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Numa cama, numa greve, numa festa, numa revolução: notas sobre materialidades de uma experiência estética 在床上，在罢工中，在聚会中，在革命中:关于审美体验的物质性的笔记
Galaxia Pub Date : 2016-01-04 DOI: 10.1590/1982-25542016122253
Érico Araújo Lima
{"title":"Numa cama, numa greve, numa festa, numa revolução: notas sobre materialidades de uma experiência estética","authors":"Érico Araújo Lima","doi":"10.1590/1982-25542016122253","DOIUrl":"https://doi.org/10.1590/1982-25542016122253","url":null,"abstract":"This paper discusses the film A idade da terra (Glauber Rocha, 1980), according to a theoretical-methodological approach that highlights the materiality of picture and sound. There are two gestures here: an analytical gesture, which tries to establish a material contact to the film in question; and the other one, of conceptual tone, which consists in situating the debate on the materiality of communication objects. Through the path of this research for concepts, we have found a fundamental bind between the temporal dimension of forms and the materiality of the aesthetic experience.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"117-129"},"PeriodicalIF":0.0,"publicationDate":"2016-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O Infiltrado: narrativas midiáticas e uma poética antropofágica 《渗透:媒体叙事与食人诗学》
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220670
Míriam Cristina Carlos Silva
{"title":"O Infiltrado: narrativas midiáticas e uma poética antropofágica","authors":"Míriam Cristina Carlos Silva","doi":"10.1590/1982-25542015220670","DOIUrl":"https://doi.org/10.1590/1982-25542015220670","url":null,"abstract":"This paper aims to discuss some construction aspects of the Brazilian TV series “O Infiltrado” from the communicative and cultural viewpoint, focusing mostly on the image of the narrator Fred Melo Paiva, as an anthropophagic process of language construction characterized by the cultural interchange and by the rupture of genre canons in media. We took as a basis the Oswald de Andrade’s concept of anthropophagy, here understood as a poetics, i.e., as a way of operating the language. The discursive articulation comes from the gaze of specialists on narrative, such as Walter Benjamin and Umberto Eco. From the empirical point of view, the analysis of some aspects of the series, as a complex text according to Yuri Lotman, highlights the poetics of anthropophagy as a reconfiguration possibility for cultural and media products, as an exercise of otherness.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"79 1","pages":"125-137"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Imaginários de uma outra diáspora: consumo, urbanidade e acontecimentos pós-periféricos 另一个散居侨民的想象:消费、城市和后外围事件
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220453
R. L. M. Rocha, J. C. Sílva, Simone Luci Pereira
{"title":"Imaginários de uma outra diáspora: consumo, urbanidade e acontecimentos pós-periféricos","authors":"R. L. M. Rocha, J. C. Sílva, Simone Luci Pereira","doi":"10.1590/1982-25542015220453","DOIUrl":"https://doi.org/10.1590/1982-25542015220453","url":null,"abstract":"This paper introduces and discusses some phenomena which collaborate with the theoretical construction hereby called “the diasporic imaginaries”, signallers of post-peripheral dynamics and of cultural flow’s circulation. The post-peripheral scenario, which gives room to phenomena like the “rolezinhos”, “funk ostentacao” and “pinta” in the city of Natal (RN), reveals subjects of action and speech who are capable of actuating among contexts of frontier.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"99-111"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
Em torno de cena e da sequência: problemas de categorização 围绕场景和序列:分类问题
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220588
Alfredo Suppía
{"title":"Em torno de cena e da sequência: problemas de categorização","authors":"Alfredo Suppía","doi":"10.1590/1982-25542015220588","DOIUrl":"https://doi.org/10.1590/1982-25542015220588","url":null,"abstract":"There is no consensus regarding the use of terms like “scene” and “sequence” in the theory and practice of the screenplay. Sometimes, both words can designate the same thing, such as an action attached to a given place and time. Whereas some authors explain that a sequence encompasses one or more scenes (FIELD, 1995; PARENT-ALTIER, 2004), others adopt the opposite logic: a scene can encompass one or more sequences (MAMET, 2010; BRISELANCE and MORIN, 2011). But, then again, is this categorization really effective and precise? Why is it so usual at given times, in conversations about any given film, to hear the terms “the scene of the robbery”, or “the bank scene”, but also “the sequence of the robbery”, or “the bank sequence”? Beyond a mere difference in terms of jargon (film vs. television), the categories “scene” and “sequence” will be thoroughly investigated in this paper, in order to clarify controversies concerning the dramatic unit in the screenplay.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"60-72"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Os procedimentos de controle e a resistência na prática jornalística 新闻实践中的控制程序与阻力
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015221336
B. Marocco
{"title":"Os procedimentos de controle e a resistência na prática jornalística","authors":"B. Marocco","doi":"10.1590/1982-25542015221336","DOIUrl":"https://doi.org/10.1590/1982-25542015221336","url":null,"abstract":"A collection of interviews with journalists has put in evidence a process of autonomization in the journalistic practice. During the asking and answering game, in order to catch them in their illusions about themselves and the journalism, we have constructed a theoretical-methodological device that triggered the notions of discursive consciousness and of control procedures that affect the professional practice (MAROCCO, 212a). In the enunciative analysis of data, which gave birth to the present text, we have detected in the core of four discursive figures the tension between control procedures and the resistance in the journalistic practice.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"73-85"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Regimes de interação no videoclipe: a experiência interativa de The Wilderness Downtown 音乐视频中的互动方案:荒野市中心的互动体验
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220248
Ana Silvia Lopes Davi Médola, C. Caldas
{"title":"Regimes de interação no videoclipe: a experiência interativa de The Wilderness Downtown","authors":"Ana Silvia Lopes Davi Médola, C. Caldas","doi":"10.1590/1982-25542015220248","DOIUrl":"https://doi.org/10.1590/1982-25542015220248","url":null,"abstract":"This paper analyzes the videoclip within the context of media convergence, where the production resources available in different infoelectronic communication devices may actuate in the constitution process of their language, creating innovative experiences in the ways of fruition and in the realities of consumption. By being structured on the interactive relationships made possible by digital technologies of contemporary media, we intend to demonstrate how the enunciative strategies are major discourse-making mechanisms in the configuration of the new music video formats. In this perspective, we will analyze the interactive music video experience developed by director Chris Milk, “ The Wilderness Downtown ”, from the theoretical and methodological framework of sociosemiotics, especially the regimes of interaction.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"35-47"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notas sobre o dispositivo no documentário contemporâneo 当代纪录片中关于该装置的说明
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220160
L. R. D. A. Rodrigues
{"title":"Notas sobre o dispositivo no documentário contemporâneo","authors":"L. R. D. A. Rodrigues","doi":"10.1590/1982-25542015220160","DOIUrl":"https://doi.org/10.1590/1982-25542015220160","url":null,"abstract":"This paper investigates the power of the “dispositif” as a creative and political strategy in contemporary documentary, adopting as object three recent Brazilian movies ( Pacific , Rua de mao dupla e Câmara escura ). In the analysis, we highlight their aesthetic vitality – the way they confront and suggest alternatives to important problems in documentary tradition –, their points of convergence and divergence, as well as the performances instigated by “the camera effect” in each of them: ambivalent performances that fluctuate between the growing need of exposure and the strong desire of restoring intimacy. Our analytical course starts with a theoretical review of the concept of “dispositif”, followed by a study of its application and results in each movie stated.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"37 1","pages":"138-148"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542015220160","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
#Rolezinhos: Análise de redes sociais e construção de sentidos no discurso de tuiteiros acerca do #ProtestodosPintas em Natal (RN) #Rolezinhos:在纳塔尔(RN)关于#ProtestodosPintas的推特话语中分析社交网络和意义构建
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015220586
Maria das Graças Pinto Coelho, Daniel D. Lemos
{"title":"#Rolezinhos: Análise de redes sociais e construção de sentidos no discurso de tuiteiros acerca do #ProtestodosPintas em Natal (RN)","authors":"Maria das Graças Pinto Coelho, Daniel D. Lemos","doi":"10.1590/1982-25542015220586","DOIUrl":"https://doi.org/10.1590/1982-25542015220586","url":null,"abstract":"Este artigo apresenta resultados alcancados por pesquisa desenvolvida a partir da analise das manifestacoes no Twitter acerca do #ProtestodosPintas, ocorrido em Natal (RN) em 21 dezembro de 2013.  Nossa pesquisa constatou que os sentidos construidos nas redes sociais da Internet acerca do #ProtestodosPintas foram negativos, com a rede se articulando em torno dos perfis @tribunadonorte e @BlogdoBG.  As interacoes nas redes sociais analisadas acerca do #ProtestodosPintas se deram estimulando um imaginario social retrogrado em que o desejo de reconhecimento dos jovens das classes populares foi classificado como expressao de violencia e de barbarie. Os 340 tweets coletados foram analisados a partir das ferramentas propostas pelas teorias de analise de redes sociais assim como os enunciados, que foram analisados a partir dos pressupostos da analise do discurso.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"49 1","pages":"162-177"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A cultura cinematográfica nas exposições universais: modernidade e tradição na Paris de 1925 世界展览中的电影文化:1925年巴黎的现代与传统
Galaxia Pub Date : 2015-12-15 DOI: 10.1590/1982-25542015222289
E. Morettin
{"title":"A cultura cinematográfica nas exposições universais: modernidade e tradição na Paris de 1925","authors":"E. Morettin","doi":"10.1590/1982-25542015222289","DOIUrl":"https://doi.org/10.1590/1982-25542015222289","url":null,"abstract":"This paper analyzes the participation of the cinema in Exposition Internationale des Arts Decoratifs et Industriels Modernes held in Paris in 1925. Since the 1920s, by establishing itself as a means of mass communication, cinema has served more and more as a \"showcase\" in which the nation could project national virtues to be celebrated in a scenario marked by the imperialist race. In this particular case, the discourses of modernity and tradition reconciled themselves to celebrate the French national character within a framework of growing cultural affirmation of the cinema.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"48-59"},"PeriodicalIF":0.0,"publicationDate":"2015-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Luxe et virtualité: le vertige du contrôle 奢侈与虚拟:控制的眩晕
Galaxia Pub Date : 2015-12-01 DOI: 10.1590/1982-25542015224709
Didier Tsala Effa
{"title":"Luxe et virtualité: le vertige du contrôle","authors":"Didier Tsala Effa","doi":"10.1590/1982-25542015224709","DOIUrl":"https://doi.org/10.1590/1982-25542015224709","url":null,"abstract":"The communication of luxury brands had once counted on specific media (special shops, specific pages of magazines, its own advertising codes) distant from other more generic media vehicles, but nowadays such communication must define its new codes, in order to build its specificity in the new virtual media, starting with its presence on the internet, with the constraint of its exclusivity, i.e., to avoid banality and cultivate its exception. Not that we should invent new content, “the luxury is the luxury,” one could say, but obviously it is about the appropriation of this space in its particularity, so it can convey luxury without confusion. A paradox. The problem that follows this evidence is that of the preservation of a status . Facing such a need for reorganization, given the new constraints, how do the luxury brands operate to maintain their essence? According to what modalities? Our research, based on various luxury brand websites (fashion and accessories, jewelry, watchmaking), is to highlight the vertigo of controlling as the heart of the strategy of these brands.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"20-34"},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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