Frontiers of Narrative Studies最新文献_第5页

Corporeal narrative of insatiable desire in David Foster Wallace’s Infinite Jest 大卫·福斯特·华莱士《无尽的玩笑》中贪得无厌的欲望的肉体叙事

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0011

Xiaomeng Wan

引用次数: 0

Bob Fischer, ed. The routledge handbook of animal ethics. New York: Routledge, 2020. xviii+584 pp. ISBN: 9781138095069. 鲍勃·菲舍尔主编。劳特利奇动物伦理手册。纽约:Routledge出版社，2020年。xviii+584页。ISBN: 9781138095069。

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0014

Xinyi Cao

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Instrumentalizing the book: Anne Carson’s Nox and books as archives 工具化的书:安妮卡森的诺克斯和书作为档案

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0005

Brian Davis

{"title":"Instrumentalizing the book: Anne Carson’s Nox and books as archives","authors":"Brian Davis","doi":"10.1515/fns-2021-0005","DOIUrl":"https://doi.org/10.1515/fns-2021-0005","url":null,"abstract":"Abstract This article introduces an experimental mode of contemporary writing and bookmaking that I call multimodal book-archives, an emergent mode of contemporary literature that constructs narratives and textual sequences through the collection and representation of reproduced texts and other artifacts. In multimodal book-archives the book-object is presented as a container designed to preserve and transmit textual artifacts. In this article, I examine Anne Carson’s Nox (2010) as a case study in archival poetics, exemplifying the “archival turn” in contemporary literature. My analysis draws attention to how writing, subjectivity, knowledge, history, and memory in the digital age are increasingly configured through distributed networks of people and artifacts in different social and institutional spaces, demonstrating how Nox functions not only as an instrument of psychological rejuvenation, but as an aesthetic instrument for documenting, ordering, listing, and juxtaposing disparate bits of information and memory into cathartic self-knowledge. Carson’s archival poetics is deeply personal, laden with private symbols and metaphors that readers are asked to collocate, cross-reference, and translate as part of the archival reading process. If grief is a kind of chaos, then Carson’s archival poetics instrumentalizes the book as a tool for ordering that chaos into something manageable, useful, even beautiful.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78291601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

On the alethic and moral status of political storytelling 论政治叙事的真性与道德地位

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0003

N. Klenner, Tilmann Köppe

引用次数: 0

Frontmatter

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-frontmatter1

引用次数: 0

From lectures to lessons and back again:The deterritorialization of transmission in Elizabeth Costello 从讲座到课堂再回来:伊丽莎白·科斯特洛的传播的非属地化

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0002

Vladimir Biti

引用次数: 0

Aristotelian and/or Nietzschean narratology 亚里士多德和尼采的叙事学

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0004

Antonino Sorci

引用次数: 0

Unnatural narratives, Brexit and ideology in Ian McEwan’s The Cockroach 伊恩·麦克尤恩的《蟑螂》中的非自然叙事、英国脱欧和意识形态

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0007

Dandan Zhang

引用次数: 0

Voice in a narrative: A trialogue with Ruth Finnegan 叙述中的声音:与露丝·芬尼根的对话

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0001

S. Gintsburg, Luis Galván Moreno, R. Finnegan

{"title":"Voice in a narrative: A trialogue with Ruth Finnegan","authors":"S. Gintsburg, Luis Galván Moreno, R. Finnegan","doi":"10.1515/fns-2021-0001","DOIUrl":"https://doi.org/10.1515/fns-2021-0001","url":null,"abstract":"Abstract Ruth Finnegan FBA OBE (1933, Derry, Northern Ireland) took a DPhil in Anthropology at Oxford, then joined the Open University of which she is now an Emeritus Professor. Her publications include Oral Literature in Africa (1970), Oral Poetry (1977), The Hidden Musicians: Music-Making in an English Town (1989), and Why Do We Quote? The Culture and History of Quotation (2011). Ruth Finnegan was interviewed by Sarali Gintsburg (ICS, University of Navarra) and Luis Galván Moreno (University of Navarra) on the occasion of an online lecture delivered at the Institute for Culture and Society at the University of Navarra. In this trialogue-like interview, Ruth tells about the childhood experiences that were decisive for her interest in orality and storytelling, about her education and training as a Classicist in Oxford, the beginnings of her fieldwork in Africa among the Limba of Sierra Leone, and her recent activity as a novelist. She stresses the importance of voice, of its physical, bodily dimensions, its pitch and cadence; and then affirms the essential role of audience in communication. The discussion then touches upon several features of African languages, classical Arabic and Greek, and authoritative texts of Western culture, from Homer and the Bible to the 19th century novel. Through discussing her childhood memories, her assessment of the development and challenges of anthropology, and her views on the digital transformation of the world, Ruth concludes that the notion of narrative, communication, and multimodality are inseparably linked.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84933493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Refusing to be silenced: Claiming chaos narrative 拒绝沉默:宣称混乱叙事

IF 0.4 3区文学

Frontiers of Narrative Studies Pub Date : 2021-07-01 DOI: 10.1515/fns-2021-0006

Colleen Donnelly

{"title":"Refusing to be silenced: Claiming chaos narrative","authors":"Colleen Donnelly","doi":"10.1515/fns-2021-0006","DOIUrl":"https://doi.org/10.1515/fns-2021-0006","url":null,"abstract":"Abstract In the Wounded Storyteller, Arthur Frank proposed three types of narrative told by people attempting to reclaim their voice and the body made alien by illness – restitution, quest, and chaos. Restitution narrative has dominated media; in it, the patient simply experiences the disease and is presented passively, and the medical community is presented as having agency. In quest narrative, the experiencer becomes their own hero; their suffering brings knowledge which is then shared with the audience who bears witness and is charged with learning the lesson the experience conveys. In quest narrative, while speakers have agency that they are often robbed of in the restitution narrative, they are saddled with the imperative to inspire others. This makes the narrator a hero, but we need to ask, where does the imperative come from that demands that the narrator become a hero and an example for others? If that imperative comes from the audience and market demands, we need to recognize how they are dictating the manner in which stories are told, determining which are selected by publishers and media venues to be disseminated. The third type, the chaos narrative, is rarely encountered by audiences because the chaos narrative is usually erased. This “anti-narrative” can only be lived and cannot be told. The individual living with chronic physical or mental illness or a disability, who cannot be stoic and turn their story into a quest narrative, is rendered mute. Since restitution narrative is also unavailable to these individuals, their stories are left unspoken or unwritten. Their stories have largely been controlled by external agents. Failure to meet normate expectations has meant rejection. How prescriptive norms arose that delegitimatized the authority of chaos narrative must be understood if authentic chaos narrative is to be spoken and written.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73065544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1