Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo

Abstract

The text analyzes the documentary writing of Vincent Carelli in the context of the indigenous media. The objective is to investigate how the film A festa da moca (1987), with its devices of (trans)figuration and (re)invention of the  historical world, resonate in the work of Vincent Carelli and the indigenous filmmakers linked to the Video in the Villages (VNA), problematizing the perception of self, the re-enactment of tradition, the system of imagery reuse, (self) referentiality, narrative deviations, the place of the Other and the indigenous question in Brazil.