{"title":"L’anno di passaggio (alla nuova piattaforma)","authors":"Natalie Dupré, I. Lanslots","doi":"10.18352/inc11013","DOIUrl":"https://doi.org/10.18352/inc11013","url":null,"abstract":"","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74793536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lo spaesamento delle viaggiatrici europee al nord","authors":"Ellen Patat","doi":"10.18352/inc11005","DOIUrl":"https://doi.org/10.18352/inc11005","url":null,"abstract":"The displacement of European female Travellers in the North \u0000Estrangements in travel writing \u0000The present paper focuses on the travel accounts written by four women who decided to visit the European North in mid- and late-Nineteenth century: Ida Laura Pfeiffer’s Visit to Iceland and Scandinavian North (1853), Carla Serena’s Mon voyage personnels: souvenirs De la Baltique à la Mer Caspienne (1881), Ethel Brianna Tweedies’ A girl’s ride in Iceland (1889), and Elisa Cappelli’s In Svezia. Impressioni di viaggio (1902). The aim is to analyse these travel diaries to identify the various forms of displacement and estrangement presented to the readers. The term ‘displacement’ is here to be understood as the condition of the ‘outsider’, the perception of being ‘the Other’, whereas ‘estrangement’ could be considered the reformulation of this awareness. This paper highlights real displacements that derive from social, cultural, geographical, and gender discrepancies adopting a comparative approach, which concentrates on the textual and semantic solutions, also taking into account the interdependence of travel and writing and of space and people. These aspects intertwine with the factual reality of the travel discourse, ultimately leading to both ‘literary’ and ‘existential’ estrangements.","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91258921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Deus ex machina: forme contemporanee del credere nel relativo","authors":"Enzo Pace","doi":"10.18352/incontri.10349","DOIUrl":"https://doi.org/10.18352/incontri.10349","url":null,"abstract":"Deus ex-machina: Modern Form of Believing in the Relative Secularization continues to produce its effects over the long term, despite the conspicuous recovery of public space regained from 1980 to today by the major world religions. The alleged return of the sacred or the alleged revenge of God, however, does not seem able to contrast the triumph of capitalism as a religion, to take up the formula used by Walter Benjamin. The modern consumer society saves the salvable, incorporating the sacred into the commodities, making the goods a sign of identification, a cult. The appearance of strong religions, so-called fundamentalisms, constitutes a specular and high response to the forms of believing in the relative in the societies of late secularization. The author starts from the prophetic visions on the magnificent fortunes of capitalism, advanced by Max Weber and Walter Benjamin, analyzing the process of commodification of religious symbols in contemporary affluent societies. Therefore, there is not the return of God who was presumed dead. Rather the machine of neo-capitalism saves God by making him prodigiously incarnate in the beauty of goods.","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90496789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quando lo ‘scandalo’ diventa provocazione. Il postsecolare e il teatro iconoclasta di Romeo Castellucci","authors":"M. Jansen","doi":"10.18352/incontri.10350","DOIUrl":"https://doi.org/10.18352/incontri.10350","url":null,"abstract":"When ‘scandal’ becomes provocation The postsecular and Romeo Castellucci’s theatre of iconoclasm Romeo Castellucci’s performance On the Concept of the Face Regarding the Son of God has led to a series of violent protests coordinated by Catholic groups in France (Paris 2011, Le Mans 2018) and Italy (Milan 2012) and has been judged as being blasphemous and ‘Christianophobic'. Castellucci in the media has defended his piece using biblical terms and advocating his artistic right to create ‘scandal’. This contribution intends to investigate the limits between provocation and ‘scandal’ with the help of a work of art that adoperates consciously an ‘iconoclash’ (Latour 2002) montage between avant-garde transgression and the symbolic code of Catholicism. While the freedom of artistic expression enjoys the protection of the state, this ‘natural’ right is put into question by the postsecular ‘return of religion’ in the public sphere (Habermas 2006). The analysis of the Catholic protests against Castellucci’s piece and the director’s aesthetic and ethical goals, both show how the configuration of postsecular art becomes part of the ‘denaturalization’ of secular and religious normativity in postsecular society (Parmaksiz 2018).","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"138 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86495067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editoriale: un anno sempre particolare","authors":"Natalie Dupré, I. Lanslots","doi":"10.18352/incontri.10347","DOIUrl":"https://doi.org/10.18352/incontri.10347","url":null,"abstract":"","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73189799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'Renzo e Lucia'(2004) in TV: intervista a Francesca Archibugi","authors":"F. Laviosa","doi":"10.18352/incontri.10356","DOIUrl":"https://doi.org/10.18352/incontri.10356","url":null,"abstract":"","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86203571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Religioni letterarie, una via alternativa al contemporaneo?","authors":"Marco Zonch","doi":"10.18352/incontri.10348","DOIUrl":"https://doi.org/10.18352/incontri.10348","url":null,"abstract":"","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78778361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Commemorare vittime di violenza: la street art come luogo di resistenza e discorso di positività","authors":"I. Lanslots, Paul Sambre, Eliana Maestri","doi":"10.18352/incontri.10353","DOIUrl":"https://doi.org/10.18352/incontri.10353","url":null,"abstract":"The commemoration of victims of violence Street art, activists and their messages of positivity The present article analyses how street art and activism intertwine in public spaces addressing wider audiences with messages of growing positivity. Via the comparative analysis of two case studies revolving around the ‘no mafia’ sign on the outskirts of Palermo (Capaci) and the mural dedicated to Carlo Giuliani at the entrance of the Garbatella area within the Ostiense quarter in Rome, we explore the genesis of both works, their specific spatial setting and the role of social actors in the conservation of the mural paintings, as well as in the commemoration of victims of violence. Our analysis draws on key theoretical findings conceptualized within memory studies, sociology and research on visual culture.","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"92 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81651375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Darti voce è incontrarti nelle cose’: il canto di ritorno di Filippo Davoli tra religione e lirica","authors":"Michele Bordoni","doi":"10.18352/incontri.10351","DOIUrl":"https://doi.org/10.18352/incontri.10351","url":null,"abstract":"‘Giving You a voice is crossing You in things’ The song of return in Filippo Davoli’s between lyric and religion This paper aims at investigating the phenomenon of the return of religion as well as at analysing the return of lyric poetry and French phenomenology as conceptual keys to Davoli’s literary production. The thirty-year poetic activity of Filippo Davoli (Fermo, 1965) may be defined as a very personal “return to reality” where the poet inserts daily situations as part of a wider transcendental plan, which, however, does not imply dogmatic declarations of faith. According to thematic and chronological analyses, Davoli’s poetry may constitute a parallel to contemporary expressions of religious sentiment linked to poetry. In this “initiatic-spiritual” knowledge, the poet’s mystical sentiment, or ‘Song of return’, may be preparatory to a re-reading of reality which goes beyond its material dimension. Such a double level of reading can be as well exemplified by another pivotal theme in Davoli’s production: the body and its limits express both the mere caducity of the present and its “anagogic” dimension, which consists in a further interpretation of its limits.","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"74 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89310708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}