{"title":"在床上,在罢工中,在聚会中,在革命中:关于审美体验的物质性的笔记","authors":"Érico Araújo Lima","doi":"10.1590/1982-25542016122253","DOIUrl":null,"url":null,"abstract":"This paper discusses the film A idade da terra (Glauber Rocha, 1980), according to a theoretical-methodological approach that highlights the materiality of picture and sound. There are two gestures here: an analytical gesture, which tries to establish a material contact to the film in question; and the other one, of conceptual tone, which consists in situating the debate on the materiality of communication objects. Through the path of this research for concepts, we have found a fundamental bind between the temporal dimension of forms and the materiality of the aesthetic experience.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"117-129"},"PeriodicalIF":0.0000,"publicationDate":"2016-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Numa cama, numa greve, numa festa, numa revolução: notas sobre materialidades de uma experiência estética\",\"authors\":\"Érico Araújo Lima\",\"doi\":\"10.1590/1982-25542016122253\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper discusses the film A idade da terra (Glauber Rocha, 1980), according to a theoretical-methodological approach that highlights the materiality of picture and sound. There are two gestures here: an analytical gesture, which tries to establish a material contact to the film in question; and the other one, of conceptual tone, which consists in situating the debate on the materiality of communication objects. Through the path of this research for concepts, we have found a fundamental bind between the temporal dimension of forms and the materiality of the aesthetic experience.\",\"PeriodicalId\":30189,\"journal\":{\"name\":\"Galaxia\",\"volume\":\"1 1\",\"pages\":\"117-129\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-01-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Galaxia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1590/1982-25542016122253\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Galaxia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1590/1982-25542016122253","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Numa cama, numa greve, numa festa, numa revolução: notas sobre materialidades de uma experiência estética
This paper discusses the film A idade da terra (Glauber Rocha, 1980), according to a theoretical-methodological approach that highlights the materiality of picture and sound. There are two gestures here: an analytical gesture, which tries to establish a material contact to the film in question; and the other one, of conceptual tone, which consists in situating the debate on the materiality of communication objects. Through the path of this research for concepts, we have found a fundamental bind between the temporal dimension of forms and the materiality of the aesthetic experience.