GalaxiaPub Date : 2016-06-01DOI: 10.1590/1982-25542016101
Maria Lúcia de Paiva Jacobini
{"title":"De influências e sobrevivências: a transposição de uma memória de imagens por entre movimentos artísticos-culturais","authors":"Maria Lúcia de Paiva Jacobini","doi":"10.1590/1982-25542016101","DOIUrl":"https://doi.org/10.1590/1982-25542016101","url":null,"abstract":"A coletânea de ensaios de Aby Warburg colabora para concretizar sua vontade de construir uma biblioteca de referencias capaz de demonstrar como imagens sobrevivem e ajudam a transportar memorias ao longo da historia. Partindo sempre das imagens e das referencias da Antiguidade paga, o autor verifica a forca de sua influencia sobre a producao artistica do Renascimento, de releituras cosmologicas e de simbolismos religiosos.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"196-200"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-06-01DOI: 10.1590/1982-25542016102
R. Venâncio
{"title":"A lanterna de Diógenes de Sinope: Metáporo e o infinito debate da Comunicação","authors":"R. Venâncio","doi":"10.1590/1982-25542016102","DOIUrl":"https://doi.org/10.1590/1982-25542016102","url":null,"abstract":"On the things that make us think: A debate on the New Theory of Communication is a book that describes the first moments of the debates and disclosures on the new theory of communication and its metaporal method, proposed by Ciro Marcondes Filho. This review aims to characterize the book as the author’s journey to spread and support his ontological, epistemological and methodological construction of the communication during his quest to transform it from an applied science into a pure science.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"10 1","pages":"201-205"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-06-01DOI: 10.1590/1982-25542016122028
Thales Vilela Lelo
{"title":"Faces do comum na comunicação: da partilha à disjunção","authors":"Thales Vilela Lelo","doi":"10.1590/1982-25542016122028","DOIUrl":"https://doi.org/10.1590/1982-25542016122028","url":null,"abstract":"Uma definicao recorrente de comunicacao invoca a raiz etimologica do termo, que, de procedencia no latim, designa uma atividade realizada conjuntamente, proveniente de uma situacao de encontro social. Esse sentido originario da palavra se difundiu em uma parcela significativa dos estudos da area, indicando que a comunicacao seria produto de uma acao em comum. Nesse artigo, as implicacoes dessa forma de apreensao das praticas interacionais serao contrastadas com outra maneira de perceber a partilha inerente a comunicacao, acionada atraves de uma fonte etimologica distinta, ligada a disjuncao e aos riscos e entraves que permeiam os processos de coordenacao conjunta de acoes. Argumenta-se que essa abordagem pode enriquecer uma visada critica no âmbito dos estudos em Comunicacao.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"66-78"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016122028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-06-01DOI: 10.1590/1982-25542016103
Samira Moratti Frazão
{"title":"Práticas midiáticas de (i)migrantes latino-americanos pelo mundo: pela promoção de cidadanias e sociabilidades","authors":"Samira Moratti Frazão","doi":"10.1590/1982-25542016103","DOIUrl":"https://doi.org/10.1590/1982-25542016103","url":null,"abstract":"O livro e resultado de uma pesquisa promovida entre os anos de 2007 e 2009 por meio do “Grupo de Pesquisa Midia, Cultura e Cidadania”, vinculado ao Programa de Pos-Graduacao em Ciencias da Comunicacao da Unisinos. A proposta foi realizar um mapeamento sobre as praticas de producao midiaticas, feitas por individuos ligados ou nao a grupos e demais associacoes de imigrantes latino-americanos, alem das organizacoes que tambem observam esse fl uxo migratorio em particular. Tais praticas se referem aos espacos de informacao disponiveis na internet, como blogs, sites e demais redes sociais, e por meios impressos como jornais e revistas, locais considerados pela autora como “espacos midiaticos multiterritoriais” (COGO, 2012, p. 15), atraves dos quais os imigrantes podem estabelecer conexoes com suas redes de sociabilidade, bem como promover informacoes sobre suas comunidades, levando informacoes que ultrapassam as barreiras transnacionais.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"206-208"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016103","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-06-01DOI: 10.1590/1982-2554201612239
Rodrigo Fontanari
{"title":"Como ler imagens? A lição de Roland Barthes","authors":"Rodrigo Fontanari","doi":"10.1590/1982-2554201612239","DOIUrl":"https://doi.org/10.1590/1982-2554201612239","url":null,"abstract":"This paper aims to bring together the concept of myth as Roland Barthes has de ned it in his work Mythologies ; as well as the notion of studium established in another of his books, The camera lucida , since this Barthesian notion beckons with the possibility to be understood as a sort of rehandling of this concept of myth to the eld of photography. We work with the hypothesis that these Barthes’s operators can still be useful in the analysis of images in the contemporary studies of visuality.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"144-155"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-04-25DOI: 10.1590/1982-25542016223091
Victa de Carvalho
{"title":"A experiência do homem comum na fotografia de rua contemporânea","authors":"Victa de Carvalho","doi":"10.1590/1982-25542016223091","DOIUrl":"https://doi.org/10.1590/1982-25542016223091","url":null,"abstract":"The experience of the common man resurfaces in contemporary photography through a renewed interest in the daily life of the city streets. Recently, a new generation of photographers is turning back to the common man's everyday life questioning, through its new figurations, the proper role of photography as a record and as art. We are interested in thinking how Philip Lorca diCorcia's street photos, which are present in StreetWorks (1993-1998) and Heads (1999-2001), may reflect some of the challenges that contemporary photography proposes in the field of art.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"80-92"},"PeriodicalIF":0.0,"publicationDate":"2016-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-04-01DOI: 10.1590/1982-25542016120913
A. Peres
{"title":"Narrar o outro: notas sobre a centralidade do testemunho para as narrativas jornalísticas","authors":"A. Peres","doi":"10.1590/1982-25542016120913","DOIUrl":"https://doi.org/10.1590/1982-25542016120913","url":null,"abstract":"In its contemporary dimension, the testimony assumes a central place for media narratives, particularly for journalism. This paper proposes a discussion about the testimonial narrative in journalistic accounts that emerges from the perspective of subjectivity and affections, against the hegemonic logic of a kind of media marked by objectivity. Its starting point is an article where a journalist witnesses the death of his interviewee. This sort of narrative allows us to elaborate clues to think the role of testimonies and its limits, recognizing that, if considered in the narrative ow, not only as a journalistic routine procedure but also as a lived, narrated experience, it could offer a key to putting individuals into a relationship.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"16 1","pages":"92-104"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016120913","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-04-01DOI: 10.1590/1982-25542016121873
S. Anaz, Fernanda Manzo Ceretta
{"title":"Remitologização contemporânea: a (re)conciliação da ciência e da magia em “Guerra nas Estrelas”","authors":"S. Anaz, Fernanda Manzo Ceretta","doi":"10.1590/1982-25542016121873","DOIUrl":"https://doi.org/10.1590/1982-25542016121873","url":null,"abstract":"Palavras-chave: comunicacao; imaginario; arquetipo; mitologia; Guerra nas Estrelas. Abstract: Contemporary Remythologization: the (re)conciliation of science and magic in \"Star Wars\" - Gilbert Durand has identified that there is a process of return of the myths to a first cultural plan in the West, at least since the late 19th century. The popularity of some film and television productions released over the last four decades seems to confirm that this remythologizing process is not only underway but has already reached new levels in an era in which audiovisual media are in evidence. Based in Durand's concept of imaginary, seen as an anthropological path, this article analyzes how the film series \"Star Wars\" has contributed to this contemporary remythologizing process. The thesis hence explored is that, by upgrading the founding myths and archetypes in order to build its own mythology, \"Star Wars\" has tied up again some scientific-technological elements, which gradually took part in the Western imaginary since the Age of Enlightenment, with some fantastic and magical ones, which were relegated to the underground and devalued ever since.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"130-143"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016121873","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-04-01DOI: 10.1590/1982-25542016124255
C. Mesquita
{"title":"Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho","authors":"C. Mesquita","doi":"10.1590/1982-25542016124255","DOIUrl":"https://doi.org/10.1590/1982-25542016124255","url":null,"abstract":"Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two lms that are 20 years apart in their making: Twenty years later (1984) and Metalworkers (2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"124 1","pages":"54-65"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016124255","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
GalaxiaPub Date : 2016-01-08DOI: 10.1590/1982-25542016227145
Valentina Bulo
{"title":"Pensar la materialidad de los afectos con Giordano Bruno","authors":"Valentina Bulo","doi":"10.1590/1982-25542016227145","DOIUrl":"https://doi.org/10.1590/1982-25542016227145","url":null,"abstract":"This essay proposes a reading of Giordano Bruno's \"A General Account of Bonding\", starting from his own re-elaboration of the idea of matter in light of the current approach of emotion. We do not intend to carry out a reading of Bruno from the historiographical point of view, but to strive to bring his philosophy in order to reformulate it according to our current predicament. So as to achieve this goal, we will begin describing some relevant features of the idea of matter in Giordano Bruno in order to be able to attain a closer view of his general theory of bonding. Finally, we will analyze some considerations of affectivity starting from Brunian bondings.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"15-25"},"PeriodicalIF":0.0,"publicationDate":"2016-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016227145","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}