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Invisibilidade, superficialidade e plasticidade: Três hipóteses sobre as câmeras inteligentes 隐形、肤浅和可塑性:关于智能相机的三个假设
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016124270
Í. Junior
{"title":"Invisibilidade, superficialidade e plasticidade: Três hipóteses sobre as câmeras inteligentes","authors":"Í. Junior","doi":"10.1590/1982-25542016124270","DOIUrl":"https://doi.org/10.1590/1982-25542016124270","url":null,"abstract":"This paper proposes three hypotheses concerning the smart cameras: 1) there is a tendency of the algorithmically inscribed diagrams on the surface of the image in order to make themselves invisible; 2) the emphasis on superficiality of conducts is linked to the replacement of the privileged locus of subjectivity towards the surface of the bodies in the second half of the twentieth century and to a contemporary emphasis on action; 3) the predictive and anticipatory nature of intelligent devices of visibility is an important indicator of a contemporary crisis here formulated as a crisis of plasticity and habit.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"156-167"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016124270","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eduardo Coutinho, linguista selvagem do documentário brasileiro Eduardo Coutinho，巴西纪录片的野生语言学家
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016123816
Consuelo Lins
{"title":"Eduardo Coutinho, linguista selvagem do documentário brasileiro","authors":"Consuelo Lins","doi":"10.1590/1982-25542016123816","DOIUrl":"https://doi.org/10.1590/1982-25542016123816","url":null,"abstract":"Dos seus documentarios em locacoes reais aos filmados em ambientes fechados, o cineasta Eduardo Coutinho investigou incansavelmente os modos de falar de seus personagens, suas “invencoes verbais”, suas possibilidade de fabular, captando nesse movimento a complexidade e as modulacoes da lingua portuguesa de camadas diversas da populacao brasileira. Esse artigo reve essa dimensao fundamental do cinema de Coutinho a luz de Ultimas conversas (2015), documentario editado postumamente por Jordana Berg, concluido por Joao Salles, a partir do material audiovisual daquele que seria o ultimo filme do diretor. Em continuidade com essas preocupacoes, Eduardo Coutinho expressa em Ultimas palavras um desejo de filmar criancas, por identificar nelas um momento originario da experiencia da linguagem, em que palavras e sentidos ainda nao estao cristalizados.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"41-53"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016123816","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Alejandra Pizarnik e a Condessa Sangrenta: uma análise do simbólico nas ilustrações góticas de Santiago Caruso 亚历杭德拉·皮扎尼克和血腥伯爵夫人:圣地亚哥·卡鲁索哥特式插图中的象征分析
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016123149
Emilio Soares Ribeiro
{"title":"Alejandra Pizarnik e a Condessa Sangrenta: uma análise do simbólico nas ilustrações góticas de Santiago Caruso","authors":"Emilio Soares Ribeiro","doi":"10.1590/1982-25542016123149","DOIUrl":"https://doi.org/10.1590/1982-25542016123149","url":null,"abstract":"This paper focuses on the analysis of imagetic depictions made by the illustrator Santiago Caruso based on The Bloody Countess’ gothic symbols, written by Alejandra Pizarnik. It inquires how Caruso has depicted, using techniques that includes graf to, the symbols of death, blood, mirror and redness that interact to give the tale its gothic aspect, by considering important peculiarities of the language involved and how they relate to each other in the meaning construction of the artwork here studied.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"168-181"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O idadismo como viés cultural: refletindo sobre a produção de sentidos para a velhice em nossos dias 年龄主义作为一种文化偏见:对当今老年意义产生的反思
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016120675
Gisela G S Castro
{"title":"O idadismo como viés cultural: refletindo sobre a produção de sentidos para a velhice em nossos dias","authors":"Gisela G S Castro","doi":"10.1590/1982-25542016120675","DOIUrl":"https://doi.org/10.1590/1982-25542016120675","url":null,"abstract":"This paper aims to re ect upon the topic of ageing from the standpoint of audio-visual media, especially the cinema. Very often triggered unconsciously, ageism is a type of prejudice that renders social discrimination based on a person’s age. This form of oppression takes part in the social debate concerning ageing and the formation of subjectivities. Communication fosters social bonding in a context of erce struggles around the production of meanings. By re ecting upon the social construction of older age as despicable and older people as social outcasts, we bet on our capacity to resist ongoing trends and invent alternative modes of being, living and cherishing longer life.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"79-91"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016120675","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67209005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Por uma pragmática da inutilidade, ou o valor do inframince 是无用的实用主义，还是侵权的价值
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016126498
Erin Manning
{"title":"Por uma pragmática da inutilidade, ou o valor do inframince","authors":"Erin Manning","doi":"10.1590/1982-25542016126498","DOIUrl":"https://doi.org/10.1590/1982-25542016126498","url":null,"abstract":"Marcel Duchamp describes the infrathin as “the most minute of intervals, or the slightest of differences” (in Perloff 2002: 101). Working through Duchamp’s proposition, and taking him at his work that the infrathin cannot be defined as such – “One can only give examples of it” (in de Duve 1991: 160) – this paper explores how the infrathin comes to expression and asks what a politics of the infrathin might look like. Key to the exploration is the question of how else value can be defined and how this rethinking of the concept of value might compose with the concept of a pragmatics of the useless.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"22-40"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016126498","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Imaginários midiáticos: uma reflexão a partir de narrativas intertextuais e imagens híbridas 媒介想象:来自互文叙事和混合图像的反思
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016120400
R. Covaleski
{"title":"Imaginários midiáticos: uma reflexão a partir de narrativas intertextuais e imagens híbridas","authors":"R. Covaleski","doi":"10.1590/1982-25542016120400","DOIUrl":"https://doi.org/10.1590/1982-25542016120400","url":null,"abstract":"Within the context of the semiology of image, this article investigates the recurrent adoption of the iconicity of cultural signs for the construction of media imaginary. It deals with contemporary narratives that seek to produce veridical connotation, which drives the image producers to the cultural relativism of discourses – signs for interpretation, recognition and stimulation of the public they dialogue with. Excited by current examples of creative, conscious, estimated value of the constitution of contemporary communication, also from the cultural symbolic relations – feeders of media imaginary, the research proposes a theoretical re ection on the object and the descriptive reading of examples that fall into intertextual narratives and contemplate hybrid images. Its references are theoretically based on processes of hybridization, intersections between art and communication in the creative process of advertising, and intertextuality in media content.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"182-195"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A arte do corpo relacional: do espelho-tátil ao corpo virtual 关系身体的艺术:从触觉镜到虚拟身体
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016126462
Brian Massumi
{"title":"A arte do corpo relacional: do espelho-tátil ao corpo virtual","authors":"Brian Massumi","doi":"10.1590/1982-25542016126462","DOIUrl":"https://doi.org/10.1590/1982-25542016126462","url":null,"abstract":"Mirror neurons are specialized neurons which echo the movements perceived in another's body in incipient movements in one's own body, in a kind of involuntary kinesthetic empathy. Their discovery has given rise to a far-reaching reassessment in cognitive science, the arts, and the humanities of the role of empathy and the self-other relation in the constitution of the sense of self. Mirror-touch synesthesia (when a perceived touch to another's body elicits in the perceiver the sensation of being similarly touched) is one of the forms this \"empathy\" takes. This article takes mirror-touch synesthesia as a jumping-off point to reconsider synesthesia as a whole, and in particular its relation to empathy, and the relation of empathy to movement. It is argued that the usual vocabulary used to analyze these issues -- identi cation, body image, defect or \"confusion\" in the body's spatial schema -- are vitiated by a cognitivist bias which carries presuppositions that obscure the complexity of the emergent organization of experience. A philosophical rethinking is necessary as a corrective. The article undertakes this project with the aid of process-oriented philosophers C.S. Peirce, Henri Bergson, and A.N. Whitehead, proposing a framework centering on the notion of a \"virtual body\" composed of the integral mutual inclusion of potential qualities of experience which are selectively \"composed\" in movement. The emphasis on the performative self-composition of experience involves replacing the prevailing model of cognition with a fundamentally aesthetic model.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"5-21"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016126462","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Telenovelas Brasileiras e Portuguesas: padrões de audiência e consumo 巴西和葡萄牙肥皂剧:观众和消费模式
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016104
Marlucia Mendes da Rocha
{"title":"Telenovelas Brasileiras e Portuguesas: padrões de audiência e consumo","authors":"Marlucia Mendes da Rocha","doi":"10.1590/1982-25542016104","DOIUrl":"https://doi.org/10.1590/1982-25542016104","url":null,"abstract":"This book presents the author’s research results about soap operas audiences in Portugal, focusing on the reasons that made the Portuguese teledrama overcome the Brazilian one from 2008 on. The Grounded Data Theory has supported the investigation to provide a “model of soap operas audience” drawn from the forty-nine interviewed receivers.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"209-211"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A cultura pop na contemporaneidade 当代流行文化
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016105
Marco Souza
{"title":"A cultura pop na contemporaneidade","authors":"Marco Souza","doi":"10.1590/1982-25542016105","DOIUrl":"https://doi.org/10.1590/1982-25542016105","url":null,"abstract":"Cultura Pop is an essay collection that brings an important contribution to the discovery and understanding of the pop culture as a symbolic universe composed by relations and meanings that are fundamental to current researches on communication and media.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"212-214"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modalidades e derivações da comunicação no mundo da vida: sentidos, experiência e interação 生活世界中沟通的方式和衍生:感觉、经验和互动
Galaxia Pub Date : 2016-06-01 DOI: 10.1590/1982-25542016117217
Luís Mauro Sá Martino, Â. Marques
{"title":"Modalidades e derivações da comunicação no mundo da vida: sentidos, experiência e interação","authors":"Luís Mauro Sá Martino, Â. Marques","doi":"10.1590/1982-25542016117217","DOIUrl":"https://doi.org/10.1590/1982-25542016117217","url":null,"abstract":"This paper addresses some phenomenological frames to the concept of ‘communication’, drawing mainly on the notion “life-world”, and highlighting the later’s ontology as a communication-grounded idea. The goal is to draw some articulations between them to the study of Communication from a theoretical and critical point of view. The argument is three-folded: (1) it presents and discusses the concept of ‘life-world’, stating its relational and communicative aspects; (2) it discusses a concept of ‘communication’ grounded on this phenomenological notion; (3) it draws some relationships between this phenomenological approach and some existing communication theories. Finally, it discusses some problems and limits of this approach.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"17 1","pages":"105-116"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1590/1982-25542016117217","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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