IF 0.1 2区 艺术学 0 ART
Caecilie Weissert
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引用次数: 0

摘要

1569年在安特卫普出版的《字母练习》在形式和内容上都是独一无二的,因为整本书都充满了丰富和变化。这篇文章展示了这本书是如何将书法教科书的要求、艺术大师(写作大师、装饰品的发明者和复制艺术家)的理想、鹿特丹的伊拉斯谟在他的教科书《De copia》中阐述的口才艺术的创造原则这三个不同领域结合在一起的。这里列出的理想是作为指导原则的视觉艺术家,他们的作品在书中展示,作者负责文本的选择和添加,以及书本身的用户。这本艺术书也向后者展示了书法艺术的困难和复杂,但也展示了书法艺术的美丽,并为读者提供了通过观察,阅读和模仿来练习的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Clément Perret’s Exercitatio alphabetica (1569)
The Exercitatio alphabetica, published in Antwerp in 1569, was unique in form and content because the whole book was packed with richness and variation. The article shows how this book brings together three different domains: the demands of calligraphic textbooks, the ideals of a virtuoso artist (the writing master, inventor of ornaments and reproduction artist), and the creative principles of the art of eloquence as formulated by Erasmus of Rotterdam in his textbook De copia. The ideals set out here were meant to act as guiding principles for the visual artists whose work the book displayed and for the authors who were responsible for text selection and additions, as well as for users of the book itself. This art book also showed the latter how difficult and complicated but also how beautiful the art of calligraphy could be, and provided readers the opportunity to practice through observation, reading, and imitation.
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CiteScore
0.10
自引率
50.00%
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