{"title":"Blue Ruins: LaToya Ruby Frazier分两部分","authors":"Benjamin Ogrodnik","doi":"10.5195/CONTEMP.2018.261","DOIUrl":null,"url":null,"abstract":"This review considers LaToya Ruby Frazier's work in The Notion of Family, LaToya Ruby Frazier, The Silver Eye Center for Photography, September 21– November 18, 2017 and On the Making of Steel Genesis: Sandra Gould Ford, LaToya Ruby Frazier, The August Wilson Center, September 22– December 31, 2017. ","PeriodicalId":296906,"journal":{"name":"Contemporaneity: Historical Presence in Visual Culture","volume":"123 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blue Ruins: LaToya Ruby Frazier in Two Parts\",\"authors\":\"Benjamin Ogrodnik\",\"doi\":\"10.5195/CONTEMP.2018.261\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This review considers LaToya Ruby Frazier's work in The Notion of Family, LaToya Ruby Frazier, The Silver Eye Center for Photography, September 21– November 18, 2017 and On the Making of Steel Genesis: Sandra Gould Ford, LaToya Ruby Frazier, The August Wilson Center, September 22– December 31, 2017. \",\"PeriodicalId\":296906,\"journal\":{\"name\":\"Contemporaneity: Historical Presence in Visual Culture\",\"volume\":\"123 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporaneity: Historical Presence in Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/CONTEMP.2018.261\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporaneity: Historical Presence in Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/CONTEMP.2018.261","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This review considers LaToya Ruby Frazier's work in The Notion of Family, LaToya Ruby Frazier, The Silver Eye Center for Photography, September 21– November 18, 2017 and On the Making of Steel Genesis: Sandra Gould Ford, LaToya Ruby Frazier, The August Wilson Center, September 22– December 31, 2017.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
