{"title":"“比起世界上所有的摄影师,我更喜欢她。”马里奥·努内斯·维斯和演员肖像","authors":"M. Zannoni","doi":"10.36253/dramma-13544","DOIUrl":null,"url":null,"abstract":"The essay investigates the portrait production of Florentine photographer Mario Nunes Vais. A notable signature of non-professional Italian photography, in the early decades of the twentieth century Nunes Vais portrayed all the most significant theatrical artists, leaving an unparalleled testimony in his archive. A refined author and a careful witness of his time, this photographer was indeed able to tell, like no other, the Italian theater scene through the images of its protagonists.","PeriodicalId":30797,"journal":{"name":"Drammaturgia","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«Io la preferisco a tutti i fotografi del mondo». Mario Nunes Vais e il ritratto d’attore\",\"authors\":\"M. Zannoni\",\"doi\":\"10.36253/dramma-13544\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essay investigates the portrait production of Florentine photographer Mario Nunes Vais. A notable signature of non-professional Italian photography, in the early decades of the twentieth century Nunes Vais portrayed all the most significant theatrical artists, leaving an unparalleled testimony in his archive. A refined author and a careful witness of his time, this photographer was indeed able to tell, like no other, the Italian theater scene through the images of its protagonists.\",\"PeriodicalId\":30797,\"journal\":{\"name\":\"Drammaturgia\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drammaturgia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36253/dramma-13544\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drammaturgia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/dramma-13544","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«Io la preferisco a tutti i fotografi del mondo». Mario Nunes Vais e il ritratto d’attore
The essay investigates the portrait production of Florentine photographer Mario Nunes Vais. A notable signature of non-professional Italian photography, in the early decades of the twentieth century Nunes Vais portrayed all the most significant theatrical artists, leaving an unparalleled testimony in his archive. A refined author and a careful witness of his time, this photographer was indeed able to tell, like no other, the Italian theater scene through the images of its protagonists.