{"title":"Voz over e colagens musicais em documentários ensaísticos de Chris Marker e Agnès Varda da época da Nouvelle Vague","authors":"L. Alvim","doi":"10.20287/DOC.D24.DT04","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT04","url":null,"abstract":"I analyze documentaries by Chris Marker and Agnes Varda from the Nouvelle Vague period in which there is a predominance of voice over and preexisting music, especially Letter from Siberia (Marker, 1958), and Elsa la Rose (Varda, 1965). In these films I investigate the relationship between those elements and relations with the images. In these films, the voice over is a sign of modernity and the preexisting music is part of a musical collage. Both sound elements relate often ironically to the images.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78564792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A exibição fílmica do virtuosismo instrumental no documentário musical Nelson Freire","authors":"Ludmila Moreira Macedo de Carvalho","doi":"10.20287/DOC.D24.AR03","DOIUrl":"https://doi.org/10.20287/DOC.D24.AR03","url":null,"abstract":"This paper presents an analysis of the documentary Nelson Freire (2003), focusing on the stylistic strategies employed by the film to visually represent the virtuosic performance of the Brazilian pianist Nelson Freire. By doing so, we intend to contribute to the general discussion about the multiple relations between music and cinema in the music documentary, a growing field of the documentary cinema in Brazil and abroad.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"112 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76664008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matizes da resistência: o cinema e as ditaduras da América do Sul","authors":"Fernando Seliprandy","doi":"10.20287/DOC.D24.LT01","DOIUrl":"https://doi.org/10.20287/DOC.D24.LT01","url":null,"abstract":"Os estudos dedicados aos cruzamentos entre audiovisual e ditaduras tem hoje uma pujanca inequivoca.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"176 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73059697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(Auto)biografia e performance em Stories we tell (2012), de Sarah Polley","authors":"Pedro Henrique Trindade Kalil Auad","doi":"10.20287/DOC.D24.DT02","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT02","url":null,"abstract":"This article investigates the (auto)biographical procedures adopted by Sarah Polley in her documentary Stories we tell. For this purpose I focus on the chorus of voices that compose the film, the lack of hierarchy between archive images and the recreated images. Thus, it would be possible to think about an autobiography theory sustained by the filmmaker as well as the performative function of storytelling.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88411462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O processo de construção e consolidação de Brasília e Ceilândia: um projeto de modernidade","authors":"Josuel Stenio da Paixão Ribeiro Paixao, J. Silva","doi":"10.20287/DOC.D24.AR04","DOIUrl":"https://doi.org/10.20287/DOC.D24.AR04","url":null,"abstract":"This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75840606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Esto nos está haciendo pensar duro”: uma análise sobre o filme El coraje del pueblo (1971) como obra em movimento","authors":"A. Alencar","doi":"10.20287/doc.d24.ac03","DOIUrl":"https://doi.org/10.20287/doc.d24.ac03","url":null,"abstract":"","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74585009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Found Footage e a memória humana em Bodysong e Life in a day","authors":"Mafalda Castelo-Branco","doi":"10.20287/doc.d24.dt05","DOIUrl":"https://doi.org/10.20287/doc.d24.dt05","url":null,"abstract":"Taking into account the way filmmakers established associations between several found footage, creating a line of thought and a story, giving life and meaning to images that, otherwise, would be archived or forgotten, the present article provides a framework, description and interpretation of the documentary-essay regarding the films Bodysong and Life in a day.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89035227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cosmopolíticas e cosmopoéticas do contato","authors":"M. Ribeiro","doi":"10.20287/DOC.D24.LT02","DOIUrl":"https://doi.org/10.20287/DOC.D24.LT02","url":null,"abstract":"Pensar a relacao entre culturas – em sua multiplicidade de modalidades: o contato, o encontro, o choque, a diferenca, o convivio etc.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90865714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reflexões sobre o processo criativo no documentário A caméra-stylo de Vicente F. Cecim","authors":"Alexandra Castro Conceição","doi":"10.20287/DOC.D24.AC01","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC01","url":null,"abstract":"O presente trabalho descreve o meu processo criativo, que fiz para realizar o documentario sobre o artista Vicente Franz Cecim, e sua producao cinematografica nos anos 70, em Belem - Para. Descrevo as etapas pelas quais passei, sofri na realizacao do documentario, as decisoes, aprendizados que adquiri durante todo o processo. E para isso contei com a ajuda ilustre dos livros que descrevem o processo criativo e as obras de Eduardo Coutinho, entre outros.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84373118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O filme de busca e a construção ensaística de uma memória familiar emoldurada pelas montanhas mineiras","authors":"A. Rocha, E. Moreira","doi":"10.20287/DOC.D24.AC05","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC05","url":null,"abstract":"Este artigo busca promover delimitacao de balizas conceituais relacionadas ao filme ensaio e aos dispositivos construtores do documentario de busca. Este caminho teorico ainda sera aproximado de um breve estudo de caso do media-metragem Seu Carlito: Narrativas sobre um comerciante da roca , produzido por Eduardo Moreira e Thiago Novais, no interior de Minas Gerais.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"133 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80449151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}