半球对话:探索过去与现在,工业与后工业之间的联系,通过在嘉莉炉特定地点的涂鸦实践

C. Bruce
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引用次数: 0

摘要

在这篇文章中,我简要地讨论了我今年与Oreen Cohen、Shane Pilster、Rivers of Steel、匹兹堡大学、宾夕法尼亚艺术合作伙伴和美国研究协会合作组织的一个项目。名为“半球对话:城市艺术项目”,我们利用芝加哥、匹兹堡和León墨西哥瓜纳华托的艺术家之间的国际合作作为一个对话平台,讨论如何重新构想我们共享的城市空间。在一个可能导致绝望的政治时刻,城市空间中的合作艺术实践可以作为一种工具,重新点燃我们共同的可能性和能量感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffitti Practice at the Carrie Furnaces
In this article, I briefly discuss a project I co-organized this year in collaboration with Oreen Cohen, Shane Pilster, Rivers of Steel, University of Pittsburgh, Pennsylvania Partners in the Arts, and the American Studies Association. Named “Hemispheric Conversations: Urban Art Project” we used international collaboration between artists in Chicago, Pittsburgh, and León Guanajuato Mexico as a platform for conversation about how to reimagine our shared urban spaces. In a political moment that might be a cause for despair, collaborative art practice in urban space can serve as one vehicle to reignite our shared sense of possibility and energy.
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