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Drammaturgia最新文献

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Fondazione Alinari per la Fotografia Alinari摄影基金会
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13560
E. Sesti
{"title":"Fondazione Alinari per la Fotografia","authors":"E. Sesti","doi":"10.36253/dramma-13560","DOIUrl":"https://doi.org/10.36253/dramma-13560","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41810486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Archivio Storico Ricordi 历史档案记忆
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13561
Maria Pia Ferraris
{"title":"Archivio Storico Ricordi","authors":"Maria Pia Ferraris","doi":"10.36253/dramma-13561","DOIUrl":"https://doi.org/10.36253/dramma-13561","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41920119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La festa della Porchetta a Bologna: nuove prospettive di indagine (ii) 博洛尼亚猪肉节:调查的新前景(ii)
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13553
Lorena Vallieri
{"title":"La festa della Porchetta a Bologna: nuove prospettive di indagine (ii)","authors":"Lorena Vallieri","doi":"10.36253/dramma-13553","DOIUrl":"https://doi.org/10.36253/dramma-13553","url":null,"abstract":"The essay reconstructs some episodes of the Feast of the Porchetta. A civic event of long history that, at least from the end of the Sixteenth Century, used different artistic, literary, musical and spectacular typologies to convey the ambitions of the Senatorial aristocracy of Felsina. It was also a highlight of the ephemeral state and allowed Bologna to be assigned its rightful place among the European capitals of the spectacle of the Ancient Regime. An extensive unpublished documentation preserved at the Archivio di Stato di Bologna, including two contracts for the construction of theatres and workshops for the fairs of 1627 and 1702, and an icnography of 1697, testify to an unexpected organizational punctuality.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47859850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La collezione Recanatesi della fototeca dell’associazione Macula 黄花协会的照片收藏
Drammaturgia Pub Date : 2022-04-11 DOI: 10.36253/dramma-13566
M. Andreani, Arianna Zaffini
{"title":"La collezione Recanatesi della fototeca dell’associazione Macula","authors":"M. Andreani, Arianna Zaffini","doi":"10.36253/dramma-13566","DOIUrl":"https://doi.org/10.36253/dramma-13566","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44928658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Danze e danzatrici nella stampa italiana: il caso di «Scena illustrata» (1910) 意大利报纸上的舞蹈和舞蹈:“插图场景”的例子(1910)
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13548
Giulia Taddeo
{"title":"Danze e danzatrici nella stampa italiana: il caso di «Scena illustrata» (1910)","authors":"Giulia Taddeo","doi":"10.36253/dramma-13548","DOIUrl":"https://doi.org/10.36253/dramma-13548","url":null,"abstract":"In December 1910, a special issue of «Scena illustrata» is released in Florence. The booklet, entirely devoted to dance, is characterized by a significant use of iconographic elements, such as engravings referring to the dances of the past, and photographic images, crucial for portraying contemporary trends within the international dance world. More than in the textual element, the interest of this issue lies in the iconographic apparatus: still coexisting with drawings and engravings, pictures take here a peculiar positon, presenting themselves both as portraits of dancers (often full page) and as collages of two pages with captions, a format bound to a great fortune in the Italian press at least until the 1930s. But what does it mean, in 1910, to dedicate such a publication to dance? What kind of dance can we see beyond the magazine’s elegant and refined look? What representation of the female dancer’s body can we identify? To what extent is it exposed, in what attitude is it placed, in what dress? This article answers to these questions by analysing the 1910 special issue of «Scena illustrata»: this publication is considered in the context of the editorial history of the magazine as well as in that of the relation between dance and press in Italy at the turn of the century.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44967493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Io la preferisco a tutti i fotografi del mondo». Mario Nunes Vais e il ritratto d’attore “比起世界上所有的摄影师，我更喜欢她。”马里奥·努内斯·维斯和演员肖像
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13544
M. Zannoni
{"title":"«Io la preferisco a tutti i fotografi del mondo». Mario Nunes Vais e il ritratto d’attore","authors":"M. Zannoni","doi":"10.36253/dramma-13544","DOIUrl":"https://doi.org/10.36253/dramma-13544","url":null,"abstract":"The essay investigates the portrait production of Florentine photographer Mario Nunes Vais. A notable signature of non-professional Italian photography, in the early decades of the twentieth century Nunes Vais portrayed all the most significant theatrical artists, leaving an unparalleled testimony in his archive. A refined author and a careful witness of his time, this photographer was indeed able to tell, like no other, the Italian theater scene through the images of its protagonists.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44513511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un teatro ‘a bassa definizione’. Ernesto Brod fotoreporter sul ‘journal’ «Comœdia» 一个低清晰度的剧院。Ernesto Brod在“Comœdia”杂志上担任摄影记者
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13549
C. Chiarelli
{"title":"Un teatro ‘a bassa definizione’. Ernesto Brod fotoreporter sul ‘journal’ «Comœdia»","authors":"C. Chiarelli","doi":"10.36253/dramma-13549","DOIUrl":"https://doi.org/10.36253/dramma-13549","url":null,"abstract":"The cultural phenomenon of illustrated press that characterizes the passage between the nineteenth and twentieth centuries determines, even in theatrical field, a real explosion of specialized periodicals, in which the novelty of stage photography finds space immediately, as well as the other types of images linked to the performing arts, fueling a specific market and a progressive specialization of professional photographers. At the same time, however, the nature of the magazine’s material support imposes a new visual dynamic and a different relationship with the reader/spectator. In this context, the article focuses on the Parisian newspaper «Comoedia» (1907-1937), and more particularly on the emblematic case of Ernesto Brod, a photographer now completely forgotten, and of whom very little biographical information remains, but who is instead very active as a photographer, as well as a caricaturist, on the pages of the journal during the first quarter of the twentieth century. His photographic production, apparently amateur and with a lower profile than that of other more renowned photographers, represents instead an example of adaptation to a broader strategy of mediatization of the theatrical event, in which photography plays a fundamental function as a tool for interaction and sociability with the audience.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41677800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il teatro in fotografia. Premessa 摄影中的戏剧。前提
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13537
M. I. Biggi, M. Zannoni
{"title":"Il teatro in fotografia. Premessa","authors":"M. I. Biggi, M. Zannoni","doi":"10.36253/dramma-13537","DOIUrl":"https://doi.org/10.36253/dramma-13537","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47056864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silfidi ‘en pointe’: ballerine italiane nel Nuovo Mondo silfi ' en point ':新世界的意大利舞者
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13541
Caterina Pagnini
{"title":"Silfidi ‘en pointe’: ballerine italiane nel Nuovo Mondo","authors":"Caterina Pagnini","doi":"10.36253/dramma-13541","DOIUrl":"https://doi.org/10.36253/dramma-13541","url":null,"abstract":"The nineteenth-century marked the achievement of the highest expressive potential of the coreutic performing experience. From the 1840s onwards, a new route was mapped out, resulting in a substantial migration of European dancers to the shores of the United States. The attraction at the origin of this migration is the romantic ballerina. Some of these extraordinarily adaptable dancers would integrate perfectly; others would become fleeting ambassadors of European culture in the New World, leaving an indelible mark and bringing back an experience that would certainly enrich their reinterpretation of the ballet tradition.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48821382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fotografia e teatralità sulla scena europea del secondo Ottocento 19世纪下半叶欧洲舞台上的摄影和戏剧表演
Drammaturgia Pub Date : 2022-04-05 DOI: 10.36253/dramma-13538
R. Guardenti
{"title":"Fotografia e teatralità sulla scena europea del secondo Ottocento","authors":"R. Guardenti","doi":"10.36253/dramma-13538","DOIUrl":"https://doi.org/10.36253/dramma-13538","url":null,"abstract":"The article analyses theatre photography in the period between the second half of the Nineteenth Century and the early Twentieth Century. In this period, in parallel with the diffusion of the photographic technique, the phenomenon of the great actor establishes throughout Europe, while we are witnessing to the birth of the Stage Directing. The investigation moves from a double perspective: on the one hand, highlighting how the notion of theatricality is at the basis of the photographic device, and on the other, underlining how theatre photography is characterised by a substantial ambiguity which calls into question its testimonial value. The two perspectives of investigation are developed starting from examples taken from the European scene, highlighting how, depending on the context, photography and theatre play a role of mutual modelisation, and focusing on photographic portraits of actors, both private and on stage, through some emblematic cases, such as Tommaso Salvini, Sarah Bernhardt, Eleonora Duse, Henry Irving.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45537832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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