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Contemporaneity: Historical Presence in Visual Culture最新文献

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Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffitti Practice at the Carrie Furnaces 半球对话:探索过去与现在，工业与后工业之间的联系，通过在嘉莉炉特定地点的涂鸦实践
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.236
C. Bruce
{"title":"Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffitti Practice at the Carrie Furnaces","authors":"C. Bruce","doi":"10.5195/CONTEMP.2018.236","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.236","url":null,"abstract":"In this article, I briefly discuss a project I co-organized this year in collaboration with Oreen Cohen, Shane Pilster, Rivers of Steel, University of Pittsburgh, Pennsylvania Partners in the Arts, and the American Studies Association. Named “Hemispheric Conversations: Urban Art Project” we used international collaboration between artists in Chicago, Pittsburgh, and León Guanajuato Mexico as a platform for conversation about how to reimagine our shared urban spaces. In a political moment that might be a cause for despair, collaborative art practice in urban space can serve as one vehicle to reignite our shared sense of possibility and energy.","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128621200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blue Ruins: LaToya Ruby Frazier in Two Parts Blue Ruins: LaToya Ruby Frazier分两部分
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.261
Benjamin Ogrodnik
{"title":"Blue Ruins: LaToya Ruby Frazier in Two Parts","authors":"Benjamin Ogrodnik","doi":"10.5195/CONTEMP.2018.261","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.261","url":null,"abstract":"This review considers LaToya Ruby Frazier's work in The Notion of Family, LaToya Ruby Frazier, The Silver Eye Center for Photography, September 21– November 18, 2017 and On the Making of Steel Genesis: Sandra Gould Ford, LaToya Ruby Frazier, The August Wilson Center, September 22– December 31, 2017. ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125791694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Looking/Not Looking /看没看
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.269
A. Henderson
{"title":"Looking/Not Looking","authors":"A. Henderson","doi":"10.5195/CONTEMP.2018.269","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.269","url":null,"abstract":"Artist Portfolio","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115171996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Football 足球
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/contemp.2018.255
N. Simko
{"title":"Football","authors":"N. Simko","doi":"10.5195/contemp.2018.255","DOIUrl":"https://doi.org/10.5195/contemp.2018.255","url":null,"abstract":"Artist Portfolio ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123703297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“An Imagined Border of Safety, Humanitarian Relief, and Creativity”: J.M. Design Studio’s Other Border Wall Project “安全、人道主义救济和创造力的想象边界”:J.M.设计工作室的另一个边界墙项目
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.260
Nicole F. Scalissi
{"title":"“An Imagined Border of Safety, Humanitarian Relief, and Creativity”: J.M. Design Studio’s Other Border Wall Project","authors":"Nicole F. Scalissi","doi":"10.5195/CONTEMP.2018.260","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.260","url":null,"abstract":" In April 2017, J.M. Design Studio—three Pittsburgh-based artists and designers—responded to the  Customs and Border Protection's public request for proposals for a wall along the US-Mexico border. J.M. Design Studio then announced their own call for more border \"wall\" proposals from other artists. The following commentary details these prototype concepts and tracks the executive policies and rhetoric that established a foundation for the border wall.  This commentary also shows how J.M. Design Studio’s prototype submission and the subsequent artistic platform they initiated both model how creative connection and the co-option of established public channels are themselves acts of political resistance in an era of disrupted democratic participation and ossified partisanship. ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124540905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Coming to Confidence 建立自信
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.238
Cecelia Price
{"title":"Coming to Confidence","authors":"Cecelia Price","doi":"10.5195/CONTEMP.2018.238","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.238","url":null,"abstract":"Artist Portfolio ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122610094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gringolandia
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/contemp.2018.250
J. Roca Gonzalez
{"title":"Gringolandia","authors":"J. Roca Gonzalez","doi":"10.5195/contemp.2018.250","DOIUrl":"https://doi.org/10.5195/contemp.2018.250","url":null,"abstract":"Artist Portfolio ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125951805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Presenting Race: Institutional Contexts and Critiques 呈现种族:制度背景和批评
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.268
Marina Tyquiengco
{"title":"Presenting Race: Institutional Contexts and Critiques","authors":"Marina Tyquiengco","doi":"10.5195/CONTEMP.2018.268","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.268","url":null,"abstract":"This special issue was inspired by the inaugural Consortium Workshop, Race-ing the Museum, funded by the A.W. Mellon Foundation. The contributions are mostly drawn from the participants of the workshop and their collaborators and students on projects begun after the workshop. Coming from  anthropology, art, communication, education, and theatre arts, the articles in this edition are extremely diverse, taking a broad understanding of institutions. Like the workshop, this issue seeks to contribute to dialogues between fields surrounding issues of race, representation, and institutions.","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125680074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kanaka 'Ōiwi Critical Race Theory: Historical and Cultural Ecological Understanding of Kanaka 'Ōiwi Education Kanaka 'Ōiwi批判种族理论:Kanaka的历史和文化生态理解'Ōiwi教育
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.240
Nik Cristobal
{"title":"Kanaka 'Ōiwi Critical Race Theory: Historical and Cultural Ecological Understanding of Kanaka 'Ōiwi Education","authors":"Nik Cristobal","doi":"10.5195/CONTEMP.2018.240","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.240","url":null,"abstract":"The effects of colonization on Kanaka 'Ōiwi, the Indigenous people of Hawai'i, have led to the systematic distancing of Kanaka 'Ōiwi from their cultural ways of knowing, replacing it, instead with eurocentric standards of education that adversely impact Kanaka 'Ōiwi wellbeing. In this article, I provide an overview of the history of colonization of Kanaka 'Ōiwi through a critical race lens. Critical Race Theory and TribalCrit are reviewed in relation to their theoretical relevance to Kanaka 'Ōiwi epistemologies. A synthesis model of an adapted CRT and TribalCrit framework called, Kanaka'ŌiwiCrit is presented and discussed within the context of education as a space for resistance.","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123145356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
20/20: The Studio Museum of Harlem and the Carnegie Museum of Art 20/20:哈莱姆工作室博物馆和卡内基艺术博物馆
Contemporaneity: Historical Presence in Visual Culture Pub Date : 2018-10-30 DOI: 10.5195/CONTEMP.2018.267
R. Giordano
{"title":"20/20: The Studio Museum of Harlem and the Carnegie Museum of Art","authors":"R. Giordano","doi":"10.5195/CONTEMP.2018.267","DOIUrl":"https://doi.org/10.5195/CONTEMP.2018.267","url":null,"abstract":"Exhibition schedule: Carnegie Museum of Art, July 22–December 31, 2017 ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128753067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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