塞尔维亚音乐研究的主导潮流:SAS音乐学研究所早期历史概述(1947-1965)

IF 0.2 0 MUSIC
Ivana Vesic, Danka Lajic-Mihajlovic
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引用次数: 1

摘要

本文致力于对塞尔维亚(和南斯拉夫)第一个此类科学机构SAS音乐学研究所的初始阶段进行调查,以深入了解民族音乐学和民族音乐学的发展。通过对SASA音乐学研究所档案文件的分析,扩展了关于该主题的早期研究结果。详细审议了研究所的运作组织、一般研究方向、关键专题、方法选择和个别研究人员的意义。对整个20世纪音乐研究的历时性概述使我们能够指出第二次世界大战后的连续性和创新以及研究所的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965)
: This paper is dedicated to the investigation of the initial period of the Institute of Musicology SAS, the first scientific institution of this kind in Serbia (and Yugoslavia), in order to give an insight into the development of national musicology and ethnomusicology. The results of earlier research about the topic have been expanded by means of the analysis of documents from the archive of the Institute of Musicology SASA. The organization of the Institute’s functioning, general research orientation, key topics, methodological choices and the significance of individual researchers were considered in detail. This diachronically oriented overview of research into music throughout the 20th century enabled us to pointing out the continuities and innovations after World War II and the Institute’s foundation.
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来源期刊
CiteScore
0.20
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12 weeks
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