电影散文,永恒的成为:未完成的电影项目和未来的电影

Gabriela Machado Ramos de Almeida
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引用次数: 0

摘要

本文对随笔电影研究领域的构成进行了理论探讨。本研究确定了20世纪40年代以来电影实践和理论的发展趋势。我还提出了近期相关研究的映射,这些研究支持电影散文作为一种自主形式或“电影的第四领域”的有效构成(Teixeira, 2015)。最后,我提出了一种电影散文的概念,与Catala(2005年和2014年)和Corrigan(2015年)等作者的贡献进行对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ensaio fílmico, eterno devir: projeto de filme inacabado e de um cinema futuro
This paper presents a theoretical discussion about the constitution of a field of studies for the essay film. This research identifies a becoming-essay in both practice and theory of cinema since the 1940s. I also propose a mapping of recent and relevant studies which support the effective constitution of the film essay as an autonomous form or the "fourth domain of cinema" (Teixeira, 2015). Finally, I present a notion of film essay that dialogues with the contributions of authors such as Catala (2005 and 2014) and Corrigan (2015).
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