Transmodernity最新文献

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Williams, Gareth. Infrapolitical Passages: Global Turmoil, Narco-Accumulation, and the Post-Sovereign State. Fordham University Press, 2021. 250 pp. 威廉姆斯,加雷斯。非政治通道:全球动荡、毒品积累和后主权国家。福特汉姆大学出版社,2021年。250页。
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653496
Pavel Andrade
{"title":"Williams, Gareth. Infrapolitical Passages: Global Turmoil, Narco-Accumulation, and the Post-Sovereign State. Fordham University Press, 2021. 250 pp.","authors":"Pavel Andrade","doi":"10.5070/T49653496","DOIUrl":"https://doi.org/10.5070/T49653496","url":null,"abstract":"","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"89 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73379224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gómez Unamuno, Aurelia. Entre fuego, memoria y violencia de Estado: los textos literarios y testimoniales del movimiento armado en México. A Contracorriente, 2020. 578 pp. gomez乌纳穆诺,奥雷里亚。在火、记忆和国家暴力之间:墨西哥武装运动的文学文本和见证。逆流而上,2020年。578 pp。
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653493
Rebecca Janzen
{"title":"Gómez Unamuno, Aurelia. Entre fuego, memoria y violencia de Estado: los textos literarios y testimoniales del movimiento armado en México. A Contracorriente, 2020. 578 pp.","authors":"Rebecca Janzen","doi":"10.5070/T49653493","DOIUrl":"https://doi.org/10.5070/T49653493","url":null,"abstract":"Gomez Unamuno, Aurelia. Entre fuego, memoria y violencia de Estado: los textos literarios y testimoniales del movimiento armado en Mexico. A Contracorriente, 2020. 578 pp.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75737366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Did You Listen? Zapatismo and Epistemic Decolonization 你听了吗?Zapatismo与认识论的非殖民化
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653484
R. Vizcaíno
{"title":"Did You Listen? Zapatismo and Epistemic Decolonization","authors":"R. Vizcaíno","doi":"10.5070/T49653484","DOIUrl":"https://doi.org/10.5070/T49653484","url":null,"abstract":"Author(s): Vizcaino, Rafael | Abstract: This essay looks at the Zapatista struggle in Southeast Mexico from the perspective of epistemic decolonization. I follow Walter Mignolo’s analysis of Zapatismo as a decolonial “theoretical revolution” and moreover build on it by articulating it in relation to other concepts in the decolonial theoretical toolkit, such as epistemic humility, pluriversality, and knowing how to listen. I conclude with an interpretation of recent events in the Zapatista communities that reinforce what Mariana Mora has called the Zapatista’s “politics of listening,” which also allude to the transformations that continue to make Zapatismo a global beacon of decolonial thinking and doing.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87803327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caña Jiménez, María del Carmen, ed. Desafíos, diferencias y deformaciones de la ciudadanía: mutantes y monstruos en la producción cultural latinoamericana reciente. Editorial A Contracorriente, 2020. pp. 225. 这篇文章是我们2011年拉丁美洲文化研究的一部分,目的是分析拉丁美洲文化在拉丁美洲文化生产中的作用,以及拉丁美洲文化在拉丁美洲文化生产中的作用。《逆流编辑》,2020年。pp. 225年。
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653492
David S. Dalton
{"title":"Caña Jiménez, María del Carmen, ed. Desafíos, diferencias y deformaciones de la ciudadanía: mutantes y monstruos en la producción cultural latinoamericana reciente. Editorial A Contracorriente, 2020. pp. 225.","authors":"David S. Dalton","doi":"10.5070/T49653492","DOIUrl":"https://doi.org/10.5070/T49653492","url":null,"abstract":"Author(s): Dalton, David S. | Abstract: Cana Jimenez, Maria del Carmen, ed. Desafios, diferencias y deformaciones de la ciudadania: mutantes y monstruos en la produccion cultural latinoamericana reciente. Editorial A Contracorriente, 2020. pp. 225.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81034990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rueda, Carolina. Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI. Cuarto propio, 2019. 392pp. 卷,卡罗琳。城市与幻象:21世纪拉丁美洲城市电影的视觉维度。自己的房间,2019年。392pp。
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653495
Moisés Park
{"title":"Rueda, Carolina. Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI. Cuarto propio, 2019. 392pp.","authors":"Moisés Park","doi":"10.5070/T49653495","DOIUrl":"https://doi.org/10.5070/T49653495","url":null,"abstract":"Author(s): Park, Moises | Abstract: Rueda, Carolina. Ciudad y fantasmagoria: dimensiones de la mirada en el cine urbano de Latinoamerica del siglo XXI. Cuarto propio, 2019. 392pp.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77702182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interviews with Mexican Women: We Don’t Talk About Feminism Here. Carlos Coria-Sánchez. New York: Routledge, 2019. 对墨西哥女性的采访:我们不在这里谈论女权主义。卡洛斯Coria-Sanchez。纽约:劳特利奇出版社,2019。
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653491
Traci Roberts-Camps
{"title":"Interviews with Mexican Women: We Don’t Talk About Feminism Here. Carlos Coria-Sánchez. New York: Routledge, 2019.","authors":"Traci Roberts-Camps","doi":"10.5070/T49653491","DOIUrl":"https://doi.org/10.5070/T49653491","url":null,"abstract":"Interviews with Mexican Women: We Don’t Talk About Feminism Here\u0000 . Carlos Coria-Sanchez. New York: Routledge, 2019.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77915879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La curiositas asiática en Conquista de las Islas Malucas de Bartolomé Leonardo de Argensola 征服疯狂岛屿的亚洲好奇bartolome Leonardo de Argensola
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653487
Noemí Martín Santo
{"title":"La curiositas asiática en Conquista de las Islas Malucas de Bartolomé Leonardo de Argensola","authors":"Noemí Martín Santo","doi":"10.5070/T49653487","DOIUrl":"https://doi.org/10.5070/T49653487","url":null,"abstract":"Author(s): Martin Santo, Noemi | Abstract: Este ensayo propone una lectura de Conquista de las islas Malucas (1609) del poeta, historiador y eclesiastico Bartolome Leonardo de Argensola (1562-1631) como un gabinete de curiosidades textual lleno de narraciones y objetos maravillosos. El autor emplea sus propias ideas sobre la escritura de la historia para crear una cronica de conquista con la intencion de promocionar la labor mesianica del imperio espanol. Su obra actualiza los conocimientos de un area del globo sobre la que permanecian los mitos clasicos y medievales sobre Oriente.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"8 1","pages":"70-87"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89935496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Conviviality of the Fandango: Living with Difference in the Music and Dance of Southern Veracruz, Mexico Fandango的欢乐:生活在墨西哥南部韦拉克鲁斯州音乐和舞蹈的差异中
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653486
James Daria
{"title":"The Conviviality of the Fandango: Living with Difference in the Music and Dance of Southern Veracruz, Mexico","authors":"James Daria","doi":"10.5070/T49653486","DOIUrl":"https://doi.org/10.5070/T49653486","url":null,"abstract":"Author(s): Daria, James | Abstract: This article argues that conviviality (convivencia) is an alternative, performance-based epistemology that is enacted in the music and dance of the son jarocho from southern Veracruz, Mexico. In its traditional settings, son jarocho is played in a participatory musical celebration called a fandango. This article provides an ethnographic perspective of how marginalized musical communities of Veracruz enact an subaltern cosmopolitanism from below through an affective sociality encapsulated in of the fandango that has direct ramifications for how daily life is constructed in the region.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88963175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Secondary Ghost: Gibraltar in La vida perra de Juanita Narboni, by Ángel Vázquez
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653489
R. Newcomb
{"title":"A Secondary Ghost: Gibraltar in La vida perra de Juanita Narboni, by Ángel Vázquez","authors":"R. Newcomb","doi":"10.5070/T49653489","DOIUrl":"https://doi.org/10.5070/T49653489","url":null,"abstract":"This paper addresses Angel Vazquez’s novel La vida perra de Juanita Narboni (1976), a first-person account of several decades in the life of Juanita Narboni Cortes, a middle-class tangerina of mixed Andalusian/Gibraltarian parentage. I argue that despite Juanita’s distance from her Gibraltarian father, Gibraltar represents a kind of specter, physically distant but insistently “present” through her memories and family ties, and through interpersonal, economic, and cultural connections between Tangier and the Rock. I first describe Juanita’s role as a personification and mirror of late-colonial Tangier. I then explain how we can understand the novel as a ghost story of sorts. I also argue here that Juanita’s Gibraltarian father and Gibraltar itself “haunt” the narrative, with a good deal of this haunting being mediated through photographs. Finally, I analyze the novel’s conclusion to show how Juanita’s desperate attempt to locate a photograph of her mother, and her unexpected encounter with a paperweight, an object associated with her father and with Gibraltar, suggests that she must come to terms, at least partially, with the memory of her father—and by extension, with Gibraltar. I contend that despite Juanita’s centering of her narrative on her mother and Andalusia, by attending to her references to her father and to Gibraltar, we open the novel to an alternate reading that helps us recover these “secondary ghosts,” and that complicates Juanita’s resolute self-identification with Andalusia. Similarly, we unmask Juanita’s andalucismo and disavowal of her ties to Gibraltar as a late-colonial fantasy of an erstwhile “Spanish” Tangier that was never entirely Spanish, but is rather a city whose numerous “ghosts,” including the Rock, cannot be extirpated from its literary memory.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87458740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos de un cuerpo sin forma 从xibalb<e:1>到21世纪的洪都拉斯:Carlos Humberto Santos的Bocetos de un cuerpo sin forma中的权力和边缘化的跨现实主义草图
Transmodernity Pub Date : 2021-06-01 DOI: 10.5070/T49653485
Analisa Degrave
{"title":"From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos de un cuerpo sin forma","authors":"Analisa Degrave","doi":"10.5070/T49653485","DOIUrl":"https://doi.org/10.5070/T49653485","url":null,"abstract":"Author(s): DeGrave, Analisa | Abstract: Examined through a transrealista lens, the “sketches” left by the poet traveler in Carlos Humberto Santos's Bocetos de un cuerpo sin forma (Esquisses d’un corps sans forme/Sketches of a shapeless body, 2018) testify to the expanse, depth, and contours of power and marginalization across time and space. Descending to the Mayan underworld of Xibalba in a journey that recalls that of Dante Alighieri’s pilgrim through Hell in La divina commedia, the poet traveler moves through overlapping layers of time—pre-colonial, colonial, and neocolonial/contemporary—and in-between spaces of human diasporas and other geographies of oppression. Upon the layers of “sketches” created by other artists to represent places of death, fear, and torment on the “cuerpo” of the oppressed, Santos's Bocetos leaves testament to the dynamics of marginalization and power in twenty-first-century Honduras.","PeriodicalId":30612,"journal":{"name":"Transmodernity","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84418670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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