Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek最新文献

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Taming the untamable 驯服无法驯服的人
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2022-01-01 DOI: 10.1163/22145966-07101003
Sarah-Maria Schober
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引用次数: 0
Ars amicitiae
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-11-16 DOI: 10.1163/22145966-07001002
Joanna Woodall, Bart Ramakers, Ann-Sophie Lehmann
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引用次数: 0
A portrait of the artist as friend 作为朋友的艺术家的肖像
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-11-16 DOI: 10.1163/22145966-07001006
Edward H. Wouk
{"title":"A portrait of the artist as friend","authors":"Edward H. Wouk","doi":"10.1163/22145966-07001006","DOIUrl":"https://doi.org/10.1163/22145966-07001006","url":null,"abstract":"The Portrait of Lambert Lombard of circa 1560 is unique among early modern likenesses in its intimate portrayal of an artist as friend. This essay moves beyond the questions of attribution that have hitherto dominated discussions of the painting and focuses instead on the dialogic encounter the image establishes between sitter and beholder. That encounter, I contend, reflects a novel period concept of friendship as a social ideal and as a model for artistic practice. Working within humanist frameworks, Lombard’s pupils actively constructed an image of their teacher as scholar and affectionate pedagogue. While other images of Lombard emphasized the artist’s erudition at the expense of his personal warmth, this disarmingly nonchalant portrait negotiates a balance between the aloof scholar and engaged friend. Like Dominicus Lampsonius’s biography of the artist, published in 1565, the Portrait of Lambert Lombard envisions the artist as a friend who is both erudite and loving.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83546644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making contact 接触
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-11-16 DOI: 10.1163/22145966-07001005
A. Zamboni
{"title":"Making contact","authors":"A. Zamboni","doi":"10.1163/22145966-07001005","DOIUrl":"https://doi.org/10.1163/22145966-07001005","url":null,"abstract":"This article explores the intersection between friendship and artistic collaboration through a focus on the engraving production of a group of itinerant Netherlandish artists who, in the wake of the Dutch Revolt, lived and worked in Munich, seat of the court of Wilhlem V. The first part of this contribution introduces Joris Hoefnagel, several printmakers from the Sadeler dynasty and other artists active in Munich. An analysis of the artistic gifts which the Netherlanders exchanged in Munich suggests that they enjoyed membership of an egalitarian circle sustained by friendship and artistic aspirations. The second half of the article examines the engraved series Salus Generis Humani (1590): the co-creation of Joris Hoefnagel, Aegidius II Sadeler and Hans von Aachen. Through a collaborative working practice, the three artists conceived engravings that self-reflectively alluded to their composite facture and which constituted another expression of the humanist friendship underpinning their professional and personal contacts.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81772285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Preliminary Material 初步材料
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-11-16 DOI: 10.1163/22145966-07001001
Editors Netherlands Yearbook for History of
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引用次数: 0
That’s what friends are for 这就是朋友的作用
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-11-16 DOI: 10.1163/22145966-07001004
B. Ramakers
{"title":"That’s what friends are for","authors":"B. Ramakers","doi":"10.1163/22145966-07001004","DOIUrl":"https://doi.org/10.1163/22145966-07001004","url":null,"abstract":"In 1534, on the occasion of the 50th anniversary of religious life, Jan Donteclocke, a Franciscan tertiary from Bruges, threw a banquet for relatives, friends, and fellow brethren. What we know about it comes from a dinner play performed at the event, the Play of a jubilee, written by the Bruges rhetorician Cornelis Everaert. The play’s characters personify aspects of friendship: Benevolence, Affection, and Friendship itself. They presented the jubilarian with four Latin chronograms (on sheets or scrolls of paper or wooden panels) which contained the dates of Donteclocke’s birth, profession, ordination, and jubilee. Chronograms, because of their playful, riddle-like character, were ideal vehicles of humanist wit and ingenuity. The article discusses these chronograms as expressions of friendship and analyses how they may have sparked conversation among the dinner guests, thus attesting to a culture of spirited conviviality existing beyond the circles of learned humanists or well-to-do bourgeois.","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86122938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Preliminary Material 初步材料
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2020-05-20 DOI: 10.1163/22145966-06901001
Editors Netherlands Yearbook for History of
{"title":"Preliminary Material","authors":"Editors Netherlands Yearbook for History of","doi":"10.1163/22145966-06901001","DOIUrl":"https://doi.org/10.1163/22145966-06901001","url":null,"abstract":"","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76914188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Draw everything that exists in the world’ “画出世界上存在的一切”
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801010
Jaya Remond
{"title":"‘Draw everything that exists in the world’","authors":"Jaya Remond","doi":"10.1163/22145966-06801010","DOIUrl":"https://doi.org/10.1163/22145966-06801010","url":null,"abstract":"This article examines the Amsterdam engraver and draftsman Crispijn de Passe’s art manual, ’t Light der Teken en Schilderkonst, in order to study the processes that turned image-making practices into forms of knowledge worthy of being preserved on paper. I argue that De Passe, who was born into a prominent family of artists, championed the multi-purpose functionality of drawing skills, and that De Passe’s experience at Antoine de Pluvinel’s riding academy in Paris played a key role in the manual’s genesis, as well as in the creation, codification and stabilization of artistic knowledge. By examining forms of haptic engagement (such as traces of manipulation), I show how such manuals were used, collected, and prized as valuable objects in early modern Europe. Acquiring and cultivating drawing skills would become imbued with great epistemic, material, and monetary value for different types of publics in the long seventeenth century","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90047735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Preliminary Material 初步材料
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801001
Editors Netherlands Yearbook for History of
{"title":"Preliminary Material","authors":"Editors Netherlands Yearbook for History of","doi":"10.1163/22145966-06801001","DOIUrl":"https://doi.org/10.1163/22145966-06801001","url":null,"abstract":"","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73686583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lessons in Art, lessons for life 艺术课,人生课
IF 0.2 2区 艺术学
Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek Pub Date : 2019-08-05 DOI: 10.1163/22145966-06801002
A. Lehmann, E. Jorink, B. Ramakers
{"title":"Lessons in Art, lessons for life","authors":"A. Lehmann, E. Jorink, B. Ramakers","doi":"10.1163/22145966-06801002","DOIUrl":"https://doi.org/10.1163/22145966-06801002","url":null,"abstract":"","PeriodicalId":29745,"journal":{"name":"Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72687670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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