Shakespeare Bulletin最新文献_第7页

Henry V (review) 《亨利五世》(回顾)

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0038

H. Bachrach

引用次数: 0

Shakespeare’s Accents: Voicing Identity in Performance by Sonia Massai (review) 莎士比亚的口音:索尼娅·马塞在表演中表达身份(评论)

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0047

Carla Della Gatta

引用次数: 0

Joji

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0044

A. Sarkar, Balagopal S. Menon

引用次数: 0

Live at the Porpentine: A Comedy of Errors (review) 住在Porpentine:错误的喜剧(评论)

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0045

R. Kello

引用次数: 0

Local Habitations of A Midsummer Night’s Dream 《仲夏夜之梦》的居住地

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0037

Alexa Alice Joubin

引用次数: 1

Much Ado About Nothing (review) 无事生非(回顾)

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0046

Michael W. Shurgot

引用次数: 0

Appropriating Shakespeare in Brazil: Cultural Anthropophagy in Nós do Morro’s Dream 巴西对莎士比亚的挪用:Nós do Morro的梦中的文化食人论

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0036

A. S. Camati

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引用次数: 0

Realizing a Subaltern Dream: The Politics of Language and Translation in Habib Tanvir’s Kamdev Ka Apna Basant Ritu Ka Sapna 实现一个底层的梦想:哈比卜·坦维尔的《Kamdev Ka Apna Basant Ritu Ka Sapna》中的语言政治与翻译

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0035

A. Rao

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引用次数: 0

“Cheerful, carefree, beautiful life”: The Trouble with Staging A Midsummer Night’s Dream in Early Soviet Theater “快乐、无忧无虑、美好的生活”:早期苏联剧院上演《仲夏夜之梦》的麻烦

Shakespeare Bulletin Pub Date : 2022-09-01 DOI: 10.1353/shb.2022.0034

Natalia Khomenko

{"title":"“Cheerful, carefree, beautiful life”: The Trouble with Staging A Midsummer Night’s Dream in Early Soviet Theater","authors":"Natalia Khomenko","doi":"10.1353/shb.2022.0034","DOIUrl":"https://doi.org/10.1353/shb.2022.0034","url":null,"abstract":"Abstract:This article re-examines the scholarly assumption that the theater of early Soviet Russia saw A Midsummer Night’s Dream as an ideologically unobjectionable and unproblematic play. Tracing how Russian productions of Dream were reviewed from 1919 throughout the 1920s, the first section of this article examines comments on the play’s potential usefulness for building a proletarian theater and concerns about the interpretative challenges it posed. The second section moves to address the expectations for Shakespearean comedy as a genre in the 1930s, framed by Shakespeare’s new position as a cult writer within the cultural policy of socialist realism, and shows that Dream was interpreted as a humanist vision of an idyllic, egalitarian, and conflict-free future. Finally, the article analyzes the 1941 production at the Central Red Army Theater in Moscow, focusing on the director’s assistant’s rehearsal notes, which were eventually published as an essay. Both the initial notes and their final, published version reveal Soviet theater practitioners’ battle with the recalcitrant play-text as they attempted to force the play into alignment with its official interpretation. By charting how staging Dream challenged early Soviet Russia’s idealized vision of Shakespearean comedy and, by extension, of Shakespeare as a proto-socialist playwright, this article proposes that, when translated into performance, this comedy proved no less ideologically insidious and destabilizing than did Hamlet.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125912160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Romeo and Juliet (review) 《罗密欧与朱丽叶》(回顾)

Shakespeare Bulletin Pub Date : 2022-06-25 DOI: 10.1353/shb.2022.0008

Elizabeth Tavares

引用次数: 0