International Journal of Heritage, Memory and Conflict最新文献

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Entanglements of art and memory activism in Hungary’s illiberal democracy 在匈牙利不自由的民主制度下,艺术与记忆行动主义的网站Entanglements
International Journal of Heritage, Memory and Conflict Pub Date : 2022-01-12 DOI: 10.3897/hmc.2.70927
Réka Deim
{"title":"Entanglements of art and memory activism in Hungary’s illiberal democracy","authors":"Réka Deim","doi":"10.3897/hmc.2.70927","DOIUrl":"https://doi.org/10.3897/hmc.2.70927","url":null,"abstract":"This paper explores how art contributes to the articulation of memories that counter the official historical narrative of Hungary’s self-proclaimed political and ideological system, illiberal democracy. Amid deepening polarization between Europe’s post-colonialist and post-socialist countries, the Hungarian government promotes a Christian conservative national identity against the “liberal” values of Western Europe. Systematic appropriation of historical traumas is at the core of such efforts, which largely manifests in removing, erecting and reinstating memorials, as well as in the re-signification of trauma sites. Insufficient civic involvement in rewriting histories generates new ways of resistance, which I demonstrate through the case study of a protest-performance organized by the Living Memorial activist group as a response to the government’s decision to displace the memorial of Imre Nagy in 2018. I seek to understand the dynamics between top-down memory politics, civil resistance and art within the conceptual apparatus of the “memory activism nexus” (Rigney 2018, 2020) and “multidirectional memories” (Rothberg 2009). I argue that artistic memory activism has limited potential to transform the dynamics of memory in a context where a national conservative political force has gradually taken control over historical narratives, triggering inevitably polarizing responses in the society. Although profoundly embedded in local histories, the case-study may offer new ways of negotiating traumatic heritages through the entanglement of art and memory activism.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132003758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art and memory: Magdalenas por el Cauca 艺术与记忆:考卡的抹大拉蛋糕
International Journal of Heritage, Memory and Conflict Pub Date : 2022-01-12 DOI: 10.3897/ijhmc.2.70846
N. P. Pardo Abril
{"title":"Art and memory: Magdalenas por el Cauca","authors":"N. P. Pardo Abril","doi":"10.3897/ijhmc.2.70846","DOIUrl":"https://doi.org/10.3897/ijhmc.2.70846","url":null,"abstract":"Adopting an interdisciplinary framework of Memory Studies and Art and employing semiotics with a multimodal and multimedia character, it is explored how social groups in Colombia memorialise the violence of the internal armed conflict. The reflection associates the victims’ experiences with those expressions of commemoration and remembrance that are narratives embodied in visual and scenic art. It is explored how a semiotic landscape of memory is created through a performative artistic proposal. In this landscape, not only cultural frames can be determined, but also the semiotic-discursive resources that give meaning to the relationship between art and memory. The aim is to characterise the performance known as Magdalenas por el Cauca (2008) which was recorded audiovisually in several spaces on the internet. It means that, in addition to the ephemeral mise-en-scène, there are records of the performative and communicative work. In this article, we analyse the video X PEREGRINACION TRUJILLO y MAGDALENAS POR EL CAUCA (2010), one of the records that perpetuates Magdalenas por el Cauca. This reparation act is an audiovisual narrative with ethical and political character and produced collectively by relatives of victims, witnesses, artists and other interlocutors, which interpret and assign new meanings to the performance.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127554127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hypermnesia and Amnesia: Remembering (with) the Body and Post-Conflict Memorials and Architectures 失忆症和健忘症:记忆(与)身体和冲突后的纪念碑和建筑
International Journal of Heritage, Memory and Conflict Pub Date : 2022-01-12 DOI: 10.3897/hmc.2.70827
A. Borsari, Giovanni Leoni
{"title":"Hypermnesia and Amnesia: Remembering (with) the Body and Post-Conflict Memorials and Architectures","authors":"A. Borsari, Giovanni Leoni","doi":"10.3897/hmc.2.70827","DOIUrl":"https://doi.org/10.3897/hmc.2.70827","url":null,"abstract":"The article consists of two parts. The first part (§§ 1–2) investigates the indiscriminate and absolute remembering and forgetting of everything, hypermnesia and amnesia as the extreme terms that research has used and uses for the different phenomena of memory, both in individuals and in social and political forms. In the face of these shifts it is thus indispensable to re-establish a critique of the paradoxical effects of memory aids and, at the same time, to seek new forms of remembrance that by mixing an experiential dimension and public sphere refocus the attention on the connection between latency, tension and experiential triggers of involuntary memory and on the ability to break through the fictions of collective memory. On this basis, the second part of the article (§§ 3–4) analyses how the experience of political and racial deportation during World War II drastically changed the idea of memorial architecture. More specifically, the analysis deals with a kind of memorial device that must represent and memorialise persons whose bodies have been deliberately cancelled. The aim is to present and analyse the artistic and architectonic efforts to refer to those forgotten bodies, on the one hand, and on the other hand to point out how for these new kind of memorials the body of the visitor is asked to participate, both physically and emotionally, in this somehow paradoxical search for lost bodies, offering oneself as a substitute.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115687400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sites of violence and their communities: critical memory studies in the post-human era 暴力场所及其社区:后人类时代的批判性记忆研究
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/ijhmc.1.63263
R. Sendyka
{"title":"Sites of violence and their communities: critical memory studies in the post-human era","authors":"R. Sendyka","doi":"10.3897/ijhmc.1.63263","DOIUrl":"https://doi.org/10.3897/ijhmc.1.63263","url":null,"abstract":"“Sites of Violence and their Communities” presents the results of a research project that brought together scholars and practitioners of memory work in an attempt to critically reinterpret the links between sites, their (human, and non-human) users, and memory. These interdisciplinary discussions focused on overlooked, repressed or ignored sites of violence that may benefit from new approaches to memory studies, approaches that go beyond the traditional focus on communication, symbolism, representation and communality. Clandestine or contested sites, in particular, pose challenging questions about memory practices and policies: about the status of unacknowledged victims and those who witnessed their deaths; about those who have inherited the position of “bystander”; about the ontology of human remains; and about the ontologies of the sites themselves, with the natural and communal environments implicated in their perdurance. Claude Lanzmann – one of the first to undertake rigorous research on abandoned, uncommemorated or clandestine sites of violence – responded to Pierre Nora’s seminal conception with his work and with the critical notion of “non-lieux de mémoire.” Methodologies emerging from more traditional as well as recently introduced perspectives (like forensic, ecological, and material ones) allowed team members to engage with such “non-sites of memory” from new angles. The goal was to consider the needs and interests of post-conflict societies; to identify and critically read unofficial transmissions of memory; and to re-locate memory in new contexts – in the grassroots of social, political and institutional processes where the human, post-human and natural merge with unanticipated mnemonic dynamics.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132900425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Vernacular historical practices on Holocaust non-sites of memory in Poland 波兰大屠杀非记忆地点的方言历史实践
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63351
J. Muchowski
{"title":"Vernacular historical practices on Holocaust non-sites of memory in Poland","authors":"J. Muchowski","doi":"10.3897/hmc.1.63351","DOIUrl":"https://doi.org/10.3897/hmc.1.63351","url":null,"abstract":"The approach employed by memory activists to sites of memory often involves historical practices. This paper presents the results of the examination of historical practices undertaken in locations of Holocaust violence during World War II and the disposal of victims’ remains that were not memorialised properly according to local residents or other groups with an interest in the sites’ past. The analysed practices were observed in the course of field research in various locations in Poland. The goal of the research was to describe these practices, discuss their critical potential, and indicate their distinct features as activities pertaining to contested sites of memory. A central tool for approaching this task is found in concepts of “non-site of memory” and “vernacular historian” as introduced to the debate by Claude Lanzmann and Lyle Dick. As a result, the article presents the cases of four vernacular historians whose practices are experimental combinations of the components of the work of professional historians and ways of working conditioned by local cultural environments, individual experience and commitment to communal life. Although vernacular history is sometimes considered of little value by academic historians, the research shows that the practices in question have the potential to produce new, socially relevant knowledge. Two distinct features of vernacular historical practices in non-sites of memory were observed: these unmarked sites of burial attract activists and prompt them to undertake historical practices; vernacular historians of these locations often undertake unconventional, sometimes experimental activities..","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117308040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Depth of the field. Bystanders’ art, forensic art practice and non-sites of memory 景深。旁观者艺术、法医艺术实践与非记忆场所
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63264
Aleksandra Janus, R. Sendyka
{"title":"Depth of the field. Bystanders’ art, forensic art practice and non-sites of memory","authors":"Aleksandra Janus, R. Sendyka","doi":"10.3897/hmc.1.63264","DOIUrl":"https://doi.org/10.3897/hmc.1.63264","url":null,"abstract":"Abandoned sites of trauma often become objects of art-based research. The forensic turn offered artists the requisite tools to approach uncommemorated post-violence sites to interact with their human and non-human actors. The usage of artistic methods allows us to inspect nondiscursive archives and retrieve information otherwise unavailable. The new wave of “forensic art” joins the efforts of post-war artists to respond to sites of mass killings. In the post-war era, sites of trauma were presented as (implicated) landscapes, or unhospitable terrains. The tendency to narrow space to the site and to contract the perspective is continued today by visual artists entering difficult memory grounds, looking down, inspecting the ground with a “forensic gaze”. A set of examples of such artistic endeavors, following the research project Uncommemorated Genocide Sites and Their Impact on Collective Memory, Cultural Identity, Ethical Attitudes and Intercultural Relations in Contemporary Poland (2016–2020) is discussed as “bystanders’ art.”","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122497949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ceremonial events at non-sites of memory: Seven framings of a difficult past 非记忆地点的仪式事件:艰难过去的七个框架
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63411
Maria Kobielska
{"title":"Ceremonial events at non-sites of memory: Seven framings of a difficult past","authors":"Maria Kobielska","doi":"10.3897/hmc.1.63411","DOIUrl":"https://doi.org/10.3897/hmc.1.63411","url":null,"abstract":"Abstract: The author discusses uncommemorated and under-remembered sites of past violence in terms of the conditions of their transformation into memory sites. Commemorative ceremonies, which may be staged at non-sites of memory, are presented as affective media of memory and identity, demonstrating social responses to the sites, as well as placing the local past in the context of supra-local memory forms. The argument is grounded in the material gathered from fieldwork during the research project on uncommemorated sites of genocide in Poland and, predominantly, in a detailed case study of a ceremony witnessed by the author in 2016 in Radecznica (Lublin Voivodship) at a burial site of victims of the “Holocaust by bullets”. In the article the discourse of speeches delivered during the ceremony is analyzed, on the assumption that they can reveal rules of national Polish memory culture dictating what may be commemorated and how cultural mechanisms have a power to hinder commemoration. As a result, seven distinctive framings of past events that kept returning in subsequent speeches were identified and interpreted as “memory devices” that enable and facilitate recollection, but also mark out the limits of what can be remembered and passed on.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122919427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The “Alert” for non-sites of memory: a 1965 scout action of discovering and describing Second World War sites in Poland 非记忆遗址的“警戒”:1965年在波兰发现和描述第二次世界大战遗址的侦察行动
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63433
K. Grzybowska
{"title":"The “Alert” for non-sites of memory: a 1965 scout action of discovering and describing Second World War sites in Poland","authors":"K. Grzybowska","doi":"10.3897/hmc.1.63433","DOIUrl":"https://doi.org/10.3897/hmc.1.63433","url":null,"abstract":"During the First Scouting Alert (Poland 1965), scouts were tasked with finding and describing sites related to the events of Second World War. Those were mostly monuments, places of conflict, graves and body disposal pits. The scouts were tasked with finding such sites in their neighbourhood according to information collected from local communities. The campaign resulted in 26,000 reports in form of the registration sheets containing self-made maps, short descriptions of the found sites and answers to several questions on how to commemorate them. The Alert can be seen as a nationwide response to non-sites of memory.\u0000 The article analyses the reports of the scouts, as well as considering the action as a process. It presents the political background of the action and diagnoses its influence on the results of the reconnaissance conducted - types of places to be found and registered or overlooked by scouts. In particular cases, the Alert generated opportunities during which non-sites of memory could be restored to the public awareness. The paper summarizes the campaign and focuses on two cases: Krępiecki Forest and Adampol, described to present the influence of the Alert on the memory cultures. In the neighbourhood of Krępiecki Forest, the Alert was an impulse to transform a person who saw the mass murder into a key witness. The case of archaeological investigations conducted in Adampol shows the potential of the Alert archive materials to evoke the state of unrest and to become forensic evidence","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127073069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radecznica memory game. An educational workshop Radecznica记忆游戏。教育工作坊
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63349
T. Majkowski, Katarzyna Suszkiewicz
{"title":"Radecznica memory game. An educational workshop","authors":"T. Majkowski, Katarzyna Suszkiewicz","doi":"10.3897/hmc.1.63349","DOIUrl":"https://doi.org/10.3897/hmc.1.63349","url":null,"abstract":"The paper describes and discusses the educational workshop in the form of a board game jam held in Radecznica, a village in Eastern Poland. The event, organised by researchers from the Jagiellonian University in Krakow, was a follow-up of the research project on uncommemorated Jewish mass graves in the area. The aim of the workshop was to facilitate individual reflection on local Holocaust killings amongst the participating adults, as well as to bolster the memory of mass graves in Radecznica. Combining Holocaust memories with the didactic properties of rapid board game design, it was also an attempt to employ game jams as a method in Holocaust-related education. The workshop’s success leaves us optimistic regarding the method and its possible applications in the future.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117170747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Necrocartography: Topographies and topologies of non-sites of memory 死灵地图学:非记忆地点的地形图和拓扑图
International Journal of Heritage, Memory and Conflict Pub Date : 2021-11-23 DOI: 10.3897/hmc.1.63418
Aleksandra Szczepan, Kinga Siewior
{"title":"Necrocartography: Topographies and topologies of non-sites of memory","authors":"Aleksandra Szczepan, Kinga Siewior","doi":"10.3897/hmc.1.63418","DOIUrl":"https://doi.org/10.3897/hmc.1.63418","url":null,"abstract":"Based on the experience of spatial confusion and inadequacy common during visits to uncommemorated sites of violence, the authors propose expanding the topological reflection in the research on the spatialities of the Holocaust, as well as to introduce topology into the analysis of the everyday experiences of users of the postgenocidal space of Central and Eastern Europe. The research material is composed of hand-drawn maps by Holocaust eyewitnesses – documents created both in the 1960s and in recent years. The authors begin by summarizing the significance of topology for cultural studies, and provides a state-of-the-art reflection on cartography in the context of the Holocaust. They then proceed to interpret several of the maps as particular topological testimonies. The authors conclude by proposing a multi-faceted method of researching these maps, “necrocartography”, oriented by their testimonial, topological and performative aspects.","PeriodicalId":302470,"journal":{"name":"International Journal of Heritage, Memory and Conflict","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122039079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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