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Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek最新文献

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Paper, paint, and metal foil 纸，油漆和金属箔
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801006
B. Ramakers
{"title":"Paper, paint, and metal foil","authors":"B. Ramakers","doi":"10.1163/22145966-06801006","DOIUrl":"https://doi.org/10.1163/22145966-06801006","url":null,"abstract":"This essay concerns itself with the category of the costumed entry at the Leiden rhetoricians’ festival of 1596. The entry by the Haarlem chamber of rhetoric The Pelican was designed by Hendrick Goltzius. It is argued that inventions like Goltzius’s were considered examples of good or best practice from which other artists and craftsmen involved in entry-making could learn, both during and after the event. The latter purpose was served by the printed festival book, which contained information on both invention (iconography) and execution (materials and techniques) of the entry characters. The use of such festival books is further corroborated by an analysis of the book collection of the Pelican chamber, which has survived more or less complete.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73036458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drawn up by a learned physician from the mouths of artisans 由一位博学的医生从工匠口中起草的
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801008
J. Boulboullé
{"title":"Drawn up by a learned physician from the mouths of artisans","authors":"J. Boulboullé","doi":"10.1163/22145966-06801008","DOIUrl":"https://doi.org/10.1163/22145966-06801008","url":null,"abstract":"This article demonstrates how multi-layered and open-ended the genre of the manual could be. It focuses on the so-called Mayerne manuscript, a seventeenth-century source text, comprising more than 300 recipes and ‘how-to’ instructions. Many of the entries are dated and include geographical and professional information that identify artisans and master painters as sources of detailed descriptions of materials and techniques. The article deconstructs an interpretation of Theodore de Mayerne’s recipe compilation as a handbook intended for practical use, and instead shows that many voices lay behind Mayerne’s extensive documentation of artisanal know how. The article argues that the manuscript was perhaps never intended for publication, but that it provides an exceptional testimony to the practice of an early modern ethnographer of artisanal working methods. A closer look at Mayerne’s practice of note taking as a physician suggests that it functioned as a working tool to document technical and artisanal knowledge of materials.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89802276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
An alphabet of colors 颜色的字母表
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801007
A. Lehmann
{"title":"An alphabet of colors","authors":"A. Lehmann","doi":"10.1163/22145966-06801007","DOIUrl":"https://doi.org/10.1163/22145966-06801007","url":null,"abstract":"A close reading of the first handbook for teachers written in the Dutch Republic by Dirck Adriaensz Valcooch and the color recipes it contained, offers some answers to broader questions concerning the role of art making in general education: was the broad literacy movement in the Protestant Republic beneficial to creative practices? Did the ubiquitous presence of art works support the emergence of practice-based learning? And were pedagogical and artistic expertise related when it came to teaching art? In order to move the teacher’s manual closer to the domain of art history, this article first addresses the difficulties that instructive descriptions of color-related processes posed for Karel van Mander and others, and then briefly looks at how general education welcomed or discouraged creative practices before and around 1600. The analysis of Valcooch’s chapter on ink and paint against the background of wider pedagogical developments, argues that educational writings can significantly add to our understanding about how the artistic use of colors was conveyed in teaching.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74077335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rembrandt’s nature 伦勃朗的性质
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801011
J. Keizer
{"title":"Rembrandt’s nature","authors":"J. Keizer","doi":"10.1163/22145966-06801011","DOIUrl":"https://doi.org/10.1163/22145966-06801011","url":null,"abstract":"In seventeenth-century Holland, the role of the live model in the making of art and, importantly, as a vehicle for artistic training had become a topic of contention. No other aspect of artists’ education had received more criticism than the use of real-life models. Artists ran the risk of drawing too much attention to the live model, leaving the model’s features visible in their works. These works would look too much like life itself. This essay argues that seventeenth-century theorists devised an intricate concept of style in order to keep life in an artwork at bay. To train artists was to discipline them in style.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85398998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pathosformel as grammar 病理形式为语法
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801005
Edward H. Wouk
{"title":"Pathosformel as grammar","authors":"Edward H. Wouk","doi":"10.1163/22145966-06801005","DOIUrl":"https://doi.org/10.1163/22145966-06801005","url":null,"abstract":"The artist and polymath Lambert Lombard of Liège developed a radical outlook on the theory and practice of artistic creation that he sought to illustrate in a ‘grammar’ of formal studies. Devised during a period of intense crisis for image-making in northern Europe, this ‘grammar’ offered a means to restore authority to the visual arts by recovering a canon of forms that had been perfected in antiquity yet became diluted over time. The present article examines the development and function of Lombard’s ‘grammar’, focusing on its role in the instruction he provided to a new generation of Netherlandish artists. It explores similarities between Lombard’s project and Aby Warburg’s celebrated Mnemosyne Atlas, compiled between 1924 and 1929. This comparison provides new insights into the visual, material and conceptual strategies through which Lombard’s ‘grammar’ illuminated the entwined properties of motion and emotion that he defined as the essence of perfect art.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88467177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Learning in Netherlandish workshops in seventeenth-century Rome 在17世纪罗马的荷兰作坊学习
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801012
E. Downey
{"title":"Learning in Netherlandish workshops in seventeenth-century Rome","authors":"E. Downey","doi":"10.1163/22145966-06801012","DOIUrl":"https://doi.org/10.1163/22145966-06801012","url":null,"abstract":"This contribution presents a much-needed overview of Netherlandish workshop activities in Rome, and a reevaluation of their impact on the cultural environment of the city. Focusing on the workshops of Paul Bril, Herman van Swanevelt, Vincent Adriaenssen Leckerbetien (‘Il Manciola’), Cornelis Bloemaert II, and the now obscure painter Salomon Backereel, it elucidate the process by which these and other Dutch and Flemish artists trained aspiring painters and contributed to the overall educational program of the city. Not only is there more information about how their workshops functioned, but also these artists exemplify the status and professional activities of many Netherlandish artists in the city.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73131120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Do it yourself! 自己动手吧!
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.2307/j.ctvzsmfc6.22
Anne C. Kok
{"title":"Do it yourself!","authors":"Anne C. Kok","doi":"10.2307/j.ctvzsmfc6.22","DOIUrl":"https://doi.org/10.2307/j.ctvzsmfc6.22","url":null,"abstract":"In 1962, the Dutch art audience was confronted with a remarkable participatory art project in the Stedelijk Museum Amsterdam: a dynamic labyrinth that visitors could enter, be part of and contribute to. This article analyses the particular relation between participation and instruction in the Dylaby exhibition. After a brief sketch of its particular setup, its ideals, plans and precursors are discussed, together with other contemporary proposals for labyrinths. This is followed by a short excursion into theoretical interpretations of participatory art, centering on the dynamics of freedom and control in this particular art practice. The third part focuses on procedures of guidance and instruction with regard to particular artworks. On the basis of historical source material forms of instruction are reconstructed and examined. Finally, the options of visitors to discover for themselves how to participate will be addressed, with a short detour to the pedagogical theory of Paolo Freire.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85718312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Clément Perret’s Exercitatio alphabetica (1569)
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801003
Caecilie Weissert
{"title":"Clément Perret’s Exercitatio alphabetica (1569)","authors":"Caecilie Weissert","doi":"10.1163/22145966-06801003","DOIUrl":"https://doi.org/10.1163/22145966-06801003","url":null,"abstract":"The Exercitatio alphabetica, published in Antwerp in 1569, was unique in form and content because the whole book was packed with richness and variation. The article shows how this book brings together three different domains: the demands of calligraphic textbooks, the ideals of a virtuoso artist (the writing master, inventor of ornaments and reproduction artist), and the creative principles of the art of eloquence as formulated by Erasmus of Rotterdam in his textbook De copia. The ideals set out here were meant to act as guiding principles for the visual artists whose work the book displayed and for the authors who were responsible for text selection and additions, as well as for users of the book itself. This art book also showed the latter how difficult and complicated but also how beautiful the art of calligraphy could be, and provided readers the opportunity to practice through observation, reading, and imitation.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82910565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jacob van der Gracht’s Anatomie for artists Jacob van der Gracht的艺术家解剖学
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801009
E. Travers
{"title":"Jacob van der Gracht’s Anatomie for artists","authors":"E. Travers","doi":"10.1163/22145966-06801009","DOIUrl":"https://doi.org/10.1163/22145966-06801009","url":null,"abstract":"The painter and engraver, Jacob van der Gracht produced one of the first anatomical manuals for members of his profession that visibly references the format and content of medical publications. However, his reliance on figures in the style of Andreas Vesalius has caused his publication to be viewed as an abridged copy of De humani corporis fabrica (Basel, 1543) and has obscured the legacy of Van der Gracht’s contributions. Adapting these figures for a new purpose, Van der Gracht’s manual advocates for anatomical instruction to enhance artists’ skills in rendering lifelike effects, especially a convincing sense of movement. This article investigates the range of sources upon which Van der Gracht’s drew, how they were altered to suit artists’ interests, and his publication’s posterity. I argue that Van der Gracht used the familiar images of renowned sixteenth-century anatomists to bolster his publication’s success and elevate the credibility of his profession.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77960411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aertsen, Rubens and the questye in early modern painting 阿尔特森、鲁本斯和对早期现代绘画的探索
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-01-01 DOI: 10.1163/22145966-06801004
K. Jonckheere
{"title":"Aertsen, Rubens and the questye in early modern painting","authors":"K. Jonckheere","doi":"10.1163/22145966-06801004","DOIUrl":"https://doi.org/10.1163/22145966-06801004","url":null,"abstract":"In this paper, I argue that the early modern intellectual culture in Early Modern Europe was basically a ‘culture of quaestio’ in which the ‘question’ played a fundamental role as an educational tool, a intellectual method and - as a consequence - as a line of reasoning. Using Peter Paul Rubens’s Double portrait of Seneca and Nero and Pieter Aertsen’s Jesus in the House of Mary and Martha as prime examples, I’ll argue that certain works of art – with artistic ambition – were conceived as quaestiones disputatae rather than self-confirmatory narratives, fully in line with the intellectual/pedagogical principles of quaestiones in the early modern Low Countries.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87783113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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