Muzikologija-Musicology最新文献_第10页

Contemporary urban folk music in the Balkans: Possibilities for regional music history 巴尔干半岛的当代城市民间音乐:地区音乐史的可能性

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1825091D

Marija Dumnic-Vilotijevic

{"title":"Contemporary urban folk music in the Balkans: Possibilities for regional music history","authors":"Marija Dumnic-Vilotijevic","doi":"10.2298/MUZ1825091D","DOIUrl":"https://doi.org/10.2298/MUZ1825091D","url":null,"abstract":": Starting with Maria Todorova’s landmark study Imagining the Balkans (Todorova 1997), numerous authors have raised their voices against stereotypical images of the Balkans. Over twenty years after the publication of this book, the term “the Balkans” seems to have lost some of its negative connotations related to wars in favour of characteristics with positive overtones, such as the Balkan peoples’ joie-de-vivre and entertainment strongly related to music. The areal ethnomusicology drawing from fieldwork throughout the Balkan peninsula has been a fruitful topic for numerous local and foreign ethnomusicologists and the very term “the Balkans” has raised a special interest in the ethnomusicological research of “outsiders”, as well as in the music industry. This paper is written from the perspective of an “insider” ethnomusicologist from the Balkans. I raise the question of the definition of the “Balkan” popular music label and discuss its main structural characteristics. I offer a new possibility of (re)considering a specific musical genre of the region based on the research of urban folk music practices. I present characteristics of urban folk music practices from the second half of the nineteenth and the first half of the twentieth century in the countries of the Balkans, with special attention paid to their common aspects. Also, contemporary urban folk music, which is often criticized as a specific popular music form, is considered.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":"91-101"},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68534888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

The musical Mach-Zehnder interferometer 音乐马赫-曾德尔干涉仪

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1824039G

Andrew J. P. Garner

引用次数: 0

Kornelije Stankovic´s piano repertoire - from European practice to national ideology 康内利耶·斯坦科维奇的钢琴保留曲目——从欧洲实践到民族意识形态

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1825103K

Marijana Kokanović-Marković

引用次数: 1

Petar Konjovic’s contribution to the constitution and the beginnings of the Institute of Musicology of the Serbian Academy of Sciences and Arts Petar Konjovic对塞尔维亚科学与艺术学院音乐学研究所的成立和成立的贡献

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/muz1825015m

Biljana Milanović

引用次数: 0

Possible implementation of Heinrich Christoph Koch’s analytical terminology in contemporary analytical practice 海因里希·克里斯托夫·科赫的分析术语在当代分析实践中的可能实现

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1825159V

Jasna Veljanovic

{"title":"Possible implementation of Heinrich Christoph Koch’s analytical terminology in contemporary analytical practice","authors":"Jasna Veljanovic","doi":"10.2298/MUZ1825159V","DOIUrl":"https://doi.org/10.2298/MUZ1825159V","url":null,"abstract":"This paper aims to interpret two capital works of Heinrich Christoph Koch, the most important theorist of the eighteenth century: Musical Lexicon ( Musikalisches Lexikon ) and Introductory Essay on Composition ( Versuch einer Anleitung zur Composition ) in three volumes, from the viewpoint of his analytical terminology. For better understanding of the piece, and bearing in mind that his Introductory Essay is a textbook, and therefore has a pedagogical nature, his view on the composer’s relation with his work is discussed, and with it, creating a piece based on three parameters: conception, realization and elaboration, as well as the concepts of feeling, genius, fervour, impression and taste. Koch’s relationship to the work from the viewpoint of the analysis of musical form and its dissection is considered. Some concepts, which have always been used in the analysis of form, whose meaning is understood by default, are explained: character, genre, style. This paper arises from the necessity of re-examining Koch’s analytical terminology and to introduce it into today’s analytical practice, especially for the better understanding of music of the baroque and classical periods and its more logical explication. Special emphasis has been given to sonata form, which is necessary to be seen in a different way, in accordance with the stylistic period in which it was created. Koch’s music theory is completely neglected in the textbook literature and therefore the contribution of this scientific work is twofold: the analysis of Koch’s postulates as well as an attempt to implement them in todays’ practice.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":"159-177"},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68534645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The compass revisited: Rewriting histories of music in the south 重新审视指南针:改写南方音乐的历史

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1825199M

I. Moody

{"title":"The compass revisited: Rewriting histories of music in the south","authors":"I. Moody","doi":"10.2298/MUZ1825199M","DOIUrl":"https://doi.org/10.2298/MUZ1825199M","url":null,"abstract":"The history of music in the countries of Southern Europe has, in general, been examined either from the West or from the East. This has had to do with traditional and univestigated assumptions of divisions on religious and linguistic grounds, amongst others, and a lack of familiarity with the relevant literatures which it self derives in large part from a lack of familarity with the relevant languages. Thus, there has been very little comparison of aesthetics in the context of emerging or newly-established nations, and the vital and simultaneous investigation of modernism in those countries, that takes into account both the countries of the Mediterranean and of the Balkans, rather than viewing them as peripheries and discussing them almost exclusively in relation to a theoretical centre. In a number of recent publications and papers, I have aimed to break down some of the seborders precisely by confronting the question of tradition and modernism and bycomparing and contrasting the music of the Latin/ Roman Catholic South-West with that of the Slavic and Greek/Orthodox East, at the same time endeavouring todiscuss this problem in a very broad sense, which I believe to be necessary in establishing the groundwork for future investigation in this area. In this article I discuss this approach and examine the problems inherent in its implementation, given both the need for breadth of historical and geographical vision (i.e., denationalizing music histories) and for the avoidance of a musicology of cliché, born of ideology rather than unbiased curiosity.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":"199-206"},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68534716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965) 塞尔维亚音乐研究的主导潮流:SAS音乐学研究所早期历史概述(1947-1965)

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1825049V

Ivana Vesic, Danka Lajic-Mihajlovic

引用次数: 1

Programming Gate-based Hardware Quantum Computers for Music 基于门的音乐硬件量子计算机编程

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Muzikologija-Musicology Pub Date : 2018-01-01 DOI: 10.2298/MUZ1824021K

Alexis Kirke

引用次数: 4

The Jankovic sisters and kinetography Laban 扬科维奇姐妹与运动学拉班