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Frontiers of Narrative Studies最新文献

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‘The whole fragment’: Fragments and ethics in the poetry of Ann Lauterbach “整体片段”:安·劳特巴赫诗歌中的片段与伦理
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2022-07-01 DOI: 10.1515/fns-2022-2014
Dominic Hand
{"title":"‘The whole fragment’: Fragments and ethics in the poetry of Ann Lauterbach","authors":"Dominic Hand","doi":"10.1515/fns-2022-2014","DOIUrl":"https://doi.org/10.1515/fns-2022-2014","url":null,"abstract":"Abstract This essay reads the poetry of Ann Lauterbach, from the 1990 s to the present day, tracing the development of her central poetic concept of ‘the whole fragment’. Via close readings of exemplary works, the analysis is supported by her theoretical writings, essays and correspondence, and by archival material. The essay evidences ‘the whole fragment’ as a poetic methodology focused on flaws, ruptures, and transformations. It considers how loss and otherness catalyse the aporetic proclivity of Lauterbach’s poetry in the 1990 s, and analyses emergent formal ‘constellations’ and ‘reels’ as manifestations of ‘the whole fragment’. It then isolates an ethical turn for ‘the whole fragment’ in her poetry of the 2000 s, and traces its renewal through her most recent publications, up to 2018. Following this, it makes several critical postulations. Referencing concepts from Maurice Blanchot and Emmanuel Levinas, it analyses Lauterbach’s responses to 9/11 and the Other, and evaluates her ethical poetry of ‘disaster’. The essay’s conclusion distinguishes Lauterbach’s developments from contemporary practices of the ‘open’ text or ‘poethics’, in order to demonstrate the integrity, importance, and distinctiveness of her œuvre in contemporary American poetry.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89401861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anthropocene, literature, and econarratology: An interview with Marco Caracciolo 人类世、文学和考古学:马可·卡拉乔洛访谈
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2022-07-01 DOI: 10.1515/fns-2022-2011
Hongri Wang, Marco Malvezzi Caracciolo
{"title":"Anthropocene, literature, and econarratology: An interview with Marco Caracciolo","authors":"Hongri Wang, Marco Malvezzi Caracciolo","doi":"10.1515/fns-2022-2011","DOIUrl":"https://doi.org/10.1515/fns-2022-2011","url":null,"abstract":"Abstract Marco Caracciolo is Associate Professor of English and Literary Theory at Ghent University in Belgium, where he led the ERC Starting Grant project “Narrating the Mesh.” (2017–2022). His work explores the phenomenology of narrative, or the structure of the experiences afforded by literary fiction and other narrative media. He is the author of several books including the most recently Slow Narrative and Nonhuman Materialities (2022) and Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures (2022). In September 2021, Dr. Wang Hongri interviewed Caracciolo on Anthropocene literature and econarratology via e-mail. In this interview, Caracciolo sheds light on the use of such concepts as the Anthropocene, climate crisis and climate change fiction in literary studies. Further, he elaborates on the tardiness of narratological interests in environmental issues and narrative’s formal affordance to address the Anthropocene condition. After commenting on the relationship between New Formalism and the contextualist vein of contemporary narrative theory, Caracciolo identifies four future directions for the study of Anthropocene literature and econarratology.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73743779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Approaching the world of non-human experience: Unnatural ways of worldmaking in Ian McEwan’s fiction 接近非人类经验的世界:伊恩·麦克尤恩小说中不自然的造世界方式
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2022-07-01 DOI: 10.1515/fns-2022-2013
Shang Biwu
{"title":"Approaching the world of non-human experience: Unnatural ways of worldmaking in Ian McEwan’s fiction","authors":"Shang Biwu","doi":"10.1515/fns-2022-2013","DOIUrl":"https://doi.org/10.1515/fns-2022-2013","url":null,"abstract":"Abstract The past two decades witnessed an increasing interest in literary worldmaking. This paper begins with examining the current models of worldmaking, in particular, the model of the phenomenological, the constructive, the cognitive psychological, the media, the narratological, and the ethical. In doing so, it reveals their shared feature of the human-centred view and mimetic bias. Against the backdrop of the non-human turn in the 21st century, it questions the generally accepted assumption that “the representation of human experience is the central aim of narrative” (Fludernik 1996: 51) and gears scholarly attention to non-human agents in literature and their contribution to constructing the non-human world. Drawing on insights from unnatural narratology, it aims to go beyond the existing mimetic paradigm by proposing the unnatural ways of worldmaking. Taking cues of the narrative function of worldmaking and focusing on the non-human character in particular, it delves into three types of non-human worlds in Ian McEwan’s fiction, namely the world of a fetus in The Nutshell (2016), the world of a machine in Machines Like Me (2019), and the world of a metamorphosized being in The Cockroach (2019). Arguably, by projecting the non-human world and representing the non-human experience, unnatural narrative works invite readers to address such questions as what to do with non-human world, how it is made, and ultimately what it means to humans.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81105712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Balance history and fiction in narrative: Approaching Walter Scott’s classical historical novels 在叙事中平衡历史与虚构:沃尔特·司各特的古典历史小说
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2022-07-01 DOI: 10.1515/fns-2022-2016
Qi Chen
{"title":"Balance history and fiction in narrative: Approaching Walter Scott’s classical historical novels","authors":"Qi Chen","doi":"10.1515/fns-2022-2016","DOIUrl":"https://doi.org/10.1515/fns-2022-2016","url":null,"abstract":"Abstract Water Scott sets up the literary genre with his outstanding and genuine composition of twenty-seven historical novels. With unique and tactical narrative strategies, Scott successfully balances the real historical world and the fictional world in the stories. Scrutinizing from four aspects, namely plotting, narrative time, narrator and focalization, and characterization, the present paper will reveal how the history is told in a fictional world without losing the historicity and keeping the vividness at the same time. Taking the faithfulness to history as the major principle, Scott fabricates a fascinating fictional world embedded with his understanding and emotions of the past.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80778037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Being for every other: Levinas in the anthropocene 互相帮助:人类世的列维纳斯
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0009
S. Hand
{"title":"Being for every other: Levinas in the anthropocene","authors":"S. Hand","doi":"10.1515/fns-2021-0009","DOIUrl":"https://doi.org/10.1515/fns-2021-0009","url":null,"abstract":"Abstract The essay traces the apparent influence of Emmanuel Levinas on several thinkers concerned in different ways with Anthropocene ethics. It postulates that an application of Levinas’s ideas to the involvement of the human and the non-human challenges and extends the limits of his thought, while considering the occasionally partial and even fundamentally distorting nature of some of these appropriations.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89240904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
“The old boys’ network”: Medical space, gendered memory, and prejudices in Sidney Sheldon’s Nothing Last Forever “老男孩的关系网”:西德尼·谢尔登的《虚无天长地久》中的医学空间、性别记忆和偏见
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0012
Manali Karmakar, B. G
{"title":"“The old boys’ network”: Medical space, gendered memory, and prejudices in Sidney Sheldon’s Nothing Last Forever","authors":"Manali Karmakar, B. G","doi":"10.1515/fns-2021-0012","DOIUrl":"https://doi.org/10.1515/fns-2021-0012","url":null,"abstract":"Abstract Sidney Sheldon’s Nothing Last Forever unfolds a mosaic of experiences encountered by medical professionals that normatively remains unheard in the cycle of diagnosing, treating, and caring for patients. The novel brings to light the human within the doctor that is consciously kept at bay to cope with professional demands. With the rise of narrative medicine, scholars such as Rita Charon have emphasized the importance of narratology to understand patients’ crises. However, narrative medicine has largely ignored the phenomenological crises and anxieties of medical professionals. Thus, the paper investigates how on the one hand the female agencies problematize the medical space, and on the other, how the agency embodied by the female doctor is constantly threatened and demeaned by the male gaze that primarily categorizes women as sexual objects and caregivers. This paper primarily inquires how the politics of gendered memory is dramatized and contested in Sidney Sheldon’s medical crime thriller Nothing Last Forever.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90464250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edmund Wilson, the Dead Sea Scrolls, and the rhetoric of protection 埃德蒙·威尔逊，死海古卷，以及保护言论
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0010
D. Lande
{"title":"Edmund Wilson, the Dead Sea Scrolls, and the rhetoric of protection","authors":"D. Lande","doi":"10.1515/fns-2021-0010","DOIUrl":"https://doi.org/10.1515/fns-2021-0010","url":null,"abstract":"Abstract Edmund Wilson’s “The Scrolls from the Dead Sea,” published on the 6th of May, 1955 in The New Yorker, was one of the first pieces of journalism concerning the Dead Sea Scrolls and their discovery in the Judean desert in the late 1940 s. This study links the rhetoric within journalism on ancient manuscript finds to that which is found in travel narratives from the colonial era – a connection which emphasizes the rhetoric of protection and insertion of self in texts which invoke assumed authority in a situation of cultural importance.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81396854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Storyworld, transmedia storytelling, and contemporary narrative theory: An interview with Marie-Laure Ryan 故事世界，跨媒体讲故事和当代叙事理论:Marie-Laure Ryan访谈
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0008
Jiayi Chen, Marie-Laure Ryan
{"title":"Storyworld, transmedia storytelling, and contemporary narrative theory: An interview with Marie-Laure Ryan","authors":"Jiayi Chen, Marie-Laure Ryan","doi":"10.1515/fns-2021-0008","DOIUrl":"https://doi.org/10.1515/fns-2021-0008","url":null,"abstract":"Abstract Marie-Laure Ryan is an independent scholar based in Colorado. She is the author of Possible Worlds, Artificial Intelligence and Narrative Theory (1991), Narrative as Virtual Reality (2001), Avatars of Story (2006), Narrative as Virtual Reality 2 (2015), Narrating Space/Spatializing Narrative (2016, with Kenneth Foote and Maoz Azaryahu), and over 100 articles on narratology, media theory, and digital culture. In October 2021, Dr. Jiayi Chen interviewed Ryan by email about possible worlds narratology, narrative across media, and the recent development of narratology. During the discussion, Ryan elaborates on the productive ways transmedia narratology can complement the language-based enterprise of narrative theory, as well as its position in relation to other strands of narrative inquiry. To conclude, Ryan points out the recent trends that have been enriching and expanding the territory of narratology before mapping out some areas that merit greater attention and future investigation.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75153358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
I, theorist: Accrediting the “wild imagination” of Northanger Abbey 1、理论家:认可《诺桑觉寺》的“狂野想象力”
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-0013
N. Frank
{"title":"I, theorist: Accrediting the “wild imagination” of Northanger Abbey","authors":"N. Frank","doi":"10.1515/fns-2021-0013","DOIUrl":"https://doi.org/10.1515/fns-2021-0013","url":null,"abstract":"Abstract Tracking the major narratological trends that give treatment to Jane Austen’s narrators in Northanger Abbey and Persuasion, this paper at once seeks to consolidate a narratorial voice as distinct from an authorial voice in each work while simultaneously collapsing each of these narratorial voices into storyworld characters via metalepsis. This one-two punch of consolidation and collapse allows me to argue for the emergence of a “tangled indeterminacy” in Northanger Abbey, a discovery that leads to two original possibilities: either a second narratorial voice emerges toward the end of the novel, or the initial narratorial voice bifurcates, such that a part of her is left behind in the diegesis while another part of her retreats to the narratorial plane. In either case, any attempt to attribute “the wild imagination” of Northanger Abbey to a specific narratorial persona must account for one or both of these readings.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86958539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter
IF 0.4 3区 文学
Frontiers of Narrative Studies Pub Date : 2021-12-01 DOI: 10.1515/fns-2021-frontmatter2
{"title":"Frontmatter","authors":"","doi":"10.1515/fns-2021-frontmatter2","DOIUrl":"https://doi.org/10.1515/fns-2021-frontmatter2","url":null,"abstract":"","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84046051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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