Luxe et virtualité: le vertige du contrôle

Didier Tsala Effa
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引用次数: 0

Abstract

The communication of luxury brands had once counted on specific media (special shops, specific pages of magazines, its own advertising codes) distant from other more generic media vehicles, but nowadays such communication must define its new codes, in order to build its specificity in the new virtual media, starting with its presence on the internet, with the constraint of its exclusivity, i.e., to avoid banality and cultivate its exception. Not that we should invent new content, “the luxury is the luxury,” one could say, but obviously it is about the appropriation of this space in its particularity, so it can convey luxury without confusion. A paradox. The problem that follows this evidence is that of the preservation of a status . Facing such a need for reorganization, given the new constraints, how do the luxury brands operate to maintain their essence? According to what modalities? Our research, based on various luxury brand websites (fashion and accessories, jewelry, watchmaking), is to highlight the vertigo of controlling as the heart of the strategy of these brands.
奢侈与虚拟:控制的眩晕
奢侈品牌的传播曾经依赖于特定的媒体(专营店,杂志的特定版面,自己的广告代码),远离其他更通用的媒体工具,但现在这种传播必须定义新的代码,以便在新的虚拟媒体中建立其特殊性,从其在互联网上的存在开始,以其排他性的约束,即避免平庸,培养其例外。这并不是说我们应该创造新的内容,“奢侈品就是奢侈品”,有人会说,但很明显,这是关于在这个空间的特殊性中占有它,所以它可以传达奢侈品而不会混淆。一个悖论。这一证据带来的问题是地位的保存问题。面对这样的重组需要,在新的约束条件下,奢侈品牌如何运营才能保持其本质?根据什么方式?我们的研究基于各种奢侈品牌网站(时尚与配饰、珠宝、制表),强调这些品牌战略的核心是控制的眩晕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
0.00%
发文量
33
审稿时长
30 weeks
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