{"title":"普通人在当代街头摄影中的经历","authors":"Victa de Carvalho","doi":"10.1590/1982-25542016223091","DOIUrl":null,"url":null,"abstract":"The experience of the common man resurfaces in contemporary photography through a renewed interest in the daily life of the city streets. Recently, a new generation of photographers is turning back to the common man's everyday life questioning, through its new figurations, the proper role of photography as a record and as art. We are interested in thinking how Philip Lorca diCorcia's street photos, which are present in StreetWorks (1993-1998) and Heads (1999-2001), may reflect some of the challenges that contemporary photography proposes in the field of art.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"80-92"},"PeriodicalIF":0.0000,"publicationDate":"2016-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"A experiência do homem comum na fotografia de rua contemporânea\",\"authors\":\"Victa de Carvalho\",\"doi\":\"10.1590/1982-25542016223091\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The experience of the common man resurfaces in contemporary photography through a renewed interest in the daily life of the city streets. Recently, a new generation of photographers is turning back to the common man's everyday life questioning, through its new figurations, the proper role of photography as a record and as art. We are interested in thinking how Philip Lorca diCorcia's street photos, which are present in StreetWorks (1993-1998) and Heads (1999-2001), may reflect some of the challenges that contemporary photography proposes in the field of art.\",\"PeriodicalId\":30189,\"journal\":{\"name\":\"Galaxia\",\"volume\":\"1 1\",\"pages\":\"80-92\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Galaxia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1590/1982-25542016223091\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Galaxia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1590/1982-25542016223091","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A experiência do homem comum na fotografia de rua contemporânea
The experience of the common man resurfaces in contemporary photography through a renewed interest in the daily life of the city streets. Recently, a new generation of photographers is turning back to the common man's everyday life questioning, through its new figurations, the proper role of photography as a record and as art. We are interested in thinking how Philip Lorca diCorcia's street photos, which are present in StreetWorks (1993-1998) and Heads (1999-2001), may reflect some of the challenges that contemporary photography proposes in the field of art.