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Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo 文森特·卡雷利纪录片的变奏曲- (Des)制作球
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.DT01
M. Felipe
{"title":"Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo","authors":"M. Felipe","doi":"10.20287/DOC.D25.DT01","DOIUrl":"https://doi.org/10.20287/DOC.D25.DT01","url":null,"abstract":"The text analyzes the documentary writing of Vincent Carelli in the context of the indigenous media. The objective is to investigate how the film A festa da moca (1987), with its devices of (trans)figuration and (re)invention of the  historical world, resonate in the work of Vincent Carelli and the indigenous filmmakers linked to the Video in the Villages (VNA), problematizing the perception of self, the re-enactment of tradition, the system of imagery reuse, (self) referentiality, narrative deviations, the place of the Other and the indigenous question in Brazil.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90257819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Territórios epistemológicos do Real nas imagens esféricas do dispositivo VR360° VR360°设备球形图像中真实的认识论领域
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.AR02
Alberto Merino Greciano, D. Zanetti
{"title":"Territórios epistemológicos do Real nas imagens esféricas do dispositivo VR360°","authors":"Alberto Merino Greciano, D. Zanetti","doi":"10.20287/DOC.D25.AR02","DOIUrl":"https://doi.org/10.20287/DOC.D25.AR02","url":null,"abstract":"The present work seeks to develop a critical reflection on the aesthetic possibilities of the documentary as it expands in the spaces of atmospheric immersion and network interaction of the VR360o device. At the juncture of this digital platform, a factual and affective intercommunication space is projected that opens possibilities to produce a transformative assimilation of knowledge.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75950711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paisagem sem significados profundos: uma análise dos comentários em Fata Morgana (1971) 没有深层含义的景观:Fata Morgana评论分析(1971)
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.AC01
Francisco Gabriel Rêgo, Geovana Freitas Paim
{"title":"Paisagem sem significados profundos: uma análise dos comentários em Fata Morgana (1971)","authors":"Francisco Gabriel Rêgo, Geovana Freitas Paim","doi":"10.20287/DOC.D25.AC01","DOIUrl":"https://doi.org/10.20287/DOC.D25.AC01","url":null,"abstract":"A expressao Fata Morgana trata-se de uma miragem resultante do deslocamento de ar em virtude da diferenca de temperatura em paisagens.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77439523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Raviver l’incandescence du cinéma politique 重新点燃政治电影的光芒
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.LT01
Mickaël Robert-Gonçalves
{"title":"Raviver l’incandescence du cinéma politique","authors":"Mickaël Robert-Gonçalves","doi":"10.20287/DOC.D25.LT01","DOIUrl":"https://doi.org/10.20287/DOC.D25.LT01","url":null,"abstract":"Dans le chapitre conclusif de cet ouvrage collectif dedie au film L’heure des brasiers (La hora de los Hornos, Fernando Solanas et Octavio Getino, 1968), Michael Chanan demande de facon presque provocante : « Pourquoi celebrer le cinquantieme anniversaire d’un documentaire militant qui defend une ideologie depassee de la violence revolutionnaire ? » (Campo & Perez-Blanco, 2019 : 247). Des reponses, multiples et diffractees, sont en effet proposees comme autant de lectures possibles d’un film emblematique du « Troisieme cinema », un classique de l’histoire du cinema documentaire et un modele de cinema d’intervention sociale et politique.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84089409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Cada comprimido é uma reivindicação de posse”: ativismo e identidade no documentário Meu Corpo é Político “每一粒药丸都是所有权的声明”:纪录片《我的身体是政治》中的行动主义和身份认同
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.DT02
João Gabriel Maracci, S. Favero, Paula Sandrine Machado
{"title":"“Cada comprimido é uma reivindicação de posse”: ativismo e identidade no documentário Meu Corpo é Político","authors":"João Gabriel Maracci, S. Favero, Paula Sandrine Machado","doi":"10.20287/DOC.D25.DT02","DOIUrl":"https://doi.org/10.20287/DOC.D25.DT02","url":null,"abstract":"This article analyzes how the documentary Meu corpo e politico performs a particular way of activism and political action. We investigate the film’s framework over politics, the body and the separation of public and private dimensions, considering that the approach contraposes the usual frame of transsexuality, but acts over this category using a “veridiction” criterion driven by activism.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83638839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Martin Scorsese Biopics: visual memory for the future 马丁·斯科塞斯:传记片:未来的视觉记忆
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.AR01
D. Araújo, Cynthia L. Schneider
{"title":"Martin Scorsese Biopics: visual memory for the future","authors":"D. Araújo, Cynthia L. Schneider","doi":"10.20287/DOC.D25.AR01","DOIUrl":"https://doi.org/10.20287/DOC.D25.AR01","url":null,"abstract":"The aim of this text is to analyze three biopics by Martin Scorsese, questioning whether they can function as a source of visual memory/testimonial for the future even if subjectivity interferes in the documentaries montages about Cinema and Theatre, Literature and Music. Regarding the tone and construction of the biopics, we nominated them as “selfie-biopic”, “accomplice-biopic” and “tribute-biopic”. The main corpus of this study includes documentaries in three media: an “accomplicebiopic” about the film and theatre director Elia Kazan, A letter to Elia (2010); a “selfie-biopic”, Public speaking (2010), about the writer Fran Lebowitz; and a “tribute biopic” about Music, George Harrison, living in the material world (2011), portraying the Beatles guitarist. The theoretical frame of reference includes Beatriz Sarlo´s concepts of subjective memory and Julia Kristeva's study of intertexts. Bill Nichols and Fernao Ramos´ concepts are relevant for the definition of modern documentaries as well as Deane Williams´ history of documentary.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73339716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Traços ensaísticos na construção da narrativa fílmica 电影叙事建构中的散文特征
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2018-09-28 DOI: 10.20287/DOC.D24.DT03
Eduardo Paschoal de Sousa
{"title":"Traços ensaísticos na construção da narrativa fílmica","authors":"Eduardo Paschoal de Sousa","doi":"10.20287/DOC.D24.DT03","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT03","url":null,"abstract":"This article discusses the essay film and the essayist cinema as methods of elaboration of the film narrative, present more directly in the documentary Sertao de acrilico azul piscina (2004), of Karim Ainouz and Marcelo Gomes, and of subjective form in the long Viajo porque preciso, volto porque te amo (2009), by the same directors. He also asks how this construction tends to a narrative intersection, at the junction of several layers and territories of the cinema.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75445272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ensaio fílmico, eterno devir: projeto de filme inacabado e de um cinema futuro 电影散文，永恒的成为:未完成的电影项目和未来的电影
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2018-09-28 DOI: 10.20287/DOC.D24.DT06
Gabriela Machado Ramos de Almeida
{"title":"Ensaio fílmico, eterno devir: projeto de filme inacabado e de um cinema futuro","authors":"Gabriela Machado Ramos de Almeida","doi":"10.20287/DOC.D24.DT06","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT06","url":null,"abstract":"This paper presents a theoretical discussion about the constitution of a field of studies for the essay film. This research identifies a becoming-essay in both practice and theory of cinema since the 1940s. I also propose a mapping of recent and relevant studies which support the effective constitution of the film essay as an autonomous form or the \"fourth domain of cinema\" (Teixeira, 2015). Finally, I present a notion of film essay that dialogues with the contributions of authors such as Catala (2005 and 2014) and Corrigan (2015).","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85040677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entrevista con Diego Rísquez: fragmentos de la imagen de Bolívar en Manuela Sáenz, la Libertadora del Libertador (2000) 《迭戈访谈》里斯克斯:《曼努埃拉saenz，解放者的解放者》(2000)中bolivar形象的片段
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2018-09-28 DOI: 10.20287/DOC.D24.EN01
Rafael Arreaza Scrocchi
{"title":"Entrevista con Diego Rísquez: fragmentos de la imagen de Bolívar en Manuela Sáenz, la Libertadora del Libertador (2000)","authors":"Rafael Arreaza Scrocchi","doi":"10.20287/DOC.D24.EN01","DOIUrl":"https://doi.org/10.20287/DOC.D24.EN01","url":null,"abstract":"","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83629160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Irrintzina, le cri de la génération climat : un documentaire à la fois « singulier » et « pluriel » Irrintzina，气候一代的呐喊:一部“单数”和“复数”的纪录片
Doc OnLine Revista Digital de Cinema Documentario Pub Date : 2018-09-28 DOI: 10.20287/DOC.D24.EN02
S. Ravel
{"title":"Irrintzina, le cri de la génération climat : un documentaire à la fois « singulier » et « pluriel »","authors":"S. Ravel","doi":"10.20287/DOC.D24.EN02","DOIUrl":"https://doi.org/10.20287/DOC.D24.EN02","url":null,"abstract":"Selon Christel Taillibert, lorsqu’elles adoptent une rhetorique basee sur la fiction, les « images ”engagees” peuvent – meme si ce n’est pas le cas de l’ensemble d’entre elles – trouver leur public dans les salles d’exploitation commerciale. Ceci s’avere beaucoup plus rare et difficile lorsque la forme adoptee releve du genre documentaire. »","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87471198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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