioteca dell’attore","authors":"Gian Domenico Ricaldone","doi":"10.36253/dramma-13559","DOIUrl":"https://doi.org/10.36253/dramma-13559","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43492831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Uno scenografo e un impresario: il contratto Madonis-Bellavite al teatro Sant’Angelo di Venezia (1724) 一个布景设计师和一个经理人：威尼斯圣天使剧院的Madonis Bellavite合同（1724）
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13554
Gianluca Stefani
{"title":"Uno scenografo e un impresario: il contratto Madonis-Bellavite al teatro Sant’Angelo di Venezia (1724)","authors":"Gianluca Stefani","doi":"10.36253/dramma-13554","DOIUrl":"https://doi.org/10.36253/dramma-13554","url":null,"abstract":"On 24 January 1724, the Veronese set designer Innocente Bellavite signed a contract with the impresario Antonio Madonis to create the sets for the operas at the Teatro Sant’Angelo in the 1724-1725 season. The contract, broken by when he entered the pay of Antonio Denzio’s company in Bohemia, is a rare testimony of the clauses established between a set designer and an impresario in Venetian theatres at that time. By highlighting this unpublished document for the investigation of Baroque scenography, this contribution adds new details to the laconic biographies of two overly neglected protagonists of early 18th-century European theatre.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47796600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La collezione Cuocolo del Museo nazionale di San Martino 圣马丁国家博物馆的茶壶收藏
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13567
Silvia Cocurullo
{"title":"La collezione Cuocolo del Museo nazionale di San Martino","authors":"Silvia Cocurullo","doi":"10.36253/dramma-13567","DOIUrl":"https://doi.org/10.36253/dramma-13567","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46268681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Archivio Fotografico Toscano 托斯卡纳库存照片
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13565
Oriana Goti
{"title":"Archivio Fotografico Toscano","authors":"Oriana Goti","doi":"10.36253/dramma-13565","DOIUrl":"https://doi.org/10.36253/dramma-13565","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48871682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antonio Morrocchesi all’Accademia di Belle Arti di Firenze 佛罗伦萨艺术学院的安东尼奥·摩洛切西
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13556
Mara Nerbano
{"title":"Antonio Morrocchesi all’Accademia di Belle Arti di Firenze","authors":"Mara Nerbano","doi":"10.36253/dramma-13556","DOIUrl":"https://doi.org/10.36253/dramma-13556","url":null,"abstract":"The essay deals with the didactic activity conducted by Antonio Morrocchesi at the Academy of Fine Arts in Florence and is the result of a systematic survey of archival documents carried out by the author in the three-year period 2016-2018. In particular, it examines the dossiers relating to the so-called ‘premi di emulazione’, that is the competitions which, on an annual and three-year basis, saw the most talented students challenge each other in a competition aimed at measuring progress in study and their own artistic maturity. Through the themes assigned to the competitors, it was possible to identify the canon of authors adopted in academic teaching, thus offering an additional perspective on the subject to that provided by the Lezioni di declamazione e d’arte teatrale.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46503108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fondazione Casa Lyda Borelli per artisti e operatori dello spettacolo 为艺术家和娱乐运营商举办的Casa Lyda Borelli基金会
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13563
Alberto Beltramo
{"title":"Fondazione Casa Lyda Borelli per artisti e operatori dello spettacolo","authors":"Alberto Beltramo","doi":"10.36253/dramma-13563","DOIUrl":"https://doi.org/10.36253/dramma-13563","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49601119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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